1,721,211 research outputs found
Die Bilderbibel der Brüder Joseph Sebastian und Johann Baptist Klauber
Die 1748 erschienene, aus 100 Kupferstichen bestehende Bilderbibel zählt zu den wichtigsten Publikationen des Augsburger Verlags der Brüder Joseph Sebastian und Johann Baptist Klauber. Die Blätter, vermutlich nach Entwürfen von Johann Adam Stockmann von mehreren Kupferstechern mit teilweise stark von einander abweichenden Handschriften ausgeführt, kombinieren jeweils mehrere biblische Szenen zu phantasievollen, mitunter nicht leicht durchschaubaren Gebilden; dabei spielen elaborierte Rahmensysteme aus ornamentalen, architektonischen, gegenständlichen und figuralen Elementen eine wichtige Rolle. Die Analyse der in der Bilderbibel verwendeten Bildstrukturen und die Klassifizierung wichtiger Gestaltungsmittel erlauben grundsätzliche Einblicke in die Eigenheiten süddeutscher Rokokographik. Daneben wird die Frage nach der Position der Bilderbibel im Kontext der Bibelillustration des 17. und 18. Jahrhunderts gestellt
[The New York campaign of 1776].
Signed inside border at lower right: Ferdinand Joseph Sebastian de Brahm delineavit 1777.; Finished, colored map illustrating Long Island and Fort Washington campaigns of 1776.; Table of references identifies important points.; This map was copied as Clinton Map 143 with the same title
Joseph Sebastian Klauber und die Kupferstiche des Coelum Christianum
Beim 'Coelum Christianum' (1749) des Wessobrunner Benediktiners Coelestin Leuthner handelt es sich um ein illustriertes Andachtsbuch, wie es für die Augsburger Buchproduktion des 18. Jahrhunderts charakteristisch ist. Seine Entstehungsgeschichte ist außerdem durch Äußerungen des Autors gut dokumentiert. Das Buch ist reich ausgestattet mit Kupferstichen, auf denen häufig die Namen Gottfried Bernhard Göz (Vorlage) und Joseph Sebastian Klauber (Ausführung) angegeben sind. Diese Kupferstiche weisen erhebliche stilistische und qualitative Unterschiede auf; ausgezeichnete Leistungen stehen neben handwerklichem Durchschnitt. Dies wirft die Fragen auf, ob hier tatsächlich ein einziger Kupferstecher mit wenig konsistenter Handschrift am Werk war oder ob sich doch mehrere Hände die Ausführung teilten. Die Fragen können nicht definitiv beantwortet werden, doch handelt es sich bei dem uneinheitlichen Erscheinungsbild um ein Phänomen, das auch in anderen Serien der Brüder Klauber begegnet
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Repraesentatio praecipuarum doctrinae et vitae Iesu Christi historiarum secundum evangelia dominicalia et festivalia adpositis textibus illustrata.
Gravures door J. M. Moreau, Joseph Sebastian und Johann Baptist Klauber e.a.Herkomst: Don F. Vander HaeghenEuropeana-GoogleBook
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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