1,721,041 research outputs found
L'humour des Héroïdes
No full textJouteur Isabelle. L'humour des Héroïdes. In: Vita Latina, N°171, 2004. pp. 41-58
L'humour des Héroïdes
No full textJouteur Isabelle. L'humour des Héroïdes. In: Vita Latina, N°171, 2004. pp. 41-58
La métamorphose à l'œuvre, recherches sur la poétique d'Ovide dans les Métamorphoses d'Ovide, G. Tronchet
No full textJouteur Isabelle. La métamorphose à l'œuvre, recherches sur la poétique d'Ovide dans les Métamorphoses d'Ovide, G. Tronchet. In: Vita Latina, N°174, 2006. pp. 134-135
Eric Coutelle, Poétique et métapoésie chez Properce, De l'Ars amandi à l'Ars scribendi
No full textJouteur Isabelle. Eric Coutelle, Poétique et métapoésie chez Properce, De l'Ars amandi à l'Ars scribendi. In: Vita Latina, N°181, 2009. pp. 101-103
La passion de Pasiphaé (Virgile, Bucolique VI, 45-60; Ovide, Art d'Aimer, I, 289-326)
No full textJouteur Isabelle. La passion de Pasiphaé (Virgile, Bucolique VI, 45-60; Ovide, Art d'Aimer, I, 289-326). In: Vita Latina, N°174, 2006. pp. 71-91
Le sacrifice de Laocoon sous l’angle des serpents : le texte-monstre (Virgile, Enéide II, 199-227)
No full textJouteur Isabelle. Le sacrifice de Laocoon sous l’angle des serpents : le texte-monstre (Virgile, Enéide II, 199-227). In: Bulletin de l'Association Guillaume Budé, n°1,2016. pp. 65-91
Jouteur Isabelle, Mervaud Michel, édition, les Origines de la Russie de Gottlieb Bayer (1741)
No full textGonneau Pierre. Jouteur Isabelle, Mervaud Michel, édition, les Origines de la Russie de Gottlieb Bayer (1741). In: Revue des études slaves, tome 76, fascicule 1, 2005. Liturgie et histoire dans l'Église russe médiévale, sous la direction de Pierre Gonneau. pp. 73-74
P. Ovidius Naso dans les Pontiques ou l’auteur en question
No full textThis article refers to the notion of ‘‘ author ’’ in Greco-Latin times, showing how, in Ovid’s work, conditions of exile and of imperial censorship produced a specific form of discourse in literature, one where the poet becomes the primary guarantor of his work. Whilst in the Tristia, Ovid places himself in the role of author guilty of the Art of love,
in the Letters from the Black Sea, he depicts himself as a weary author, having come to the end of his poetic career. His numerous declarations of powerlessness regarding the art of writing, which formthe dominant theme of the last collection of letters, create an effect of a remarkable presence, the very origin of a new form of authorship.Jouteur Isabelle. P. Ovidius Naso dans les Pontiques ou l’auteur en question. In: Vita Latina, N°199, 2019. pp. 34-56
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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