1,648 research outputs found
Street theatre of Viktor Braunreiter
No full textPráce přibližuje historii, tvorbu a poetiku amatérského souboru Pouliční divadlo Viktora Braunreitera. Tento amatérský soubor vznikl v roce 2006. Jeho zakladatelem, vedoucím, autorem, hercem, režisérem je Viktor Braunreiter. Dnes, po deseti letech intenzivní divadelní práce, se mu podařilo vybudovat soubor s výrazným puncem kvality a autorské originality. Tvorba souboru je pestrá. Míst a prostředí, kde bychom se s poetikou PDVB mohli potkat, je mnoho. Jedním z hlavních přínosů PDVB pro širokou veřejnost je tzv. "oživování" vybraných míst či prostředí, která divadelníci dramaticky umocňují. Kritika tvorby PDVB bývá většinou pozitivní. Kladné ohlasy přicházejí od diváků, ale i od zasvěcené kritiky. Hlavním poznávacím znamením tvorby PDVB je lidový, ale nikoli primitivní humor a nezbytná nadsázka, ironie i sebeironie. Tvůrčí originalita, invence, nezaměnitelnost, píle a chuť se nadále rozvíjet spolu s širokou a věrnou diváckou platformou staví PDVB do pozice předního regionálního amatérského souboru se sílícími ambicemi tyto hranice překonat.ObhájenoThis work represents the history, production and poetics Viktor Braunreiter´s street theatre. This an amateur aggregate, which came into existence in year 2006. Viktor Braunreiter is its founder, leader, author, actor and also a director. Today, after ten years of intensive theatre work, he managed to build up the company with strong mark of quality and author´s originality. Production of company is varied. Places and environments, where we could meet PDVB´s poetic, are a lot, either at the castle courtyards or in Czech town´s streets, but also in the primary and secondary schools. One of the main PDVB´s benefit for general public is so called "resuscitate" representative places or environments, which theatre actors intensify dramatically. Criticism of PDVB´s creation used to be almost positive. Affirmative reactions come from the spectators, but also from privy critics. The main tell-tail sign of PDVB´s creation is folk, but not primitive humour and absolutely necessary exaggeration, irony and self-irony. Creative originality, invention, unmistakable, diligence and desire to be also developing together with wide and regular spectator´s platform put PDVB into position of leading local amateur company with growing stronger ambition surpass these bounds
Limitations and possibilities in painting: tracing the unrepresentable
No full textM.F.A.Includes bibliographical references (p. 13)by Viktor Lukas Witkowsk
Viktor Krupa, as I Knew Him
No full textAbstract
The paper is dedicated to Viktor Krupa, the famous linguist and orientalist as well as long-time friend and colleague of the author of the paper that celebrates his life anniversary – the eightieth birthday. The author deals not only with numerous book publications and studies of Viktor Krupa focused first of all on important linguistic theoretical, typological and orientalist works, but he also analyses his other books. Viktor Krupa is an author of numerous ethnological and folkloristic works, translator of more than 100 books from the world as well as oriental languages and he published many travel and adventure books. The author speaks also about some milestones in the life of Viktor Krupa and he tries to characterise the nature, which enabled Viktor Krupa to become one of the most significant authors of the contemporary Slovak and European oriental studies and linguistics as a whole.</jats:p
Croatian citizenship regime and contested categories of Croatian citizens: Ethnic Croats abroad, Serb minority and Croatian defenders of the Homeland War (D4.7)
No full textThe existing research on the Croatian citizenship defines several stages of the development of the Croatian citizenship regime (Ragazzi & Štiks 2009; Djuric 2010; Štiks 2010b; Koska 2011; 2012; Ragazzi, Štiks & Koska 2013; Baričević & Hoffman 2014). The first decade of Croatian independence was marked by the disputes over the status dimension of citizenship, where the criteria for the membership in the newly formed citizenry had to be defined. Within this stage, the generous provisions for the inclusion of ethnic Croats regardless their residency have been enacted, while the provisions for exclusion of certain categories of non-Croat ethnic residents were implemented. The second stage which literature perceives to have start in 2000 (Petričušić 2004; Jović & Lamont 2010; Djuric 2010; Štiks 2010b; Koska 2012) was marked by liberalization of the discussions over the rights dimension of Croatian citizenship. The final stage involves the changes and impact on the Croatian citizenship regime that emerged in the aftermath of the Croatian membership to EU. Since Croatia has been an EU member state for only three years, the exploration of the changes of the Croatian citizenship regime with the EU have not been addressed so far. The task of this study is to explore the key political debates that emerged in the context of the previous developments of the Croatian citizenship regime.
Throughout all three stages, idea of membership to EU played a very important role in Croatian project of nation and statehood building; during the 1990s it was perceived as a long term guarantee of Croatian sovereignty, statehood stability and economic prosperity. The 2000s until the accession were marked by democratic changes and the legislative reification of the discriminatory policies and shortcoming of the regime of the 1990s, which were largely influenced by the meeting the requirements of the EU accession, which was set as the primary national priority and goal. The last stage, which have started in the eve of the accession and continued till today, is marked by the return of the identity disputes regarding the Croatian state and the membership identity. As this report will highlight, the first three years of EU membership did not build on the previous decades’ accomplishments of more inclusionary policies towards minorities; instead, Croatia has witnessed the revival of the nationalist discourse which is today in the media often framed under the term ‘conservative revolution
Våra favoriter bland Viktor Rydbergs dikter
No full textThis antology includes 24 poems by Viktor Rydberg. Each poem has an introducing essay written by a scholar, a teacher, a journalist or an author
Unclear to Viktor Hamburger, 1934
No full textReassures Hamburger that author will support his decision regarding Hamburger's offer in OdessaHandwritten letter; good condition1 pageCorrespondenc
Report on political participation of mobile EU citizens : Croatia
No full textThis report explores challenges to political participation of mobile EU citizens in Croatia. It discusses electoral rights of non-resident citizens and non-citizen residents from the EU in European Parliament and local elections. The report also offers recommendations on how to increase political participation of mobile EU citizens in this country.This report was funded by the European Union's Rights, Equality and Citizenship Programme (2014-2020). The content of this report represents the views of the author only and is his/her sole responsibility. The European Commission does not accept any responsibility for use that may be made of the information it contains
Våra favoriter bland Viktor Rydbergs dikter [Elektronisk resurs]
No full textThis antology includes 24 poems by Viktor Rydberg. Each poem has an introducing essay written by a scholar, a teacher, a journalist or an author
Lost World in Proses of Viktor Fischl
No full textThe diploma work The Lost World in Proses of Viktor Fischl deals with prosaic production of Viktor Fischl with the intention to find so-called lost world, which is mentioned in several texts (fiction and non-fiction). First two chapters of this work develop a methodology and definitions of the subject, which is going to be talked about - about an author and his conception. The work is based on literature concepts like implication author and model author, which is for many different conceptions necessary to define and create a model suitable for the needs of this work. After the definition of subject and borders, in which this whole work is going to be based on in a frame of interpretation, next chapters develop each of motives (like animals, characters, holocaust etc.) and topics (myth, women, collecting), which are to be found in Viktor Fischl´s work. The greatest attention is devoted to space in a fiction world. Through a summary of these motives and other topics, the lost world, which gave the name of this work, is going to be interpreted
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