1,721,074 research outputs found
Kate Evans Cathcart Lindsay Papers - Accession 198
Full text linkKate Evans Cathcart Lindsay (1898-1975) was a Winthrop graduate (Class of 1919) and a former president of the Greenville, SC Chapter of the Winthrop Alumni Association. The Kate Evans Cathcart Lindsay Papers consist of a scrapbook and a diary relating to Mrs. Lindsay’s college days at Winthrop, as well as, correspondence and newspaper clippings pertaining to her role as the Greenville Alumni Association President. Correspondents include James P. Kinard and Shelton Phelps. The collection is a great source for information concerning student life at Winthrop (1915-1919) and of collegiate life during World War I.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/1348/thumbnail.jp
Soccer Player Kate Evans, 1986
No full textb&w photographVery good condition.Portrait of Kate Evans of Saint Mary's University women's soccer team
Sound clip 3: Horse Guards drumming. Sound credit - Kate Evans.
No full text<p>Sound clip 3: Horse Guards drumming. Sound credit - Kate Evans.</p>
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<p>Co-producing Mobilities</p>
<p>Sound clip 3: Horse Guards drumming. Sound credit - Kate Evans.</p
Events that shape the world
No full textKate Evans and guests reflect on cultural memory, history and place in contemporary society. As story tellers and artists they consider and untangle meaning and memory, loss and belonging, from big stories to more intimate ones - they’re all part of the Events that shape the worldThe second of four APT7 talks presented in collaboration with ABC Radio National. March 7th 2013 GoMA, Brisbane Guests Paula Abood Community development worker and activist Parastou Forouhar, Iranian-born, German-based contemporary artist featured in the current QAGOMA exhibition The 7th Asia Pacific Triennial of Contemporary Art Beck Cole Film director (Here I Am, 2011), television director (First Australians: The Untold Story of Australia, 2008), documentary filmmaker and screen writer; Nathalie Nguyen Associate Professor, National Centre for Australian Studies, Monash University and author of Memory is Another Country: Women of the Vietnamese Diaspora (2009). Moderator: Kate Evans Books + and Books and Arts Daily - ABC Radio National 
Comics Activism: An Interview with Comics Artist Kate Evans
Full text linkThis is an interview with comics artist Kate Evans, author of Red Rosa (2015) and Threads: From the Refugee Experience (2017), as well as a number of other comics, about her recent work, which operates at the intersection of several of the most exciting genre developments in comics in recent years. In the interview Evans reflects on recent shifts in comics journalism, as well as other trends in the field such as the rise of graphic memoir, through examples taken from Evans’s own work as well as that of Joe Sacco, Lynda Barry, Alison Bechdel and others
Karbiener, Karen, ed. Poetry for Kids: Walt Whitman. Illustrated by Kate Evans [review]
Full text linkReview of Karbiener, Karen, ed. Poetry for Kids: Walt Whitman. Illustrated by Kate Evans
Picture file 5: Being prompted by things on the journey. Photo credit – Kate Evans
No full text<p>Picture file 5: Being prompted by things on the journey. Photo credit – Kate Evans</p>
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<p>Co-producing Mobilities </p
Jornalismo e quadrinhos: um olhar sobre “refugiados”, de Kate Evans
Full text linkA monografia a seguir tem a intenção de analisar o gênero conhecido como jornalismo em quadrinhos a partir da obra “Refugiados: A Última Fronteira”, da cartunista e ativista britânica Kate Evans. A ideia é compreender a integração do jornalismo com as histórias em quadrinhos a partir da técnica de estudo de caso descritiva utilizando como principal autor de referência Yin (2001). Além dele outros autores complementam a lista de referências como Traquina (2005) e Nascimento (2009) que são utilizados para explicar as técnicas jornalísticas e ajudar na compreensão da narrativa da profissão. Já McCloud (2005) funciona como principal fonte ao elucidar os métodos utilizados na produção das narrativas gráficas. Outrem, como Dutra (2003), Souza Júnior (2010) e outros autores utilizados mais pontualmente, terão suas análises aplicadas complementarmente ao estudo no que diz respeito tanto às obras que estão diretamente relacionadas as histórias em quadrinhos, quanto as que são provenientes das narrativas jornalísticas.The following monograph intends to analyze the genre known as comics journalism based on the work “Threads: From the Refugee Crisis”, by British cartoonist and activist Kate Evans. The idea is to understand the integration of journalism with comic books from the technique of descriptive case study using as the main author of reference Yin (2001). In addition to him, other authors complement the list of references such as Traquina (2005) and Nascimento (2009), which are used to explain journalistic techniques and help in understanding the narrative of the profession. McCloud (2005) works as the main source to elucidate the methods used in the production of graphic narratives. Others, such as Dutra (2003), Souza Júnior (2010) and other authors used more occasionally, will have their analyzes applied as a complement to the study regarding both the works that are directly related to the comic books, as well as those that come from the journalistic narratives
<i>La Rosa Roja</i> (2017) de Kate Evans
No full text“Mirar con el corazón en los ojos”. Esto que leí alguna vez en palabras de Ana García Orsi es lo primero que pienso cuando me propongo contar la mirada de Kate Evans sobre Rosa Luxemburgo en La Rosa Roja. También así, con el corazón en los ojos, nos invita a leerla. Leer, mirar y más, porque se trata de una biografía gráfica que excede el formato del cómic: La Rosa Roja, al menos en su edición en español, es un dispositivo sinestésico construido al margen de toda tecnología 4D; por el contrario, configurado con recursos si se quiere artesanales, predigitales y algunos hasta casuales. Un cuerpo poético por donde se lo mire, hasta desde antes de comprarlo, cuando preguntamos cuánto sale y nos dicen 500 pé. Ahí ya empezamos a querer esta obra. Luego sus hojas, la textura rústica y áspera que huele a manifiesto, a tinta fresca, nos sitúan junto a Rosa, en la barricada.Facultad de Humanidades y Ciencias de la Educació
RE-DRAWING HETEROTOPIAS: CHALLENGING REFUGEE CAMPS AS OTHER SPACES IN KATE EVANS’ THREADS: FROM THE REFUGEE CRISIS
Full text linkThis essay deals with the “other” spaces that migrants, refugees, asylum seekers find themselves inhabiting within the borders of European nation states. It concentrates on refugee camps in general, and on the Calais “Jungle” in particular. On the model of Michel Agier, I will talk of refugee camps as “heterotopias” adapting the concept developed by Michel Foucault in 1967. I will then concentrate on Kate Evans’ graphic reportage, Threads: From the Refugee Crisis – a first-hand account of the time the author spent in the Calais camp – and I will explore how the comic book illustrates, but also challenges and resists the perception of the camp as “other space” and, therefore, as a space of otherness
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