1,721,008 research outputs found
Audiovisual: A narrow gene encoding an extracellular matrix is involved in the formation of the footpad hairs in Drosophila melanogaster
Movie 6 Climbing behavior on rough surface in nwB /CyO female mutants nwB /CyO female flies are able to climb the rough wall of the filter paper
Audiovisual: A narrow gene encoding an extracellular matrix is involved in the formation of the footpad hairs in Drosophila melanogaster
Movie 1 Climbing behavior on smooth surface in wild-type male flies Wild-type female flies (CS strain) are able to climb the smooth wall of the culture bottle
Audiovisual: A narrow gene encoding an extracellular matrix is involved in the formation of the footpad hairs in Drosophila melanogaster
Movie 4 Climbing behavior on smooth surface in nwB /CyO female mutants More than half of the nwB /CyO female mutants are unable to climb the smooth wall of the culture bottle
Audiovisual: A narrow gene encoding an extracellular matrix is involved in the formation of the footpad hairs in Drosophila melanogaster
Movie 3 Climbing behavior on smooth surface in nwB /CyO male mutants About half of the nwB /CyO male mutants are unable to climb the smooth wall of the culture bottle
Audiovisual: A narrow gene encoding an extracellular matrix is involved in the formation of the footpad hairs in Drosophila melanogaster
Movie 5 Climbing behavior on rough surface in wild-type female flies Wild-type female flies of the CS strain are able to climb the rough wall of the filter paper
Audiovisual: A gain-of-function mutation in head involution defective, Wrinkled, causes precocious cell death of wing epidermal cells in Drosophila
Movie 2 Blister wings caused by precocious cell death in a hidW mutant Although a hidW /TM6b mutant fly showed normal wing extension behavior, adhesion of two layers of the dorsal and ventral cuticles of the wings was disrupted by precocious cell death, resulting in the formation of blister wings during extension
Audiovisual: A narrow gene encoding an extracellular matrix is involved in the formation of the footpad hairs in Drosophila melanogaster
Movie 2 Climbing behavior on smooth surface in wild-type female flies Wild-type male flies (CS strain) are able to climb the smooth wall of the culture bottle
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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