1,064 research outputs found
Mauersegler weiter Wege. Mathias Enard: Kompass
No full textAnalysis of the peculiar scientific narrative in the novel of the Prix-Goncourt winning author Mathias Enard
AS - Reflectional Encounters : Dans le Miroir à Retournement Temporel.
Get PDFAn American author of digital hypertexts and innovative fictions reflects upon reflection. Benjamin’s notion of the dialectical image as well as the suspended present tense of Foucault’s heterotopic networked time inform reflections upon how Michael Joyce’s earlier digital and print fictions explore a punctuated temporality where the future and the past intermix and a newness bursts forth. Finally in discussing current collaborative work via speculations by physicist and artist Dominique Peysson, the time reversal mirror of the physicist Mathias Fink is offered as a way to consider the multinaéité of the technical body in networked space.Dans cet essai, un auteur américain d’hypertextes numériques et de fictions innovantes réfléchit à la réflexion. Ces réflexions sont informées par la notion d’image dialectique développée par Benjamin, ainsi que par le temps présent suspendu propre au temps hétérotopique en réseau défini par Foucault. Elles portent sur la manière dont les premières fictions imprimées et numériques de Michael Joyce explorent une temporalité ponctuée où passé et futur s’entremêlent, et c’est ainsi qu’émerge la nouveauté. Enfin, s’appuyant sur les hypothèses du physicien et artiste Dominique Peysson et sur le miroir à retournement temporel de Mathias Fink, le présent essai propose une analyse de la multinaéité du corps technique dans un espace en réseau à partir d’une œuvre collaborative en cours
Les commissions électorales en Afrique de l'Ouest
No full text[author: Mathias Hounkpe ; Ismaila Madior Fall]Electronic ed.: Abuja ; Bonn : FES, 201
La haine de la langue maternelle (une lecture de James Joyce, Jean Genet, Thomas Bernhard)
No full textLe syntagme de langue maternelle ne dénomme pas un concept mais fonctionne comme une expression commune qui condense différents imaginaires linguistiques. Il s agit de relier la déconstruction de cette expression à la lueur de poétiques romanesques du XXe siècle et de différentes modalités d excès stylistiques. Les corpus romanesques de James Joyce, Jean Genet et Thomas Bernhard mettent en crise, à l échelle du récit comme au niveau de l écriture, l idée d une langue commune de communication, la qualité politique de la langue nationale, l image de la langue de la mère et l imaginaire natal de la langue maternelle. Les défigurations stylistiques accompagnent l inquiétude politique portée par les œuvres quant aux figements de la langue ordinaire et face au modèle de l Etat-nation comme à l ordre généalogique. L intervention doublement littéraire et politique détourne les monolinguismes institués afin d ouvrir de nouveaux rapports possibles avec l étranger et les langues étrangères. En réponse à l idéologie de la grammaire normative, l écriture devient idiome et s engage dans des processus de traduction. Joyce, Genet et Bernhard brisent les logiques et les mécaniques de l appartenance sociale et politique en inventant des écritures en plus d une langue . Le sujet de la langue et le sujet politique se retrouvent dans une même situation de résistance face au pouvoir des normes. Le roman familial et le grand récit de la nation sont pris à revers dans des textes en mouvement où la bile se joint à la labilité des identités, des catégories et des noms. Ces écritures en dissidence appellent enfin une lecture en traduction attentive à la mémoire des langues.The syntagm mother tongue does not refer to a linguistic concept. Rather, it operates as a common set expression which superimposes different linguistic imaginaries. This thesis aims to deconstruct this expression through an analysis of XXth century novelistic poetics, focusing in particular on excessively distorted writing. The novels of James Joyce, Jean Genet and Thomas Bernhard use narrative and stylistic orchestrations to undermine the idea of a shared language allowing communication, the political dimension of national languages, the literal understanding of the mother tongue as the language of/from the mother, and the labeling of a first language as native . More generally, distorted writings contribute to the political anxiety the novels express concerning the fixation and fossilization of everyday language, the dominance of the nation-state apparatus and that of genealogical orders. Such a political engagement in writing allows these novelists to reject established monolingualisms and forge new relations with the Other and with foreign languages. Joyce, Genet and Bernhard abandon the ideology of normative grammar and develop singular idioms which draw on translation processes. The three writers break with traditional socio-political forms of belonging while creating monolingualisms of the other or idioms which don t belong exclusively to any language. As both a so-called native speaker and a social subject, the author s hatred of his own mother tongue resists the power of norms. Joyce, Genet and Bernhard attack the family romance and overarching national narratives through a poetics of hatred which sets texts and languages in motion, and in which metaphoric bile stands for the malleability of identities, categories and names. Their stylistics of dissent calls for a reading in translation that is mindful of the memory of languages.ST DENIS-BU PARIS8 (930662101) / SudocSudocFranceF
Paul Bourget, écrivain engagé
No full textPaul Bourget, A committed writer, Yehoshua Mathias.
In the France of the early twentieth century, Paul Bourget's figure is that of a successful novelist who became gradually a «committed author». A monarchist, deeply conservative, passionate defender of religion and the family as the vital bases of the social order, he thus became the bard of the bourgeois ethic faced with the destabilization of modernity.Mathias Yehoshua. Paul Bourget, écrivain engagé. In: Vingtième Siècle, revue d'histoire, n°45, janvier-mars 1995. pp. 14-29
„Nature must be felt“ – Alexander von Humboldt, pioneer of an ecological worldview and protagonist of „transversal reason“
No full textDer Text erinnert zum 250sten Geburtsjahr an Alexander von Humboldt, ein Vordenker für eine ökologische Sicht der Welt und ein früher Protagonist „transversaler Vernunft“. Er ist als Ideengeber für die „neuen Naturtherapien“, für die Integrative Therapie und für eine ökologische Sicht in der Psychotherapie eine unverzichtbare Quelle. Einige aus dieser Perspektive wichtige Aspekte seines Denkens und Werkes werden aufgezeigt. Er ist ein Referenzautor für transversales und integratives Konzeptualisieren in unserer Zeit.The text commemorates the 250th year of birth of Alexander von Humboldt, a thought leader for an ecological view of the world and an early protagonist of „transversal reason“. He is an indispensable source of ideas for the „new nature therapies“, for integrative therapy and for an ecological viewpoint in psychotherapy. Some important aspects of his thinking and work are shown from this perspective. He is a reference author for transversal and integrative conceptualization in our time.https://www.fpi-publikation.de/gruene-texte/17-2019-petzold-h-g-mathias-wiedemann-u-natur-muss-gefuehlt-werden-alexander-v-humboldt/peerReviewedpublishedVersio
„Natur muss gefühlt werden“ – Alexander von Humboldt, Vordenker einer ökologischen Weltsicht und Protagonist „transversaler Vernunft“
No full textDer Text erinnert zum 250sten Geburtsjahr an Alexander von Humboldt, ein Vordenker für eine ökologische Sicht der Welt und ein früher Protagonist „transversaler Vernunft“. Er ist als Ideengeber für die „neuen Naturtherapien“, für die Integrative Therapie und für eine ökologische Sicht in der Psychotherapie eine unverzichtbare Quelle. Einige aus dieser Perspektive wichtige Aspekte seines Denkens und Werkes werden aufgezeigt. Er ist ein Referenzautor für transversales und integratives Konzeptualisieren in unserer Zeit.The text commemorates the 250th year of birth of Alexander von Humboldt, a thought leader for an ecological view of the world and an early protagonist of „transversal reason“. He is an indispensable source of ideas for the „new nature therapies“, for integrative therapy and for an ecological viewpoint in psychotherapy. Some important aspects of his thinking and work are shown from this perspective. He is a reference author for transversal and integrative conceptualization in our time.https://www.fpi-publikation.de/polyloge/25-2019-petzold-h-g-mathias-wiedemann-u-natur-muss-gefuehlt-werden-alexander-v-humboldt/peerReviewedpublishedVersio
The reality of fiction: the ECO by Mathias Goeritz
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This article covers the full biography of a building, the Experimental Museum El Eco, designed by Germanborn and Mexican émigré artist and architect Mathias Goeritz. It provides an approach intersecting the biography of the author, the history of the building, and prominent individuals of the two cultural traditions, German and Mexican, who participated in the creation of a very special and unique building: El Eco. On the one hand, the ethics of Expressionism, the interest in non-European art, the cult of primitivism and the aesthetic system of the pair of concepts abstraction-empathy, all stemming from German culture. On the other, the pantheistic religiosity of landscape, zoomorphism and anthropomorphism, the interest in masks, and the aesthetics of monumental scale, stemming from pre-Cortesian Mexican culture. Taking the stance of intertwining Mathias Goeritz parcours with those of individuals and issues from his German past and his Mexican future – highlighting the figures of Wilhelm Worringer, Paul Westheim, Luis Barragán, Edmundo O'Gorman, and Ida Rodríguez Prampolini – this article proposes a return trip from fiction to reality, following in the footsteps of the author and comparing them with the pathway of the very building El Eco
Oswald Mathias Ungers and Sol LeWitt: Variations
Get PDFOne of the fundamentals of Oswald Mathias Ungers work is the definition of a new unity between art and architecture. What this investigation is focused on is the identification of the intersection point between art and architecture, considering the project for the Entrance to the Kaiserthermen in Trier (20032007) as case study, revealing the system of theoretical, methodological and compositional correspondences. Plastic art is Ungers' main interlocutor: one of the author's most important references is Sol LeWitt (1928-2007), an artist he admired and collected. Setting the work of Oswald Mathias Unger and Sol LeWitt side by side, offers the opportunity to underline the shared interpretation that the two authors have of the world of forms postulated by Henri Focillon (1881-1943) in Life of Forms, according to which form, autonomous with respect to time and place, has its own universe, governed by its own laws, space and matter. According to these premises, we propose to read Trier's building through the instruments of art, following the hypothesis that in this project art embodies a creative and positive component in the definition of architecture, a cultural stimulus that guides the author in the design process
Correction to: Editorial: symmetries and asymmetries in physics
Get PDFThe article Editorial: symmetries and asymmetries in physics, written by Radin Dardashti, Mathias Frisch, Giovanni Valente, was originally published electronically on the publisher’s internet portal on 3 July 2020 without open access. With the author(s)’ decision to opt for Open Choice the copyright of the article changed on 16 June 2021 to © The Author(s) 2021 and the article is forthwith distributed under a Creative Commons Attribution
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