2,888 research outputs found
mitt namn är Johan Jutterström
No full textMusikerprogram, konstnärlig kandidatexamen, profil jazz; 1 CD ingår</p
In pursuit of anti-aesthetics and musical ethics
No full textIn his master thesis, Johan Jutterström pursues an anti-aesthetic and ethic artistic process. He’s using mainly three different strategies; reasoning through text, composing for ensemble, and solo improvising on the saxophone. Through composing the piece for 12 musicians Trästolen, Jutterström tries to erase himself and his taste from the music. In that endeavor he looks to physics as a catalyst. During the work with the solo saxophone record In pursuit of anti-aesthetics and musical ethics Jutterström uses a more philosophical approach.
In general this thesis or investigation can be seen as a trial to pose music in the context of the Dogme 95 movement and what Roland Barthes called the point zero of the literature
Lethe : On Forgetfulness as a Guiding Principle in Artistic Processes
No full textWith the artistic research project Lethe, musicians and researchers Andreas Hiroui Larsson [percussion], Johan Jutterström [saxophone], and Anna Lindal [violin], investigated forgetfulness as a method and guiding principle for an artistic process, by using the ancient Greek mythological river Lethe as their point of departure. The Lethe was considered to possess the property of forgetfulness, and the research group met—metaphorically—over the course of three years, at its riverbanks. The name Lethe means concealment, and is related to the Greek word for truth: alētheia (that contains the word lēthē), which literally means un-concealment. As such, forgetfulness may both cause concealment and be part of constructing un-concealment. From their campsite at the riverbank of the Lethe, the research group intended to research forgetfulness in relation to their respective personal artistic practices, within the field of western art and improvised music. They also attempted at constructing coherent theoretical standpoints, to help them, and possibly others, navigate the river’s currents and—in the end—present an example of what their research could lead to artistically and discursively. The Roman poet Virgil wrote in his epic poem Aeneid that it is only after we have had our memory erased by the Lethe that we can become reborn. What are we willing to forget when we meet at the riverbanks of the Lethe, and gaze at the waters that can wash away our previous musical lives? I det konstnärliga forskningsprojektet Lethe—med utgångspunkt i den antika grekiska mytologiska floden Lethe—undersökte forskarna och musikerna Andreas Hiroui Larsson [trummor], Johan Jutterström [saxofon], och Anna Lindal [fiol], glömska som metod för en konstnärlig process. I den grekiska mytologin ansågs floden Lethe besitta glömskans kraft, och forskargruppen möttes—metaforiskt—över tre års tid vid flodens strand. På grekiska betyder Lethe glömska, men också döljande, täckande och namnet är besläktat med ordet för sanning: alētheia (som innehåller ordet lēthē), vilket bokstavligen betyder avtäckande. Därmed kan glömska både orsaka ett döljande, täckande och vara en konstruktiv del i ett avtäckande. Utifrån sitt läger vid Lethes strand avsåg forskargruppen att utforska glömska i relation till deras respektive konstnärliga praktiker inom västerländsk improviserad musik och konstmusik. De avsåg också att formulera och konstruera sammanhängande teoretiska utsagor—i syfte att hjälpa sig själva och andra att navigera Lethes strömmar—, och slutligen presentera exempel på vad deras forskning lett till såväl diskursivt som konstnärligt. Den romerske poeten Vergilius skrev i sin episka dikt Aeneiden att det är först efter att vi har fått vårt minne utsuddat av Lethe som vi kan födas på nytt. Vad kommer vi vara villiga att skiljas från när vi möts vid Lethes strand och ser ut över vatten som kan tvätta bort våra tidigare musikaliska liv? Leth
Lethe : On Forgetfulness as a Guiding Principle in Artistic Processes
No full textWith the artistic research project Lethe, musicians and researchers Andreas Hiroui Larsson [percussion], Johan Jutterström [saxophone], and Anna Lindal [violin], investigated forgetfulness as a method and guiding principle for an artistic process, by using the ancient Greek mythological river Lethe as their point of departure. The Lethe was considered to possess the property of forgetfulness, and the research group met—metaphorically—over the course of three years, at its riverbanks. The name Lethe means concealment, and is related to the Greek word for truth: alētheia (that contains the word lēthē), which literally means un-concealment. As such, forgetfulness may both cause concealment and be part of constructing un-concealment. From their campsite at the riverbank of the Lethe, the research group intended to research forgetfulness in relation to their respective personal artistic practices, within the field of western art and improvised music. They also attempted at constructing coherent theoretical standpoints, to help them, and possibly others, navigate the river’s currents and—in the end—present an example of what their research could lead to artistically and discursively. The Roman poet Virgil wrote in his epic poem Aeneid that it is only after we have had our memory erased by the Lethe that we can become reborn. What are we willing to forget when we meet at the riverbanks of the Lethe, and gaze at the waters that can wash away our previous musical lives? I det konstnärliga forskningsprojektet Lethe—med utgångspunkt i den antika grekiska mytologiska floden Lethe—undersökte forskarna och musikerna Andreas Hiroui Larsson [trummor], Johan Jutterström [saxofon], och Anna Lindal [fiol], glömska som metod för en konstnärlig process. I den grekiska mytologin ansågs floden Lethe besitta glömskans kraft, och forskargruppen möttes—metaforiskt—över tre års tid vid flodens strand. På grekiska betyder Lethe glömska, men också döljande, täckande och namnet är besläktat med ordet för sanning: alētheia (som innehåller ordet lēthē), vilket bokstavligen betyder avtäckande. Därmed kan glömska både orsaka ett döljande, täckande och vara en konstruktiv del i ett avtäckande. Utifrån sitt läger vid Lethes strand avsåg forskargruppen att utforska glömska i relation till deras respektive konstnärliga praktiker inom västerländsk improviserad musik och konstmusik. De avsåg också att formulera och konstruera sammanhängande teoretiska utsagor—i syfte att hjälpa sig själva och andra att navigera Lethes strömmar—, och slutligen presentera exempel på vad deras forskning lett till såväl diskursivt som konstnärligt. Den romerske poeten Vergilius skrev i sin episka dikt Aeneiden att det är först efter att vi har fått vårt minne utsuddat av Lethe som vi kan födas på nytt. Vad kommer vi vara villiga att skiljas från när vi möts vid Lethes strand och ser ut över vatten som kan tvätta bort våra tidigare musikaliska liv? Leth
Report of Governor Johan Rising, 1655, on New Sweden
No full textGovernor Johan Rising reports to the Swedish government and royalty on the status of New Sweden (present-day New Jersey). He also reports on other Swedish colonies in the area. He asks that single women and skilled tradesmen be sent to the colonies. Rising also reports that attacks from neighboring Indian tribes are increasing. He has found some protection by forming an alliance with English settlers, but the cost is high, and his colony owes the English money and supplies. Rising asks that Sweden send them money so that they can pay off their debts, build ships that would establish a trading dominance with the West Indies, and cultivate land and crops to gain more profit. Reports from New World governors were sent back to their native countries via ships. Rising sent this report in June of 1655, but Sweden did not recieve the report until November of 1655. This article is part of a Primary Source Material collection compiled by the New Sweden Commemorative Commission in 1988
Report of Governor Johan Printz, 1647, on New Sweden
No full textGovern Johan Printz, the governor of New Sweden (later to become New Jersey), reports on the status of the colony and the settlers. Many freemen have arrived to settle in New Sweden, but the criminals and military men who were conscripted to the colony want to return to Sweden. Of the freemen, very few are skilled, so Governor Printz asks that blacksmiths, tanners, tailors, carpenters, and butchers be sent to the colony. Additionally, he asks for single women. Printz also reports on two new Swedish colonies that have been established along the Delaware River. However, Dutch settlers have become very aggressive by re-purchasing land from the Indians that the Swedish had already bought. They are also interrupting trade between the Swedes and the Indians, as well as instigating the Indians to attack the Swedes. Printz directed the construction of some storage houses along common trade routes to win back trade from the Indians. However, fighting has erupted between different Native tribes as each tries to establish dominance in trading with the colonies. This article is part of a Primary Source Material collection compiled by the New Sweden Commemorative Commission in 1988
Relation of the surrender of New Sweden, by Governor Johan Clason Rising, 1655
No full textGovernor Johan Rising of New Sweden reports to Sweden on the August 1655 Dutch attack on New Sweden's Fort Christina. The Dutch traveled from New Amsterdam (present-day New York) and easily captured a New Sweden outpost. Rising sent men to the outpost to fend of the Dutch, but the Dutch defeated them and took them as prisoners, leaving Fort Christina without fighting men and supplies. The Dutch then put the Fort under seige. A few days later, Rising surrendered the Fort. He and the Swedish colonists were ordered to either return to Sweden, or to remain in the New World in service to the Dutch. This article is part of a Primary Source Material collection compiled by the New Sweden Commemorative Commission in 1988
The past, present and future of social media in project management
No full textGreen Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Integral Design & Managemen
An operationalization of Stevenson’s conceptualization of entrepreneurship as opportunity-based firm behavior
No full textThis is the author-version of article published as: Brown, Terrence and Davidsson, Per and Wiklund, Johan (2001) An operationalization of Stevenson’s conceptualization of entrepreneurship as opportunity-based firm behavior. Strategi
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