1,720,975 research outputs found
<Book Reviews> Kay Kaufman Shelemay. Soundscapes. New York: University of Illinois Press, 2001, 393p
MUSICAL PERFORMANCE AND SELF-DESIGNATION OF ETHIOPIAN MINSTRELS: AZMARI
The performance of Ethiopian minstrels (Azmari) in the Gondar area of Northern Ethiopia can be seen in various social settings including life cycle celebrations, annual events of the Ethiopian Orthodox church, Zar-spirit possession, etc. The abundance of musical activities counters the dominant image of Azmari as musicians just found in local bars. Moreover, Azmari in Gondar share a self-designation based on genealogical ties. The paper treats their folk category as well as genealogy and code of communication as self-imposed group markers that strictly distinguish the in-group. The paper tries to reconstruct the people who have been known as "Azmari" from the above perspectives
INTERCULTURAL DIALOGUE ON THE VISUALIZATION OF LOCAL KNOWLEDGE: FILMS ON HEREDITARY SINGERS IN ETHIOPIA
INTERCULTURAL DIALOGUE ON THE VISUALIZATION OF LOCAL KNOWLEDGE: FILMS ON HEREDITARY SINGERS IN ETHIOPIA
This paper explores the constructive dialogue between an anthropologist/filmmaker and the audience on the visualization of knowledge through anthropological films. The dominant discourse in visual anthropology has paid insufficient attention to the general viewer's role in the construction of meanings and evaluation of ethnographic inquiry. This paper examines how viewers from different cultural/screening contexts interpret and respond to my works on musicians and children in Ethiopia. It also seeks ways to project the active voice of the audience in regard to the development of existing ideas on how local knowledge is best conveyed via visual media. I consider cases from academic film festivals in Europe, screening seminars among Ethiopian immigrants in North America, discussions via blogs and university lectures in Japan. The paper focuses on the role of the audience in the formation and rediscovery of cultural identity with regard to local knowledge presented via filmic documentation, and explores the appropriate manner of film-presentation in the form of montage and screenings, on the basis of my experience using films as an educational medium
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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