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    A comparison of climate simulations for the last glacial maximum with three different versions of the ECHAM model and implications for summer-green tree refugia

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    This is an open access article. The official link can be found below.Model simulations of the last glacial maximum (21 ± 2 ka) with the ECHAM3 T42 atmosphere-only, ECHAM5-MPIOM T31 atmosphere-ocean coupled and ECHAM5 T106 atmosphere-only models are compared. The topography, land-sea mask and glacier distribution for the ECHAM5 simulations were taken from the Paleoclimate Modelling Intercomparison Project Phase II (PMIP2) data set while for ECHAM3 they were taken from PMIP1. The ECHAM5-MPIOM T31 model produced its own sea surface temperatures (SST) while the ECHAM5 T106 simulations were forced at the boundaries by this coupled model SSTs corrected from their present-day biases and the ECHAM3 T42 model was forced with prescribed SSTs provided by Climate/Long-Range Investigation, Mapping, and Prediction project (CLIMAP). The SSTs in the ECHAM5-MPIOM simulation for the last glacial maximum (LGM) were much warmer in the northern Atlantic than those suggested by CLIMAP or Overview of Glacial Atlantic Ocean Mapping (GLAMAP) while the SSTs were cooler everywhere else. This had a clear effect on the temperatures over Europe, warmer for winters in western Europe and cooler for eastern Europe than the simulation with CLIMAP SSTs. Considerable differences in the general circulation patterns were found in the different simulations. A ridge over western Europe for the present climate during winter in the 500 hPa height field remains in both ECHAM5 simulations for the LGM, more so in the T106 version, while the ECHAM3 CLIMAP-SST simulation provided a trough which is consistent with cooler temperatures over western Europe. The zonal wind between 30° W and 10° E shows a southward shift of the polar and subtropical jets in the simulations for the LGM, least obvious in the ECHAM5 T31 one, and an extremely strong polar jet for the ECHAM3 CLIMAP-SST run. The latter can probably be assigned to the much stronger north-south gradient in the CLIMAP SSTs. The southward shift of the polar jet during the LGM is supported by palaeo-data. Cyclone tracks in winter represented by high precipitation are characterised over Europe for the present by a main branch from the British Isles to Norway and a secondary branch towards the Mediterranean Sea, observed and simulated. For the LGM the different models show very different solutions: the ECHAM3 CLIMAP-SST simulation shows just one track going eastward from the British Isles into central Europe, while the ECHAM5 T106 simulation still has two branches but during the LGM the main one goes to the Mediterranean Sea, with enhanced precipitation in the Levant. This agrees with an observed high stand of the Dead Sea during the LGM. For summer the ECHAM5 T106 simulation provides much more precipitation for the present over Europe than the other simulations, thus agreeing with estimates by the Global Precipitation Climatology Project (GPCP). Also during the LGM this model makes Europe less arid than the other simulations. In many respects the ECHAM5 T106 simulation for the present is more realistic than the ECHAM5 T31 coupled simulation and the older ECHAM3 T42 simulation, when comparing them with the European Centre for Medium-Range Weather Forecasts (ECMWF) reanalysis or the GPCP precipitation data. For validating the model data for the LGM, pollen, wood and charcoal analyses were compared with possible summer-green tree growth from model estimates using summer precipitation, minimum winter temperatures and growing degree days (above 5 °C). The ECHAM5 T106 simulation suggests for more sites with findings of palaeo-data, likely tree growth during the LGM than the other simulations, especially over western Europe. The clear message especially from the ECHAM5 T106 simulation is that warm-loving summer-green trees could have survived mainly in Spain but also in Greece in agreement with findings of pollen or charcoal. Southern Italy is also suggested but this could not be validated because of absence of palaeo-data. Previous climate simulations of the LGM have suggested less cold and more humid climate than that reconstructed from pollen findings. Our model results do agree more or less with those of other models but we do not find a contradiction with palaeo-data because we use the pollen data directly without an intermediate reconstruction of temperatures and precipitation from the pollen spectra

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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