1,720,988 research outputs found
Presence at a distance:Alastair MacLennan and performing drawing in lockdown
Get PDFHow can the liveness of performance be sustained through mediated presence? How can performance artists reach audiences at times of physical isolation? What are the inherent difficulties and opportunities within performance art that curators can draw upon to respond to these questions after the COVID-19 pandemic? In response to these questions Judit Bodor discusses her approach – in collaboration with Adam Lockhart – to curating Scottish performance artist Alastair MacLennan's new body of performance drawing, LIM(I)NAL, using the artist’s archive website hosted by the University of Dundee. Looking at a range of ways that performance is mediated and materialised through exploring MacLennan’s central notion of ‘actuation’, Bodor situates the online exhibition within broader critical and curatorial approaches to liveness. The chapter concludes by reflecting upon the extent to which literal notion of liveness applied to performance art might disguise the fluidity and serendipity at the heart of MacLennan's practice which enforces, not distracts, from the holistic core and outlook of his work
Liveness and its pandemical other:Review of Laura Bissell and Lucy Weir (eds.). Performance in a Pandemic. London: Routledge, 2021. 164 pp. ISBN 9780367761349.
Get PDFFeaturing "Presence at a distance: Alastair MacLennan and performing drawing in lockdown" by Judit Bodor, chapter 12
The Red Kiss of History:by Balint Szombathy
No full textRe-performance at the preview revisiting a 1972 photo-action included in the exhibition, curated by Judit Bodor
Silent Explosion:The Making of An Exhibition
No full textPublished on the occasion of the exhibition held November 14, 2015-March 20, 2016 at the National Museum Cardiff.Includes one booklet, Ivor Davies destruction in art (DIA) archive, catalogued and annotated by Judit Bodor
Judit Bodor in conversations with ha
No full textThis is an edited, annotated and illustrated transcript of a series of oral history conversations with the artist Peter Haining (known currently as ha) conducted during June-July 2021 at the Scottish Storytelling Centre, Edinburgh. The conversations follow an alphabetical order of keywords relating to the history of The Attic Archive. The 95-pages PDF document has been deposited at University of Dundee Archives, NLS Scotland, Museum of Fine Arts, Budapest and NIVAL, Dublin, as a resource for research
Judit Bodor in conversations with ha
No full textThis is an edited, annotated and illustrated transcript of a series of oral history conversations with the artist Peter Haining (known currently as ha) conducted during June-July 2021 at the Scottish Storytelling Centre, Edinburgh. The conversations follow an alphabetical order of keywords relating to the history of The Attic Archive. The 95-pages PDF document has been deposited at University of Dundee Archives, NLS Scotland, Museum of Fine Arts, Budapest and NIVAL, Dublin, as a resource for research
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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