1,721,787 research outputs found
Études ottomanes
Vatin Nicolas, Kolovos Elias. Études ottomanes . In: École pratique des hautes études. Section des sciences historiques et philologiques. Livret-Annuaire 21. 2005-2006. 2007. pp. 67-73
Études ottomanes
Vatin Nicolas, Kolovos Elias. Études ottomanes . In: École pratique des hautes études. Section des sciences historiques et philologiques. Livret-Annuaire 21. 2005-2006. 2007. pp. 67-73
Vermont Folklife Center AFS Infrastructure Report
ReportIn Spring of 2012 the Board of Trustees of the Vermont Folklife Center
(VFC) appoitned Gregory Sharrow and Andy Kolovos to the positions of Co-
Executive Directors of the organization. As they explored their new
responsiblities, Kolovos and Sharrow hoped to create a more lateral and
democratic internal organization for VFC with the goal of broadening out decision
making and sharing executive responsiblities among all VFC staff. What followed were several years of ad-hoc experimentation that produced many organizational sucessess as well as a hightened sense of staff cohesion and engagement. However, as VFC sought to hire new staff members it became clear that the adhoc processes of the past would need to be rendered more transparent, be better structured, and more formalized. To this end VFC staff members began to search for models of decentralized organizational systems they could use to inform the establishment of a new organizational structure for VFC
Scalability in Model Driven Engineering
As Model Driven Engineering (MDE) is increasingly applied to larger and more complex systems, the current generation of modelling and model management technologies are being pushed to their limits in terms of capacity and efficiency. As such, additional research and development is imperative in order to enable MDE to remain relevant with industrial practice and to continue delivering its widelyrecognised productivity, quality, and maintainability benefits. The need to reflect upon scalability in MDE led us to organise the 1st BigMDE international workshop co-located with the STAF (Software Technologies - Applications and Foundations) conferences, which was held at the Budapest University of Technology and Economics, Budapest, Hungary, during June 17-20, 2013. Copyright 2013 ACM
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
"Roumen Avramov, Aleksandar Fotić, Elias Kolovos & Phokion P. Kotzageorgis, eds., Monastic Economy across Time. Wealth Management, Patterns, and Trends. Sofia: Centre for Advanced Study, 2021, 316 p."
Review of the edited volume: Roumen Avramov, Aleksandar Fotić, Elias Kolovos & Phokion P. Kotzageorgis, eds., Monastic Economy across Time. Wealth Management, Patterns, and Trends. Sofia: Centre for Advanced Study, 2021, 316 p
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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