584 research outputs found
KAJIAN MONUMEN PATUNG PERJUANGAN NANI WARTABONE MELALUI VISUALISAI DAN LATAR BELAKANGNYA
No full textThis study aims to find out how to study the Nani Wartabone statue in terms of visuals, to provide knowledge to the people of Gorontalo the meaning of the Nani Wartabone statue and to describe the background study and visualization of the Tilongolo Nani Wartabone monument statue. This research was written using descriptive qualitative research methods, the authors observed in detail the background and visualization of the Tilongolo Nani Wartabone monument, the results of this study allow the writer to know the historical background of the Tilongolo Nani Wartabone monument statue and the writer can also know the visual meaning of the Tilongolo Monument statue Nani Wartabone. The research results obtained by the author are quite good because there are two sources who are quite helpful in the process of writing this research, the conclusion or the final result of this study is that the writer and the public can find out the background of the Nani Wartabone statue made to commemorate his services in fighting the invaders and the meaning of the visualization of the statue of the struggle of Nani Wartabone, namely: (1) The pointing hand has a meaning, namely his birthplace, Bube Village, Suwawa District, Bone Bolango Regency, Gorontalo Province; (2) Bayonet in the left pocket is made by Suwawa which has the mystical power to protect Nani Wartabone in certain situations; (3) The pistol in the right pocket is used as a helper for the main weapon in the left hand of Nani Wartabone; (4) The weapon in the left hand of Nani Wartabone is a long rifle (hunting rifle) that can be used on the battlefield; (5) The Safari uniform used by Nani Wartabone has patriotic meaning and strength; and (6) Base of 2 and the curve of base of 3 represents the number 23 celebrated as patriotic day by the people of Gorontalo.Penelitian ini bertujuan untuk mengetahui bagaimana mempelajari patung Nani Wartabone dalam hal visual, untuk memberikan pengetahuan kepada masyarakat Gorontalo tentang makna patung Nani Wartabone dan untuk menggambarkan studi latar belakang dan visualisasi patung monumen Tilongolo Nani Wartabone. Penelitian ini ditulis dengan menggunakan metode penelitian deskriptif kualitatif, penulis mengamati secara detail latar belakang dan visualisasi dari monumen Tilongolo Nani Wartabone, hasil penelitian ini memungkinkan penulis untuk mengetahui latar belakang sejarah dari patung monumen Tilongolo Nani Wartabone dan penulis dapat juga tahu makna visual dari patung Monumen Tilongolo Nani Wartabone. Hasil penelitian yang diperoleh oleh penulis cukup baik karena ada dua sumber yang cukup membantu dalam proses penulisan penelitian ini, kesimpulan atau hasil akhir dari penelitian ini adalah bahwa penulis dan masyarakat dapat mengetahui latar belakang dari Patung Nani Wartabone dibuat untuk mengenang jasa-jasanya dalam memerangi penjajah dan makna visualisasi patung perjuangan Nani Wartabone, yaitu: (1) Tangan menunjuk memiliki makna, yaitu tempat kelahirannya, Desa Bube, Distrik Suwawa, Kabupaten Bone Bolango, Provinsi Gorontalo; (2) Bayonet di saku kiri dibuat oleh Suwawa yang memiliki kekuatan mistis untuk melindungi Nani Wartabone dalam situasi tertentu; (3) Pistol di saku kanan digunakan sebagai penolong untuk senjata utama di tangan kiri Nani Wartabone; (4) Senjata di tangan kiri Nani Wartabone adalah senapan panjang (senapan berburu) yang dapat digunakan di medan perang; (5) Seragam Safari yang digunakan oleh Nani Wartabone memiliki makna dan kekuatan patriotik; (6) Basis 2 dan kurva 3 mewakili angka 23 diperingati sebagai hari patriotik oleh masyarakat Gorontalo
Estimating net anthropogenic nitrogen inputs (NANI) in the Lake Dianchi basin of China
Get PDFNet anthropogenic nitrogen inputs (NANI) with components of atmospheric N
deposition, synthetic N fertilizer, agricultural N fixation and N in net food
and feed imports from 15 catchments in the Lake Dianchi basin were determined
over an 11-year period (2000–2010). The 15 catchments range in size from
44 km2 to 316 km2 with an average of 175 km2. To reduce
uncertainty from scale change methodology, results from data extraction by
area-weighting and land use-weighting methods were compared. Results show
that the methodology for extrapolating data from the county scale to
watersheds has a great influence on NANI computation for catchments in the
Lake Dianchi basin, and that estimates of NANI between the two methods have
an average difference of 30% on a catchment basis, while a smaller
difference (15%) was observed on the whole Lake Dianchi basin basis. The
riverine N export has a stronger linear relationship with NANI computed by
the land use-weighting method, which we believe is more reliable. Overall,
nitrogen inputs assessed by the NANI approach for the Lake Dianchi basin are
9900 kg N km−2 yr−1, ranging from 6600 to
28 000 kg N km−2 yr−1 among the 15 catchments. Synthetic N
fertilizer is the largest component of NANI in most subwatersheds. On
average, riverine flux of nitrogen in catchments of the Lake Dianchi basin
averages 83% of NANI, far higher than generally observed in North
America and Europe. Saturated N sinks and a limited capacity for
denitrification in rivers may be responsible for this high percentage of
riverine N export. Overall, the NANI methodology should be applicable in
small watersheds when sufficiently detailed data are available to estimate
its components
Performance Finding Aid: Kent Ghirard & his Hula Nani Dancers w/ Myrtle K. Hilo, 2005
Get PDFPerformance finding aid of Kent Ghirard, his Hula Nani dancers, and Myrtle Kahea Hilo at Lunalilo Home, Maunalua, Koʻolaupoko, Oʻahu on July 15, 2005. Video footage is available in the Hula Preservation Society library. For questions regarding materials referenced herein, and/or Access & Use of content, please contact them
Iscrizioni greche e latine del Museo Nani in un inedito manoscritto di Giovanni Battista Passeri
No full textThis paper examines an unpublished manuscript by Giovanni Battista Passeri, kept in the Oliveriana Library in Pesaro, in which the author drew and commented Greek and Latin inscriptions from the Venetian collection of the Nani di San Trovaso, now dispersed. Along with the publication of new instrumentum domesticum inscriptions, this article highlights the significance of the manuscript and places the work of Giovanni Battista Passeri in the context of the antiquarian tradition of the time
Due dipinti di Antonio Pellegrini in Carinzia e una pala di Mattia Bortoloni in villa Valmarana ai Nani
No full textSt. Paul in Lavanttal Abbey, Austria, is proposing an exhibition on the “History of Beauty”: a Sofonisbe, presented
as by Franz Josef Spiegler, is attributed here, with his pendant, to Antonio Pellegrini. The author connects the
new works with other versions of the same theme by the Venetian painter (Pommersfelden, Schleissheim).
Another painting by another old Venetian master, Mattia Bortoloni, is discovered in Villa Valmarana ai Nani,
Vicenza. It decorated the altar of he oratory of the nearby ‘Rotonda’ (Villa Almerico-Capra); his patron was
the Marquis Mario Capra. Ottavio Bertotti Scamozzi’s Forestiere istruito (1761) doesn’t quote this work, mentioning
instead the frescoes in Villa Valmarana ai Nani, painted four years before by Giambattista Tiepolo
and Girolamo Mengozzi Colonna
Simone Assemani "Epigrafista". Una lettera a Giacomo Nani su un'iscrizione greca dedicata a Iside
Get PDFThis essay deals with a letter from Simone Assemani to Giacomo Nani concerning a Greek inscription dedicated to Isis (CIG 4969b). This epigraph was realized on an Egyptian offering table, which at that time was owned by the Venetian patrician Angelo Querini and was kept in the garden of his villa in Padua; today, the table is part of the collection of the Egyptian Museum of Berlin (Berlin, Ägyptisches Museum, inv. 2305). Assemani’s letter is preserved in the so-called Epistolario Moschini and is the earliest known document regarding the epigraph. In the contribution, the author first describes the artifact and reconstructs its history: the inscription was published, among others, by Niels Iversen Schow, Ulrich Friedrich Kopp, and Johannes Franz, and its interpretation is still discussed today. Then, he publishes Assemani’s letter, and comments it. In particular, this letter demonstrates that at the end of the 18th century there was a huge debate about this epigraph: Assemani got involved in it and gave to his patron Nani his personal reading of the Greek text
Simone Assemani "epigrafista": una lettera a Giacomo Nani su un'iscrizione greca dedicata ad Iside
No full textThis essay deals with a letter from Simone Assemani to Giacomo Nani concerning a Greek inscription dedicated to Isis (CIG 4969b). This epigraph was realized on an Egyptian offering table, which at that time was owned by the Venetian patrician Angelo Querini and was kept in the garden of his villa in Padua; today, the table is part of the collection of the Egyptian Museum of Berlin (Berlin, Ägyptisches Museum, inv. 2305). Assemani’s letter is preserved in the so-called Epistolario Moschini and is the earliest known document regarding the epigraph. In the contribution, the author first describes the artifact and reconstructs its history: the inscription was published, among others, by Niels Iversen Schow, Ulrich Friedrich Kopp, and Johannes Franz, and its interpretation is still discussed today. Then, he publishes Assemani’s letter, and comments it. In particular, this letter demonstrates that at the end of the 18th century there was a huge debate about this epigraph: Assemani got involved in it and gave to his patron Nani his personal reading of the Greek text
Hallyu e o K-pop como influências globais na moda: uma coleção inspirada na cultura coreana e seus idols
No full textThe present study proposes to research on the Korean Wave (Hallyu) focusing on
South Korea’s global cultural industrialization, practiced in several areas, such as K-pop
music, audiovisual K-dramas and varieties (genre of television program), in cosmetics and
fashion, as a way to exercise Soft Power and establish itself as a influential cultural power. As
a result of this research, it is intended to create a collection that mixes the fashion repertoire of
the author in the Brazilian context with the inspirations of South Korean culture and related
visual elements, using as object of analysis the traditional and contemporary Korean fashion
besides the Hallyu itself. Thus, the final products will be the research and a collection that is
mainly directed to the costumes of musical artists.O presente estudo propõe-se pesquisar sobre a Onda Coreana (Hallyu) com foco na
industrialização cultural global que a Coreia do Sul pratica em diversos âmbitos, a exemplo da
música K-pop, nos audiovisuais K-dramas e variedades (gênero de programa televisivo), nos
cosméticos e na moda, como forma de exercer o Soft Power e se estabelecer como potência
cultural. Como resultado dessa pesquisa, pretende-se criar uma coleção que misture o
repertório de moda da autora no contexto brasileiro com as inspirações da cultura sul coreana
e elementos visuais relacionados, usando como objeto de análise a moda tradicional e
contemporânea sul coreana, além da própria Hallyu. Sendo assim, os produtos finais serão a
pesquisa e uma coleção que se direciona principalmente ao figurino de artistas musicais
Identification of transcription starts sites upstream of <i>nanI</i> and <i>nanJ</i>.
No full text<p><b>(A)</b>. Primer extension results on RNA isolated from <i>C</i>. <i>perfringens</i> strain 13 using a primer specific for <i>nanI</i> mRNA. The cells were grown on PY (-) or PY plus 1 mg/ml Neu5Ac (+). The GATC lanes show the results of sequencing using the same primer used for the primer extension experiments. The arrows labeled P1, P2, and P3 indicate the position of the putative start sites. The location of P1, P2, P3 and conserved 14 bp elements are shown in the <i>nanI</i> promoter sequence. <b>(B)</b>. Primer extension results for <i>nanJ</i> from <i>C</i>. <i>perfringens</i> strain 13. The graph shows peak fluorescence of the 5’- 6 FAM labeled RT-PCR product for <i>nanJ</i>. Numbers below each peak indicate the length of the product and the peaks on the bottom line show the location of size standards used to estimate the length of the transcripts. The cells were grown on PY (-SA) or PY plus 1 mg/ml Neu5Ac (+SA). The location of P1, P2 and a conserved 14 bp element are shown in the <i>nanJ</i> promoter sequence.</p
Gel mobility shift experiments with NanR and the <i>nanI</i> and <i>nanE</i> promoter regions.
No full text<p>Gel mobility shift assays with the <i>nanE</i><b>(A)</b> and <i>nanI</i><b>(B)</b> promoter regions that were PCR amplified as described in the Materials and Methods. The binding reactions shown in panel B were incubated under the same conditions as those in A. In (A) and (B) the panels on the right show the results of binding competition experiments using unlabeled target DNA as indicated.</p
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