1,726,294 research outputs found
Prescott K. Johnson
No full textA portrait photograph of Prescott K. Johnson.For more information on Prescott K. Johnson, see: https://springfield.as.atlas-sys.com/agents/people/841The physical prints within the collection were created from the master jpg file. This image is the same as rg103-2003-johnson-p-portrait-02, it is a black and white version
dib-lab/ONT_Illumina_genome_assembly: v1.0.1
No full texttest doi release
Lisa K. Johnson [1,2], Ruta Sahasrabudhe [3], Tony Gill [1], Jennifer Roach [1], Lutz Froenicke [3], C. Titus Brown [2], Andrew Whitehead* [1]
[1] Department of Environmental Toxicology, University of California, Davis [2] Department of Population Health & Reproduction, School of Veterinary Medicine, University of California, Davis [3] DNA Technologies Core, Genome Center, University of California, Davis *corresponding author: [email protected]
Prescott K. Johnson
No full textA portrait photograph of Prescott K. Johnson.For more information on Prescott K. Johnson, see: https://springfield.as.atlas-sys.com/agents/people/841The master jpg file was manipulated - extra white space was removed - and therefore date of master is different then when original file was created. Date should be around the same time as the black and white print rg103-2003-johnson-p-portrait-01, ca. 2003; The physical prints within the collection were created from the master jpg file; This image is the same as rg103-2003-johnson-p-portrait-01, it is a color version
Interview with Linda K. Johnson (2015)
No full textLinda K. Johnson is a professional, dance-based multidisciplinary artist in Portland. Her career in dance includes performance, choreography, and instruction with numerous collaborators, studios, and programs including Portland State University, Reed College, the Oregon Ballet Theater, Jefferson High School, and Conduit.
Recorded for the documentary Moving History: Portland Contemporary Dance Past and Present.https://pdxscholar.library.pdx.edu/pda_interviews/1006/thumbnail.jp
Anthony K. Johnson singing national anthem
No full textThis negative shows Wilmington policeman Anthony K. Johnson singing the national anthem during Governor Thomas Carper's inauguration. Carper, his wife, Martha Ann Stacy Carper, Chief Justice E. Norman Veasey, and Lieutenant Governor Ruth Ann Minner and her sons are visible on a stage with Johnson outside Legislative Hall
Anthony K. Johnson singing national anthem
No full textThis negative shows Wilmington policeman Anthony K. Johnson singing the national anthem during Governor Thomas Carper's inauguration. Carper, his wife, Martha Ann Stacy Carper, Chief Justice E. Norman Veasey, and Lieutenant Governor Ruth Ann Minner and her sons are visible on a stage with Johnson outside Legislative Hall
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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