4,566 research outputs found

    'F- F- Felt it': Breathing Feminist, Queer and Clown Thinking into the Practice and Study of Sarah Kane’s Cleansed and Blasted

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    This thesis uses studio practice, scholarly research, close reading of text, performance observation and conversation with practitioners to establish diverse readings of Sarah Kane’s Cleansed. It includes original material from the 2012 productions of Cleansed in Japan (Kamome-za Fringe Theatre), and in Ireland (Bare Cheek Theatre). It notes practice on Cleansed in gallery spaces (Cast-Off Drama, UK). It offers a dramaturgical approach to workshopping the play from a feminist and queer position, informed by theories of gender and transgender, and the marginalised, loving and delinquent practice of clowning. The research discusses principles of breath, voice and sexuate difference drawing primarily on the philosophies of Luce Irigaray, on the voice practice of Cicely Berry and the clown teaching of Sue Morrison. The work challenges the ‘in-yer-face’ theatre discourse on Kane arguing that it represents a McDonaldization of its subject matter, and an insidious trivialisation of her texts. It offers new thinking on the opening night of Blasted (1995), suggesting that the ‘furore’ was fuelled by collective male hysteria and superstition; its roots centred in mourning. Analysing Cleansed in relation to Edward Bond’s Saved and Lear, it explores tropes of ghosts, stitching and the silent scream, and argues that Kane militates for gynocentric time and becoming. It analyses the symbol of the perimeter fence as a feature of 1980s Britain, noting the strength of binary associations configured in it with reference to both English football hooliganism (male) and the Greenham Common Women’s Peace Camp (female). It argues that Kane sets up heteronormative binaries in Cleansed to debate and contest them. A key conclusion of the thesis is that Cleansed politically addresses and dramatises issues of transgender experience presenting accounts of gender violence, mutability, transitioning, the sharp fractures and silences of gender dysphoria, but also, ultimately, queer desire, love and optimism

    Letter from J. R. Eakin to Stephen Mather

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    Letter from J. R. Eakin to Stephen T. Mather about expenses and reconstruction of the Kaibab Trail

    The Value and Impact of Seminary Training

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    Interview by Joshua Shuart of R. Stephen Shuart, of Stephen Shuart Export Co. The Reverend R. Stephen Shuart is an Episcopal priest by profession. He is rector of two parishes and serves on the Diocesan Financial Committee and as a rural dean. However, he has spent most of his wage-earning life as owner/operator of Stephen Shuart Export Co., an internationally known photographic business, located in Kane, Pennsylvania. Shuart’s unique entrepreneurial endeavor has been the subject of a televised news feature, and the object of camera collectors’ attention since his company’s inception in the early 1970s

    Letter from J. R. Eakin to Stephen Mather

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    Letter from J. R. Eaking to the National Park Service director about changes to the Grand Canyon National Park boundaries, and access to water near the Buggeln property on Desert View road

    The Treatment of Rape in Women's Performance Art and Sarah Kane's 'Blasted'.

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    This was a Master's thesis, produced as part of the MA in Writing for Performance course at the University of Huddersfield, 2007-8. the dissertation was submitted and passed in April 2008, and was produced under Dr Linda Taylor. It situates Sarah Kane's work in a context and heritage of feminist performance art from the 1950s onwards. It discusses how performance artists such as Ana Mendieta, Yoko Ono, Suzanne Lacy, Judy Chicago, Niki de Saint-Phalle, Valerie Export, the Womanhouse project, Tracey Emin, Karen Finley and Jenny Holzer worked with the theme of rape, before analysing how Sarah Kane treated this in her 1995 play 'Blasted'

    The value and impact of seminary training

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    The Reverend R. Stephen Shuart is an Episcopal priest by profession. He is rector of two parishes and serves on the Diocesan Financial Committee and as a rural dean. However, he has spent most of his wage-earning life as owner/operator of Stephen Shuart Export Co., an internationally known photographic business, located in Kane, Pennsylvania. Shuart℉s unique entrepreneurial endeavor has been the subject of a televised news feature, and the object of camera collectorsʼ attention since his company℉s inception in the early 1970s.</jats:p

    sj-docx-2-uro-10.1177_20514158231190949 – Supplemental material for Stress among UK consultant urologists and factors influencing when they leave full-time NHS practice

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    sj-docx-2-uro-10.1177_20514158231190949 for Stress among UK consultant urologists and factors influencing when they leave full-time NHS practice by Stephen R Payne, Amy Kane, Kevin Thomas, Helen Bolderston, Maddy Greville-Harris and Kevin J Turner in Journal of Clinical Urology</p

    sj-docx-3-uro-10.1177_20514158231190949 – Supplemental material for Stress among UK consultant urologists and factors influencing when they leave full-time NHS practice

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    sj-docx-3-uro-10.1177_20514158231190949 for Stress among UK consultant urologists and factors influencing when they leave full-time NHS practice by Stephen R Payne, Amy Kane, Kevin Thomas, Helen Bolderston, Maddy Greville-Harris and Kevin J Turner in Journal of Clinical Urology</p

    sj-docx-1-uro-10.1177_20514158231190949 – Supplemental material for Stress among UK consultant urologists and factors influencing when they leave full-time NHS practice

    No full text
    sj-docx-1-uro-10.1177_20514158231190949 for Stress among UK consultant urologists and factors influencing when they leave full-time NHS practice by Stephen R Payne, Amy Kane, Kevin Thomas, Helen Bolderston, Maddy Greville-Harris and Kevin J Turner in Journal of Clinical Urology</p
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