1,721,033 research outputs found
Juvan Marko, Intertekstualnost
No full textBernard Antonia. Juvan Marko, Intertekstualnost. In: Revue des études slaves, tome 73, fascicule 2-3, 2001. pp. 558-559
Juvan Marko, Intertekstualnost
No full textBernard Antonia. Juvan Marko, Intertekstualnost. In: Revue des études slaves, tome 73, fascicule 2-3, 2001. pp. 558-559
Periferni modernizem in svetovni sistem: slovenska književnost in teorija šestdesetih let 20. stoletja
No full textIn response to recent pluralization of modernism, the author adopts Jameson’s singular modernity to argue that, in the capitalist world-system divided between hegemonic and dependent literary fields, modernism exists only through its particular manifestations. During the 1968 student revolt, Slovenian late modernism – in-between peripheral phenomenon caught in the Cold War antagonism – displays a universal feature of the period: its transformative impulse resulting from “the imaginative proximity of social revolution” (Anderson). Embedded in the global insurgency, Slovenian innovative trends of the 1960s synchronized with western centers of modernity. It brought together critical theory and experimental artistic practice to reshape writing, literary institution, the subject, and society at large.V odzivu na nedavne poskuse decentralizacije in pluralizacije modernizma članek povzema Jamesonovo koncepcijo .edinstvene modernosti. kot izhodišče za tezo, da v kapitalističnem svetovnem sistemu, razdeljenem med hegemonistična in odvisna literarna polja, modernizem obstaja le prek svojih posebnih manifestacij. Med študentskim uporom leta 1968 je slovenski pozni modernizem – kot pojav vmesne periferije, ujete v antagonizem hladne vojne – znova prikazal univerzalno značilnost modernizma: njegov transformativni impulz, ki izhaja iz .predstavne bližine socialne revolucije. (Anderson). Slovenski modernizem šestdesetih let, vključen v svetovno uporništvo, se je sinhroniziral z zahodnimi središči modernosti, revitaliziranimi z energijo istega svetovnega dogodka. Združil je kritično teorijo in eksperimentalno umetniško prakso, da bi preoblikoval pisanje, literarno institucijo, subjekt in družbo
Thematics and Intellectual Content: The XVth Triennial Congress of the International Comparative Literature Association in Leiden
Full text linkMarko Juvan\u27s article, Thematics and Intellectual Content: The XVth Triennial Congress of the International Comparative Literature Association in Leiden, offers an in-depth view of the intellectual structure and atmosphere of the Congress. The author describes both in detail and in an overview the thematics of the Congress, Literature as Cultural Memory, and explicates the intellectual content of a good number of important panels and papers presented at the Congress. The article represents in a concise manner the current situation of the discipline of Comparative Literature in an international context
Teorija slovenske ulične poezije in družbeni kontekst
Full text linkMagistrsko delo obravnava ulično poezijo, ki je dolgo časa asociirala zgolj z glasbeno umetnostjo, in je javnosti bolj znana pod zvrstnim imenom rap. Delo najprej utemelji rabo besedne zveze ulična poezija znotraj literarne vede, pri čemer izhaja iz razvezane kratične oblike "rap" ter pomena obeh sestavin besedne zveze "ulična poezija". Hkrati pojasni razliko med ulično, poulično in urbano poezijo ter uvede novost v teorijo ulične poezije, tj. delitev na ožjo in širšo opredelitev raziskovanega predmeta. Temu sledi umestitev v širši historični družbeno-politični kontekst v Ameriki, od koder ta oblika (protestne) poezije izhaja, in Sloveniji kot državi uvoznici, kjer se je ulična poezija v 90. letih 20. stoletja dokončno prilagodila kulturno-družbeno-političnemu okolju. Ker po številu prevladujejo avtorji, je ustvarjanje ulične poezije stereotipno v domeni moških, čeprav vloga žensk pri tem ni zanemarljiva. V nadaljevanju so na podlagi dihotomije spola prikazane razlike in podobnosti med uličnimi pesniki in pesnicami na različnih področjih, kot so: spolne vloge, feminizem in maskulizem, jezik (tvorjenje sekundarnih/odrskih/umetniških imen, sklanjanje, pomanjševalnice, nasprotja, vulgarizmi), vplivi spleta na ulično poezijo ter raba intertekstualnosti znotraj ulične poezije v ožjem in širšem smislu. Pri tem pogosto prihaja do primerjanja slovenske z ameriško in v nekaterih primerih tudi z balkansko ulično poezijo, kar osmisli in objektivizira rezultate analiz tudi v širšem kontekstu. Na koncu namesto zaključka sledi sinteza, kjer so ovrednotene v uvodu podane hipoteze, v razvrstitvi temeljnih točk spolne diferenciacije znotraj slovenske ulične poezije pa so pregledno podane razlike in podobnosti med slovenskimi uličnimi pesniki in pesnicami.My master\u27s thesis deals with street poetry, which has long been associated exclusively with music and is better known in public under the generic name rap. The thesis begins with the explanation of the term street poetry and its use in literary science proceeding from the term "rap" as an abbreviation standing for rhythmically accentuated poetry and from the meanings of each compound in a phrase "street poetry". Additionally, it explains the differences between street, streetwalkers\u27 and urban poetry and introduces a novelty into the theory of street poetry, i.e. the division into the broader and restricted definition of the research theme. The research subject is then placed into a broad historical sociopolitical context in America, where this form of (protest) poetry originates, and in Slovenia, where the imported street poetry ultimately adapted to cultural-socio-political environment in 1990s. Since male authors are prevalent, street poetry is stereotypically in men\u27s domain, although the role of women is not negligible. On the basis of gender dihotomy I continue with elaboration on differences and similarities between male and female street poets considering gender roles, feminism and masculism, language (secondary/stage/art names, conjugation, diminutives, opposites, vulgarisms), effects of the Internet on street poetry and the use of intertextuality within street poetry. Slovene street poetry is often compared to American and in some cases to Balkan street poetry, which objectivises and gives meaning to the results of analyses in a broader sense as well. Instead of a conclusion, I present a synthesis with the assessment of hypotheses defined in the introduction, classify the basic points of gender differentiation within Slovenian street poetry and convey a clear disposition of the differences and similarities between Slovenian male and female street poets
Literature in the Student Newspaper Tribuna 1965—1975
Full text linkMagistrsko delo obravnava literaturo v študentskem listu Tribuna v obdobju 1965–1975. Opiše zgodovinske okoliščine in vpliv študentskih gibanj na ta medij. Predstavi delovanje in vlogo študentskega lista v času študentskih gibanj ter sestavo uredništva. V nadaljevanju oriše razvoj eksperimentalne literature in literarne dogodke, povezane s študentskim gibanjem. Osrednji del zajema kronološko bibliografijo izvirne in prevedene literature v izbranem obdobju. Kvantitativna analiza prikazuje razmerje med deleţem izvirne in prevedene literature, zastopanost literarnih zvrsti, razmerje med avtorji in avtoricami ter deleţ pojavnosti eksperimentalne literature.The master\u27s thesis deals with the literature published in the student newspaper Tribuna between 1965 and 1975 and describes the historical circumstances and influences that the student movement had on this newspaper. The thesis introduces the functioning and role of Tribuna in the period of the student movement as well as the work of its editorial committee. It also illustrates the development of experimental literature and literary events related to the student movement. The central part of the thesis deals with the chronology of the bibliography in terms of both original and translated literature during this period. The quantitative analysis shows the relationship between original and translated literature, the proportion of literary genres, the relationship between male and female authors, and the position of experimental literature
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Stil in identiteta
Full text linkAfter the decline of the paradigm, based on the treatment of the text and author, research styles in literary studies became subject to serious criticism (textcentricity, aesthetic ideology, organicism, dualism). Contextual approaches in literary studies and linguistics ascribe a new significance to the notion of ‘style’ as correlated with the humanistic conception of ‘life-style’: style is an index of the identity of a text and its subject in the multilingual aspect of culture.Stilne raziskave v literarni vedi so – po zatonu paradigem, utemeljenih na obravnavi besedila in avtorja – doživele temeljite kritike (tekstocentričnost, estetska ideologija, organicizem, dualizem). Kontekstualistični pristopi v literarni vedi in jezikoslovju pa pojmu \u27stil\u27 dajejo novo veljavo, in sicer v navezi z družboslovno koncepcijo \u27življenjskega stila\u27: stil je indeksalni znak identitete besedila in njegovega subjekta v mnogojezičju kulture
- …
