1,720,966 research outputs found
DBiC: Katye Coe
No full textKatye Coe is a dancer based in the UK. Her work as a performer spans over 20 years of international performance practice and as a dancer she collaborates currently with Joe Moran, Florence Peake, Jonathan Burrows and Matteo Fargion, Keira Greene, Charlie Morrissey, Stefan Jevanovic.Between 2008 and 2016 Katye was the founder director of Summer Dancing and Decoda. She was course director for Dance at Coventry University between 2010 and 2016. Katye teaches independently across the UK and internationally and her teaching practice is an extension of her performance practice. Katye is a certified Skinner Releasing Technique teacher.This film remembers different artists who have come to Coventry and been part of Summer Dancing and also discusses her own practice. Her daughter Talia is also featured in the film and shares her experience of dancing in the city of Coventry.Part of the Dancing Bodies in Coventry is a Coventry City of Culture 2021 funded project that was led by researchers from Coventry University’s Centre for Dance Research (C- DaRE). Dancing Bodies in Coventry is a multimedia project that will document the legacy of dance in the city of Coventry. The project aims to make films, podcasts, and visual banners, all shared at a public projections throughout the city of Coventry. The films sit online at the DBiC website.<br/
DBiC: Katye Coe
No full textKatye Coe is a dancer based in the UK. Her work as a performer spans over 20 years of international performance practice and as a dancer she collaborates currently with Joe Moran, Florence Peake, Jonathan Burrows and Matteo Fargion, Keira Greene, Charlie Morrissey, Stefan Jevanovic.Between 2008 and 2016 Katye was the founder director of Summer Dancing and Decoda. She was course director for Dance at Coventry University between 2010 and 2016. Katye teaches independently across the UK and internationally and her teaching practice is an extension of her performance practice. Katye is a certified Skinner Releasing Technique teacher.This film remembers different artists who have come to Coventry and been part of Summer Dancing and also discusses her own practice. Her daughter Talia is also featured in the film and shares her experience of dancing in the city of Coventry.Part of the Dancing Bodies in Coventry is a Coventry City of Culture 2021 funded project that was led by researchers from Coventry University’s Centre for Dance Research (C- DaRE). Dancing Bodies in Coventry is a multimedia project that will document the legacy of dance in the city of Coventry. The project aims to make films, podcasts, and visual banners, all shared at a public projections throughout the city of Coventry. The films sit online at the DBiC website.<br/
Running, Resistance, and Recollection: A conversation with ourselves through time
Get PDF(to) constantly vent is a performance work by Katye Coe. A solo or group of runners travel in continuous loops, venting through events, exhibitions, meetings, and the surrounding spaces. The work was commissioned for What_Now (2013) in London and re-commissioned for the Dancer As Agent conference (2013) at DOCH in Stockholm where it was a constant or persistent intervention through a conference all about the agency of the dancer. This outing bought with it wider conversations and meetings that have changed its (and Coe’s) practice and thinking. Continuing its journey, the work was then enacted at Performing Process: Sharing Practice symposium (2014) at Coventry University, and was later re-situated in the Hayward Gallery (2014-15), where the work occurred for 12-weeks as part of Volumes Project in the exhibition, MIRRORCITY.
Reflecting on the experience of venting in the Hayward Gallery, in this writing Coe and Hetty Blades, who also performed the work, recall their experiences, and respond to their questions about the practice through their fragmented memories and writing from others about running and memory
Dancing In Car Parks
No full textArtist pages co-authored by 'Funmi Adewole, Jonathan Burrows and Katye Coe, focussing on shifted perspectives on performance practice in a time of cuts to arts funding and global pandemic
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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