7,994 research outputs found
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Kinetics and mechanism of unimolecular decomposition of 3-methyl-1para-tolyltriazene
No full textPT: J; CR: ALBERT K, 1976, B CHEM SOC JPN, V49, P2537 CSERHEGYI A, 1971, MAGY KEM FOLY, V77, P607 CURCI R, 1973, SPECTROSC LETT, V6, P293 DAVIES GL, 1956, J CHEM SOC, P4397 DAVIES GL, 1972, COMPREHENSIVE CHEM K, V5, P582 ENGEL PS, 1980, CHEM REV, V80, P102 ISAACS NS, 1974, J CHEM SOC P2, P899 ISAACS NS, 1974, J CHEM SOC P2, P902 JONES CC, 1980, J CHEM SOC CHEM COMM, P322 KRYGER RG, 1977, J AM CHEM SOC, V99, P7589 PRYOR WA, 1970, J AM CHEM SOC, V92, P5403 SEEMAN JI, 1978, J ORG CHEM, V43, P1854 VAUGHAN K, 1977, J CHEM SOC P2, P17 VAUGHAN K, 1978, CHEM SOC REV, V7, P377; NR: 14; TC: 4; J9: CAN J CHEM; PG: 4; GA: LH023Source type: Electronic(1
Vaughan, K M, 437029
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/422954Surname: VAUGHAN. Given Name(s) or Initials: K M. Military Service Number or Last Known Location: 437029. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 56597.249469
Item: [2016.0049.55215] "Vaughan, K M, 437029
P Bendzsa, P Gardner, K Greene, K Keirstead Mills, R Vaughan, M Volk (24 October 1981)
No full textP Bendzsa, P Gardner, K Greene, K Keirstead Mills, R Vaughan, M Volk (24 October 1981
Some Comments on the Question Whether Co-occurrence Data Should Be Normalized
No full textIn a recent paper in the Journal of the American Society for Information Science and Technology, Leydesdorff and Vaughan assert that raw cocitation data should be analyzed directly, without first applying a normalization like the Pearson correlation. In this report, it is argued that there is nothing wrong with the widely adopted practice of normalizing cocitation data. One of the arguments put forward by Leydesdorff and Vaughan turns out to depend crucially on incorrect multidimensional scaling maps that are due to an error in the PROXSCAL program in SPSS.Multidimensional scaling;Author cocitation analysis;Co-occurrence data;Normalization;PROXSCAL;Pearson correlation
Autograph of Henrietta Eliza Vaughan Palmer Stannard (John Strange Winter)
No full textabstract: Concerning the autograph of Henrietta Eliza Vaughan Palmer as John Strange Winter.Condition of Original: Rust marks from a removed staple on upper left corner. Originally folder. Glued.Transcription Details: This is my autograph, written for Mr. M Hyam- {?word}. What will he do with it?
John Strange Winter
N.B. {?word word} the shilling in the {?word}- of the 27 which are owing.Creation Date Details: Undated range is the author's lifespan
Some Comments on the Question Whether Co-Occurrence Data Should Be Normalized
No full textIn a recent article in JASIST, L. Leydesdorff and L. Vaughan (2006) asserted that raw cocitation data should be analyzed directly, without first applying a normalization such as the Pearson correlation. In this communication, it is argued that there is nothing wrong with the widely adopted practice of normalizing cocitation data. One of the arguments put forward by Leydesdorff and Vaughan turns out to depend crucially on incorrect multidimensional scaling maps that are due to an error in the PROXSCAL program in SPSS.multidimensional scaling;PROXSCAL;Pearson correlation;author cocitation analysis;co-occurrence data;normalization
Diseases and insect pests of cane fruits in Oregon
No full textEdward K. Vaughan and R.G. Rosenstiel.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Experimental Practice: Provocations In and Out of Design
No full textAs an exhibition, round-table discussion and workshop, Experimental Practice: Provocations In and Out of Design investigates how new hybrid practices and collaborations are negotiating complex social and environmental challenges. The exhibition presents a number of projects in which art and design strive to make a difference within the specific communities in which they are situated. Curated by Katherine Moline (UNSW), Brad Haylock and Laurene Vaughan (RMIT), Experimental Practice is the second iteration of the exhibition and symposium Feral Experimental: New Design Thinking, shown at UNSW Galleries, Paddington, in 2014
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