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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Perception and Extramission in De quantitate animae

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    Augustine is commonly interpreted as endorsing an extramission theory of perception in De quantitate animae. A close examination of the text shows, instead, that he is committed to its rejection. The discussion ends with some remarks about what it takes for an account of perception to be an extramission theory and with a review of the strength of evidence for attributing the extramission theory to Augustine on the basis of his other works

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Realistic fictionalism

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    Realistic Fictionalism, argues for two main claims: First, that there is no conceptual or logical incoherence in the idea of a fictionalist theory of some discourse which accommodates a form of realism about that discourse (a claim which has been made in passing by various people, but which has never been adequately explored and assessed); and Second, that just such a fictionalist theory promises to be the best theory of our ordinary moral commitments, judgements and deliberation. In Part I, I explore the spirit of fictionalism and argue that thinking of fictionalism as closely tied to an analogy between its target discourse and fiction is liable to be misleading and is not mandatory. It emerges that the fictionalist’s strategy requires just a semantic thesis (representationalism) and a thesis about the sort of ‘acceptance’ appropriate for some practice involving their target discourse (nondoxasticism). I offer a theory of what ‘acceptance’ is, which treats belief as a mode of acceptance and distinguishes the nondoxastic modes of acceptance from belief in a principled and independently plausible way. And I argue that the coherence of realistic fictionalism is preserved by the fact that a person (the realistic fictionalist) can perfectly coherently both believe and nondoxastically accept the same claims. In Part II, I employ the theory of acceptance developed in Part I to propose a fictionalist model of how our ordinary moral commitments often are and generally ought to be. I then give an argument to the conclusion that, in respect of the relation between moral commitment and action guiding at least, it would be better if our moral commitments were to be nondoxastic. I then argue that realistic fictionalism offers a better way of explaining why we ought to have any moral commitments at all than a non-realist fictionalist theory could
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