1,721,011 research outputs found
Design and experience in the perspective of Kees Dorst
Dünyadaki büyük kırılmalar ve inovasyonlar, tasarım içerisinde yeni dinamikleri ve oluşumları açığa çıkarmıştır. Özelliklede endüstriyel gelişmelerin ve ağ tabanlı sistemlerin hızlı değişim-etkileşim döngüsüne girmesi, tasarım süreçlerini ve tasarım problemlerini çözümleme yöntemlerinin tekrar sorgulanmasına neden olmuştur. Bu dönüşüm süreci içerisinde tasarımcıların sahip olduğu kişisel deneyimlerini yeniden değerlendirmesi ve yenilikçi yöntemlere yönelmesine yol açmıştır. Teknoloji ve ağ
tabanlı birleşimin yükselişe geçtiği dönemlerden bu yana, bir tasarımcı için ‘tasarım çerçevesinde düşünme’de; ilerleme, süreklilik, etkileşim gibi dinamik kavramlar, geleceğe yönelik tasarım özümlemelerindeki önemli sorgulamalar ve kaygılardır. Tasarımcılar yaşadıkları dönemde ve ileriki zamanlarda, karşılaşılacağı yeni problemlere farklı çözümlemeler ortaya koyması gerekecek. Kees Dorst, yeni çağın tasarımcısının problemlerini, özgünlük ve pratiklik anlamında açıklayarak, tasarımcıyı
iş üretebilme potansiyelini kurgulayabilen, hikâyesini ortaya koymaya çalışan yönlerini deneyim çerçevesinden çeşitli kategorilerle sunmuştur. Çalışmada Dorst’un yaklaşımından bir çıkış gerçekleştirilerek, “naif” ve “vizyoner” arasındaki farklı tasarımcı katmanlarını, deneyim kavramı kapsamında incelemek amaç edinilmiştir. Tasarımcıların deneyimi, teorik, pratik, eğitim ve sektör üzerine bulgular ile değerlendirilerek kuramsal yöntemle incelenmiştir. Araştırmada, vizyoner kategorisindeki tasarımcının üretim macerasında, sanat üretimleri ile de kendisini var edebilme kaygısının altı çizilmektedir. Sanat üretiminin, tasarımcının sektöre yönelik çalışmalarındaki özgünlüğünü açığa çıkaran bir aşama olduğu ve tasarımcının üretim boşluğunu böylelikle doldurabileceği ortaya çıkmaktadır.Major breaks and innovations in the world have revealed new dynamics and formations in design. In particular, the rapid change-interaction cycle of industrial developments and network-based systems has led to the questioning of design processes and methods of solving design problems. This transformation process has led designers to reevaluate their personal experiences and turn to innovative methods. Since the era when technology and network-based convergence were on the rise, for a designer, 'thinking in terms of design'; Dynamic concepts such as progress, continuity and interaction are important questions and concerns in future design analysis. Designers will have to come up with different solutions to the new problems they will encounter in their lifetime and in the future. Kees Dorst, by explaining the problems of
the designer of the new age in terms of originality and practicality, presented the aspects of the designer that can construct the potential to produce work and try to reveal his story, within the framework of experience, in various categories. In this study, it is aimed to examine the different layers of designers between the "naive" and "visionary" within the scope of the concept of experience, by making a departure from Dorst's approach. The experience of the designers was evaluated with the theoretical, practical, educational and sectoral findings and examined with the theoretical method. In the research, it is underlined the concern of the designer in the visionary category to be able to create himself with art productions in his production adventure. It turns out that the production of art is a stage that reveals the originality of the designer in his works for the sector and that the designer can thus fill the production gap
Stakeholder involvement facilitation: Reframe towards the common good
The research aims at designing an approach to support process developers at Schiphol Group to effectively incorporate their stakeholders within their project. The introduction of a common use departure hall at Amsterdam Airport Schiphol, has been a use case to explore the potential of the Frame Innovation method by Kees Dorst (2015). A proposed framework and facilitation tool for Process Developers is the result of adjusting Frame Innovation towards a feasible workshop facilitated by Process Developers.Design for Interactio
Design expertise
© 2009, Bryan Lawson and Kees Dorst. Published by Taylor & Francis. All rights reserved. This book is designed for all students, teachers, practitioners and researchers in architecture and design. To enable all readers to explore the book in a flexible way, the authors’ words are always found on the left hand page. On the right are diagrams, illustrations and the voices of designers, teachers and students and occasionally others too.'Design Expertise' provides a provocative new reading on the nature of design and creative thought.Design Expertise explores what it takes to become an expert designer.It examines the perception of expertise in design and asks what knowledge, skills, attributes and experiences are necessary in order to design well. Bryan Lawson and Kees Dorst develop a new model of design expertise and show how design expertise can be developed
Theme - Values-based Design as a Path to Action
Modern life is burdened with so many problems that even when a project succeeds, it can leave one with a sense of rearranging deck chairs on the Titanic. However, there is cause for optimism. As the preceding stories make clear, things get better when people get connected. Professor Kees Dorst helps us to understand this process and its importance
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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