1,720,954 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Three Essays on the Brand-Channel Interface: How Brand Equity Influences Distribution Channel Governance and Management

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    In this dissertation, I explore some facets of the strategic interaction between brand equity and distribution channels. Specifically, I examine how brand equity influences the firm’s channel governance and channel management strategies. In this regard, I address the following two general research questions: (a) does a firm’s brand equity influence the way it governs its distribution channel? How? (b) Does a firm’s brand equity influence the way it manages its distribution channel? How? Using a wide assortment of archival data sources (e.g., Bond's Franchise Guide, Entrepreneur’s Franchise 500, Factiva, LexisNexis, University of Chicago’s Center for Research in Security Prices, Compustat, Statista, firms’ annual reports, Bloomberg and Wall Street Journal databases, and companies’ official websites), two large multi-year data sets, a variety of econometric techniques (e.g., Event Study, Multiple Regression, Probit, Multi-level Mixed-Effects Linear Models, Multinomial Logistic Regression, Generalized Linear Models, Multinomial Probit, Maximum Likelihood, Bayesian Panel Vector Autoregression), and drawing on several theories from marketing, economics, business law, and strategic management, I uncover some interesting strategic interactions taking place at the brand-channel interface. This dissertation comprises five chapters: three empirical studies (chapters 2, 3, and 4), an introduction, and a conclusion chapter. In the introduction chapter, I provide a snapshot of the current state of knowledge in the brand-channel interface research domain and illustrate how I situate this dissertation within that body of research. Besides, I provide a more nuanced view about the specific research questions each study addresses and a glimpse into the findings and implications of each study, as an entry to the dissertation. In chapter 2, using a large panel data set of North American, franchise-level annual observations for the period from 2001 to 2009, I assess the causal link between brand equity and channel governance structure, and discuss the managerial implications of this relationship in the areas of channel governance and capital allocation decision-making. In chapters 3 and 4, I stay within the same overarching theme of this dissertation and delve into a business phenomenon taking place at the brand-channel interface – gray markets. Despite the interdisciplinary research interest in gray markets, it remains one of the least empirically researched topics in business management due to the well-known data accessibility issues. To circumvent those data barriers that impede empirical research on gray markets, I adopt a novel approach for data collection and analysis. To that end, I study the gray market combating behavior of more than 3,000 public companies, company-by-company, for a period of twenty years. Then, using a collection of archival data sources I assemble a unique data set to use in my analyses. In chapter 3, I undertake the first empirical inquiry into the effect of gray market combating on firm performance and the contingencies that govern this effect. In chapter 4, I conduct a comprehensive review of the gray market combating mechanisms present in the literature, review available theoretic arguments about them, posit theoretical relationships, and conduct the first assessment of the financial efficacy of those different combating mechanisms. Then, I identify a number of firm-level factors that may drive the firm’s choice of gray market combating mechanism. The findings of these two studies address some long-standing, focal research questions in the gray market literature, provide managers with many valuable, actionable insights and recommendations, and put before policymakers some novel, revealing scientific evidence that may help them in dealing with the gray market controversy (e.g., whether the net impact of gray markets on firm performance and social welfare is benign or harmful, the necessity and/or merit of an active legislative role). The conclusion chapter closes this dissertation by reflecting on the new knowledge created by this research and highlighting its significance to theory, practice, and policymaking.ThesisDoctor of Business Administration (DBA)The relationship between brand equity and distribution channel strategy is recognized in practice and is of particular interest to senior managers. However, research in marketing on the topic is scant and our understanding of this relationship remains limited. This dissertation endeavors to advance our knowledge in that area by investigating how a firm’s brand equity affects its channel management and channel governance behavior. Using a variety of research methods and statistical techniques, along with two large multi-year, multi-sector data samples, I document some interesting strategic interactions taking place at the brand-channel interface. Notably, I detect a causal influence for brand equity on the way a firm governs its distribution network. Additionally, I observe that brand equity is not only a major driver of certain strategic channel management initiatives (e.g., gray market combating), but also a key determinant of the financial efficacy of those initiatives. The findings of this research pose significant implications for theory, practice, and policymaking and address some questions that puzzled practitioners and scholars for more than three decades

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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