1,721,438 research outputs found
K. Lehmann. Samothrace, I : The ancient literary sources
No full textJeanmaire H. K. Lehmann. Samothrace, I : The ancient literary sources. In: Revue de l'histoire des religions, tome 158, n°2, 1960. pp. 238-239
K. Lehmann, Der Tod bei Heidegger und Jaspers
No full textDe Waelhens Alphonse. K. Lehmann, Der Tod bei Heidegger und Jaspers. In: Revue néo-scolastique de philosophie. 42ᵉ année, Deuxième série, n°62, 1939. pp. 315-317
K. Lehmann, Der Tod bei Heidegger und Jaspers
No full textDe Waelhens Alphonse. K. Lehmann, Der Tod bei Heidegger und Jaspers. In: Revue néo-scolastique de philosophie. 42ᵉ année, Deuxième série, n°62, 1939. pp. 315-317
W. Löser, K. Lehmann, M. Lutz-Bachmann (ed.), Dogmengeschichte und katholische Theologie. 1985
No full textDe Halleux André. W. Löser, K. Lehmann, M. Lutz-Bachmann (ed.), Dogmengeschichte und katholische Theologie. 1985. In: Revue théologique de Louvain, 18ᵉ année, fasc. 1, 1987. pp. 75-81
W. Löser, K. Lehmann, M. Lutz-Bachmann (ed.), Dogmengeschichte und katholische Theologie. 1985
No full textDe Halleux André. W. Löser, K. Lehmann, M. Lutz-Bachmann (ed.), Dogmengeschichte und katholische Theologie. 1985. In: Revue théologique de Louvain, 18ᵉ année, fasc. 1, 1987. pp. 75-81
K. Lehmann et W. Pannenberg (éd.), Glaubensbekenntnis und Kirchengemeinschaft. Das Modell des Konzils von Konstantinopel (381 ) K. Lehmann et E. Schlink (éd.), Evangelium - Sakramente - Amt und die Einheit der Kirche. Die ökumenische Tragweite der Confessio Augustana. (coll. Dialog der Kirchen, 1 et 2). 1982
No full textDe Halleux André. K. Lehmann et W. Pannenberg (éd.), Glaubensbekenntnis und Kirchengemeinschaft. Das Modell des Konzils von Konstantinopel (381 ) K. Lehmann et E. Schlink (éd.), Evangelium - Sakramente - Amt und die Einheit der Kirche. Die ökumenische Tragweite der Confessio Augustana. (coll. Dialog der Kirchen, 1 et 2). 1982. In: Revue théologique de Louvain, 18ᵉ année, fasc. 4, 1987. pp. 489-491
15. W. Andrae, E. Fabricius, K. Lehmann-Hartleben. Städtebau. Sonderabdruck aus Pauly-Wissowa, Real-Encyclopaedie der classischen Altertumwissenschaft
No full textPicard Charles. 15. W. Andrae, E. Fabricius, K. Lehmann-Hartleben. Städtebau. Sonderabdruck aus Pauly-Wissowa, Real-Encyclopaedie der classischen Altertumwissenschaft. In: Revue des Études Grecques, tome 43, fascicule 202, Juillet-septembre 1930. pp. 344-345
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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