119,268 research outputs found

    H M Customs House, Geelong [picture] /

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    Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an11893393-22

    Joyce, H E, NX38737

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/396130Surname: JOYCE. Given Name(s) or Initials: H E. Military Service Number or Last Known Location: NX38737. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 23388.231372 Item: [2016.0049.28423] "Joyce, H E, NX38737

    The treatment of family life and relationships in the works of James Joyce from Dubliners to Ulysses

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    PhDJoyce's treatment of family life and relationships reveals both a continuing concern with many of the same themes and a distinctive development from Dubliners to Ulysses. Throughout the works he is concerned with such matters as the nature of blood links, the tension between the needs of the individual and the needs of the family, and the quality of human affection, filial, parental, and sexual. While the early works, Dubliners, Stephen Hero, and A Portrait of the Artist as a Young Man, present the family as a social institution of some importance, Ulysses shows it to be associated with universal principles of prime importance. Moreover, while the first three works present a largely unfavourable and somewhat restricted view of family life, Exiles and Ulysses develop extensively both the fundamental value of family relationships and the complexities of emotion and motive inherent in them. The early concern with the limitations of family life corresponds to similar concerns in contemporary writers whom Joyce admired, Joyce's declared intentions in writing his own works, and his somewhat unhappy experiences with his own family. The shift to a more favourable and more complex view of family life in the later works corresponds to his evident maturation and to his increased recognition of the value of his own family life. Thus Joyce's treatment of family life and relationships is central to his development as man and artist. While many critics have noted that the family is indeed important in Joyce's works, none has examined the subject systematically or treated many of the matters considered in this thesis

    Joyce in the Hibernian metropolis: essays

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    (print) xx, 312 p. : ill. ; 23 cmCollection of essays from the 13th International James Joyce Symposium, held in Dublin, June 1992David Norris, Preface xi -- Acknowledgments xv -- Mary Robinson, Welcome Address xvii -- Abbreviations xix -- GENERAL ESSAYS -- Robert Adams Day, "Joyce's AquaCities" 3 -- Vincent J. Cheng, "Catching the Conscience of a Race: Joyce and Celticism" 21 -- David Norris, "OndtHarriet, PoldyLeon and Shem the Conman" 44 -- Jeffrey Segall, "Czech Ulysses: Joyce and Political Correctness, East and West" 52 -- Louis Lentin, "I Don't Understand. I Fail To Say. I Dearsee You Too" 61 -- HOSTILE RESPONSES TO JOYCE -- Morris Beja, "Approaching Joyce with an Attitude" 71 -- Paul Delany, "A Would-Be-Dirty Mind' : D. H. Lawrence as an Enemy of Joyce" 76 -- Austin Briggs, "Rebecca West vs. James Joyce, Samuel Beckett, and William Carlos Williams" 83 -- MALE FEMINISMS : APPROACHING "NAUSICAA" -- Richard Pearce, "Introduction" 105 -- Richard Pearce, "'Nausicaa' : Monologue as Monologic" 106 -- Philip Weinstein, "For Gerty Had Her Dreams that No-one Knew Of" 115 -- Patrick McGee, "When Is a Man Not a Man? or, The Male Feminist Approaches 'Nausicaa'" 122 -- Jennifer Levine, "'Nausicaa' : For [Wo]men Only?" 128 -- THE SHORTER WORKS -- Zack Bowen, "All Things Come in Threes : Manage a Trois in Dubliners" 137 -- James D. LeBlanc, "Duffy's Adventure : 'A Painful Case' as Existential Text" 144 -- Ruth Bauerle, "Dancing a Pas de Deux in Exiles's Menage a Quatre; or, How Many Triangles Can You Make Out of Four Characters If You Take Them Two at a Time?" 150 -- Adriaan van der Weel and Ruud Hisgen, "The Wandering Gentile : Joyce's Emotional Odyssey in Pomes Penyeach" 164 -- "AEOLUS" WITHOUT WIND -- Derek Attridge, "Introduction" 179 -- Jennifer Levine, "A Brief Allegory of Readings : 1972-1992" 181 -- Daniel Ferrer, "Between Irwentio and Memoria : Locations of 'Aeolus'" 190 -- Maud Ellmann, "'Aeolus' : Reading Backward" 198 -- THE NOVELS -- Sheldon Brivic, "Stephen Haunted by His Gender : The Uncanny Portrait" 205 -- Sebastian D. G. Knowles, "That Form Endearing : A Performance of Siren Songs; or, 'I was only vamping, man'" 213 -- Mark Osteen, "Cribs in the Countinghouse : Plagiarism, Proliferation, and Labor in 'Oxen of the Sun'" 237 -- John S. Rickard, "The Irish Undergrounds of Joyce and Heaney" 250 -- Thomas L. Burkdall, "Cinema Fakes : Film and Joycean Fantasy" 260 -- Ralph W. Rader, "Mulligan and Molly : The Beginning and the End" 270 -- Laurent Milesi, "Finnegans Wake : The Obliquity of Trans-lations" 279 -- Derek Attridge, "Countlessness of Livestories : Narrativity in Finnegans Wake" 290 -- Contributors 297 -- Index 30

    Eight pointed star variation by Pearl Jones Halterman

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    Image of Eight Pointed Star Variation quilt created probably after 1915 by Pearl Jones Halterman. Also includes questionnaires describing the quilt completed by Joyce H. Cook as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994

    Oral history interview with Mary Joyce Hurst

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    Mary Joyce Hurst is a 1956 graduate of Oklahoma A&M College, now Oklahoma State University (OSU), with a degree in Home Economics. She shares memories of growing up on a farm near Temple, Oklahoma, picking cotton, milking the family cow, and participating in 4-H activities. Mary Joyce talks about her college days, basketball games, and Henry Iba. She also talks about a friendship she has maintained for over fifty years with another OSU graduate and comments on living near the University of Oklahoma as an OSU alum. Hurst represents Cleveland County in the Cowboys in Every County project.The O-STATE Stories Oral History collection is comprised of interviews which chronicle the rich history, heritage, and traditions of Oklahoma State University

    Newspaper Clipping - 4-H winners, Judy Anderson & Joyce Forsman

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    Newspaper Clipping - 4-H winners, Judy Anderson & Joyce Forsmanhttps://digitalmaine.com/stockholm_images/1830/thumbnail.jp

    Newspaper Clipping - 4-H winners, Judy Anderson & Joyce Forsman

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    Newspaper Clipping - 4-H winners, Judy Anderson & Joyce Forsmanhttps://digitalmaine.com/stockholm_images/1830/thumbnail.jp

    A reading of selected writings of James Joyce in relation to the works of Gilles Deleuze (and Félix Guattari)

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    Chapter One consists in a more complete survey of the writings of Gilles Deleuze and Felix Guattari on the works of James Joyce than has previously been available, together with an overview of Deleuzian philosophy. The focus in the first chapter is on Deleuze and Deleuze and Guattari's reading of philosophers and writers alike as 4 symptornatologists' of their times and the ethico-political beliefs which they implicitly share with Joyce. I relate this to Hardt and Negri's political speculations. The conceptual 'tools' which make up 'schizoanalysis' are set out. The second chapter uses these tools in a 'symptomatological' diagnosis by first setting out and then going beyond Joyce's depiction of the 'paralysis' of the populace in Dubliners and A Portrait to his fuller understanding of our problematic situation in modernity depicted and diagnosed in the masochism of Bloom in Ulysses. In Chapter Three, I look at the epiphany, Deleuze's concept of Joyce's 'epiphanic machine', 'duration' as understood by Bergson and Deleuze, and the Deleuzian concept of 'affect' as potentially liberatory insights, after the preceding focus on negative 4 symptornatological' diagnoses. Together with a critique of the prevailing views of Joyce's epiphany I analyse three stories in Dubliners as illustrative of Deleuze's understanding of the concept of the epiphany. In the fourth and fifth chapters I focus on Issy in the Wake read in terms of the 'bird-girl' of A Portrait and couple this with the Deleuzian concept of the 'girl' as a crucial, but misunderstood, node in what can be seen as the 'rhizomatic assemblage' or 'network' constituting the 'epiphanic machine' of the Wake. In Chapter Four, after first setting out the range of readings of Issy available in current Joycean criticism, I look at 'The Mime of Mick Nick and the Maggies' (FW219.18-252.21) in terms of a further Joycean challenge to modernity's 'oedipalising' tendencies through Izod/ Issy. Here, I place a final emphasis on the significance of incest and the incest taboo in 'the Mime' as the culmination of Joyce's 'symptomatological' diagnosis of modernity, and in counterbalancing this, his use of the 'affect' of colour to offer us a productive 'line of flight'. In Chapter Five I recapitulate on Deleuze's highlighting of the letter in his positive comments on the Wake and then, by using some established discussions in Joycean criticism as an introduction, engage in a reading of Issy's letter (FW 279F 1) as the Wakean 'line of flight' by reading 'her' as liberatory 'desiring machine' with all of its ethico-political potentialities
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