1,720,969 research outputs found
Drench: Raining on the radio and other stories
Get PDFThis presentation focussed on the trans-disciplinary Artistic Research project Drench, whose iterations include a creative radio feature and a public art installation. Writer and performer Jools Gilson and composer Sebastian Adams developed the experimental radio documentary The Rain Box in 2017 for Lyric FM in Ireland. The Rain Box was nominated for a New York Festivals World’s Best Radio Award for Sound Art in 2018. Gilson and Adams are now in the process of developing a series of umbrellas, which will tell stories and enfold you in sound when the rain falls. This presentation focused on the ways in which aspects of theatre and music composition navigate disciplinary boundaries of theatre, music, broadcast radio and participatory performance to engage world-making meaning production. Our new public art project comprises a series of adapted umbrellas, which respond to precipitation / location and connect the presence, rhythm and ferocity of rainfall with tendrils of story and sound. This paper documents the sharing of a prototype of this new work and the ways in which Drench elaborates the creative, theoretical and political implications of mobilising located fluidity through embodied storytelling
Stormy Weather: textile art, water and climate emergency
Get PDFThis paper entwines the voices of art historian Dr. Fionna Barber and Artist Scholar Prof. Jools Gilson to propose the critical importance of textile art in contemporary debates about the climate emergency. Framed in collaborative counterpoint to previous work on femininity and water (notably Neimanis 2012 & 2017), this discussion focuses on three textile based projects through two meteorological exhibitions; Mapping Climate Change: The Knitting Map & The Tempestry Project at the Berman Museum of Art in Pennsylvannia, US and Strange Attractor at Tate St. Ives, UK, both 2021. This keynote proposes The Knitting Map as a way of thinking about textiles and climate, as well as an artwork. It visits Cork City, the Irish bog and Cornwall traversing tropes of landscape, weather and national identity as it tangles textiles analysis and story
'cyber book' & 'tongue'
Get PDFTwo performance poems used in choreography by Jools Gilson-EllisTwo poems written by Jools Gilson-Ellis: 'cyber book' and 'tongue.' Both were used in the performance of 'Lively Bodies, Lively Machines' which was presented at the Split Screen conference, and directed by Johannes Birringer
\u27cyber book\u27 & \u27tongue\u27
No full textTwo poems written by Jools Gilson-Ellis: \u27cyber book\u27 and \u27tongue.\u27 Both were used in the performance of \u27Lively Bodies, Lively Machines\u27 which was presented at the Split Screen conference, and directed by Johannes Birringer
Girling troubled spaces: choreography, writing and BigEye
No full textThis article brings together Helene Cixous’ theorisation of a transgressive writing practice with Deleuze and Guattari’s radical re-conception of corporeality to discuss the implications, promises and failures of a digital/sonic/written/voiced choreographic practice. This piece is framed by the practice of half/angel, a performance company directed by Jools Gilson-Ellis and Richard Povall
Girling troubled spaces: choreography, writing and BigEye
Get PDFThis article brings together Helene Cixous’ theorisation of a transgressive writing practice with Deleuze and Guattari’s radical re-conception of corporeality to discuss the implications, promises and failures of a digital/sonic/written/voiced choreographic practice. This piece is framed by the practice of half/angel, a performance company directed by Jools Gilson-Ellis and Richard Povall
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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