1,721,202 research outputs found
Interview on Experimental Philosophy with Joshua Knobe
No full textThis conversation piece contains an interview with Joshua Knobe. It provides a useful introduction to what experimental philosophy is and the interdisciplinary collaborations it encourages. Pendaran Roberts and Joshua Knobe collaboratively developed this conversation piece via email. Joshua Knobe is a renowned experimental philosopher, who works on a range of philosophical issues, including philosophy of mind, action and ethics. He is a professor in the Program in Cognitive Science and the Department of Philosophy at Yale University. He is most known for what is now called the ‘Knobe effect’
Interview on Experimental Philosophy with Joshua Knobe
No full textThis conversation piece contains an interview with Joshua Knobe. It provides a useful introduction to what experimental philosophy is and the interdisciplinary collaborations it encourages. Pendaran Roberts and Joshua Knobe collaboratively developed this conversation piece via email. Joshua Knobe is a renowned experimental philosopher, who works on a range of philosophical issues, including philosophy of mind, action and ethics. He is a professor in the Program in Cognitive Science and the Department of Philosophy at Yale University. He is most known for what is now called the ‘Knobe effect’
Review of _Experimental Philosophy_ by Joshua Knobe & Shaun Nichols
No full textJoshua Knobe and Shaun Nichols (eds.), Experimental Philosophy, Oxford University Press, 2008,
244 + x pp., ISBN 978-0-19-532326-9
Dual Character Art Concepts
No full textShen-yi Liao, Aaron Meskin, Joshua Knobe (in press). "Dual Character Art Concepts", Pacific Philosophical Quarterly. Available at https://philpapers.org/rec/LIADCA-
Dual Character Art Concepts
No full textShen-yi Liao, Aaron Meskin, Joshua Knobe (in press). "Dual Character Art Concepts", Pacific Philosophical Quarterly. Available at https://philpapers.org/rec/LIADCA-
Dual Character Art Concepts
No full textShen-yi Liao, Aaron Meskin, Joshua Knobe (in press). "Dual Character Art Concepts", Pacific Philosophical Quarterly. Available at https://philpapers.org/rec/LIADCA-
sj-docx-1-psp-10.1177_01461672231158095 – Supplemental material for Biological Essentialism Correlates With (But Doesn’t Cause?) Intergroup Bias
No full textSupplemental material, sj-docx-1-psp-10.1177_01461672231158095 for Biological Essentialism Correlates With (But Doesn’t Cause?) Intergroup Bias by April H. Bailey and Joshua Knobe in Personality and Social Psychology Bulletin</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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