1,720,958 research outputs found
GIF's made from L'Estrange images: 2021
No full textThe photos used in this entry come from the collection QUT Alumni Donations which is one of the QUT Digital Collections. These photos were taken around the turn of the 20th century and have been digitised from glass plates. They have a wide geographic origin and were taken by R.A.H. L’Estrange (b. 1858 – d. 1941) an amateur photographer who emigrated from Ireland to Queensland, Australia. For more information about please see: Photos and life story of Robert Augustus Henry L'Estrange, b.1858- d.194
GIF's made from L'Estrange images: 2020
No full textThe photos used in this entry come from a new collection QUT Alumni Donations which is one of the QUT Digital Collections. These photos were taken around the turn of the 20th century and have been digitised from glass plates. They have a wide geographic origin and were taken by R.A.H. L’Estrange (b. 1858 – d. 1941) an amateur photographer who emigrated from Ireland to Queensland, Australia. For more information about please see: Photos and life story of Robert Augustus Henry L'Estrange, b.1858- d.194
Traversing the Globe: the L'Estrange photographic legacy (Australian Heritage Festival) People colouring book
Get PDFThe line drawings in this colouring book come from photographs in the QUT Alumni Donations collection. These photos were taken around the turn of the 20th century and have been digitised from lantern slides and glass plates. They have a wide geographic origin and were taken by R.A.H. L’Estrange (b. 1858 – d. 1941) an amateur photographer who emigrated from Ireland to Queensland, Australia. For more information about please see: Photos and life story of Robert Augustus Henry L'Estrange, b.1858- d.194
Traversing the Globe: the L'Estrange photographic legacy (Australian Heritage Festival) Places colouring book
Get PDFThe line drawings in this colouring book come from photographs in the QUT Alumni Donations collection. These photos were taken around the turn of the 20th century and have been digitised from lantern slides and glass plates. They have a wide geographic origin and were taken by R.A.H. L’Estrange (b. 1858 – d. 1941) an amateur photographer who emigrated from Ireland to Queensland, Australia. For more information about please see: Photos and life story of Robert Augustus Henry L'Estrange, b.1858- d.194
Fashion drawings
Get PDFThese fashion drawings were by Phyllis Meiklejohn (nee Kennedy 01/05/1935) who attended Kelvin Grove Teachers College on a full scholarship and graduated in 1955 as a Domestic Science teacher.
The following information has been provided by the Meiklejohn Family for historical accuracy and description of the items:
During her years at Teachers College, Phyllis Meiklejohn designed fashion drawings as part of her course. From one particular drawing she made a replica 80cm period doll by hand. Her siblings can remember Phyl working many hours over three months sewing on every sequin by hand, stuffing the doll and hand stitching the clothes. This is all remarkable considering that as a young child, Phyl overcame an eye sight deficiency caused by ‘sandy-blight’. Phyl’s father made a glass display cabinet for it. The doll was always a part of her life and her family, even travelling all around Queensland when her husband, Gordon was transferred in the Education Department. The family has now brought the doll a full circle and donated it to QUT
Fashion doll (Photogrammetry)
No full textThis doll was created by Phyllis Meiklejohn (nee Kennedy 01/05/1935) who attended Kelvin Grove Teachers College on a full scholarship and graduated in 1955 as a Domestic Science teacher.
The following information has been provided by the Meiklejohn Family for historical accuracy and description of the items:
During her years at Teachers College, Phyllis Meiklejohn designed fashion drawings as part of her course. From one particular drawing she made a replica 80cm period doll by hand. Her siblings can remember Phyl working many hours over three months sewing on every sequin by hand, stuffing the doll and hand stitching the clothes. This is all remarkable considering that as a young child, Phyl overcame an eye sight deficiency caused by ‘sandy-blight’. Phyl’s father made a glass display cabinet for it. The doll was always a part of her life and her family, even travelling all around Queensland when her husband, Gordon was transferred in the Education Department. The family has now brought the doll a full circle and donated it to QUT
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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