18,131 research outputs found
Hamilton, Catherine Jane [pseud. Retlaw Spring] (1841–1935), author and journalist
No full textHamilton, Catherine Jane [pseud. Retlaw Spring] (1841-1935), author and journalist, was born on 25 January 1841 at Kilmersdon, Somerset, where she was baptized on 12 April 1841, the younger of two daughters of Richard Hamilton (1805?-1859), vicar of Kilmersdon, and his wife Charlotte, née Cooper (1809-1882), the fifth daughter of William Cooper, of Queens County, Ireland. She was of Irish heritage on both sides. Her father belonged to a military family with roots in Strabane (county Tyrone) - his father, John Hamilton, and her father’s four older brothers were all officers in the Fifth Foot – and was a graduate of Trinity College Dublin. He had been a bright scholar with an aptitude for languages, and as a preacher was praised for his powerful sermons and his ability to bring the Bible to life for his parishioners
Modelling Methods for the Highly Dispersive Slinky Spring: A Novel Musical Toy
No full textABSTRACT The 'Slinky' spring is a popular and beloved toy for many children. Like its smaller relatives, used in spring reverberation units, it can produce interesting sonic behaviors. We explore the behavior of the 'Slinky' spring via measurement, and discover that its sonic characteristics are notably different to those of smaller springs. We discuss methods of modeling the behavior of a Slinky via the use of finite-difference techniques and digital waveguides. We then apply these models in different structures to build a number of interesting tools for computer-based music production
Electoral reform in New Zealand. by Jonathan Boston
No full texttag=1 data=Electoral reform in New Zealand. by Jonathan Boston
tag=2 data=Boston, Jonathan
tag=3 data=Australian Quarterly,
tag=4 data=66
tag=5 data=3
tag=6 data=Spring 1994
tag=7 data=67-90.
tag=8 data=VOTING SYSTEMS
tag=10 data=The implications for the formation, organization and operations of the Cabinet.
tag=11 data=1995/1/2
tag=12 data=95/0109
tag=13 data=CABThe implications for the formation, organization and operations of the Cabinet
Peter Kean to Jonathan J. Chetwood, July 14, 1828
No full textPeter Kean wrote to Jonathan J. Chetwood, address not included, regarding papers and money connected to the Orange Spring property. There is a response from Chetwood at the top of the letter in which he said he received the money from the Orange Spring Company and paid what he owed to Susan Ursin Niemcewicz via the Elizabeth Town Bank.https://digitalcommons.kean.edu/lhc_1820s/1110/thumbnail.jp
From Jonathan Daniels Album: Jonathan Daniels with West family children, Spring 1965
No full textSeminarian Jonathan Daniels went to Alabama in the Spring of 1965 as a Civil Rights worker, assisting with voter registration. He and others stayed with the family of Alonzo West. Daniels was murdered at Hayneville, Alabama on August 21, 1965.Additional photos in albu
TRAUM: Transforming Author Museums, 2019
No full textWhat roles have author museums as creators of cultural identity? What kind of representations do they use to communicate knowledge about literature and its authors? How are real and literary spaces, texts and objects interlinked? Author museums are in the public imagination often associated with an old-fashioned cult of the author, they are being transformed into interactive spaces in line with changing understandings of literature, developments in exhibition practices and larger processes of democratization. This interdisciplinary project aimed to provide analyses of museums as cultural texts and performative spaces of memory and production. In the past years, the alleged crisis of the humanities has been a recurring topic of debate. While criticism has been levelled at the humanities for lack of relevance, informal polls made in various countries across Europe asking for the most important personality in national history have consistently placed artists on the top, often writers, and in the case of Norway, Henrik Ibsen. There is a paradoxical relationship between the discourse of the uselessness of humanities and the actual interest in and identification with some of its actors. The project aimed to investigate how and why (certain) writers and literature have been turned into cultural heritage, helped by the display of auratic places such as their homes in combination with the aestheticization of personal "relics" within specific cultural-political contexts. Combining humanities, social sciences and artistic perspectives, it will critically reflect on existing and historical exhibition strategies and consider alternative and innovative ways of displaying literature, focusing on the potentials of author museums and other literary museums and centres as sites of cultural production and literary creativity. On a meta-level the project aimed to contribute to a better understanding of how to communicate the relevance of humanities to the public. The project is part of the NFR project “TRAUM-Transforming Author Museums (251225)”. The focus of the sub-project is on exhibitions in author homes. The analysis includes the role of archival material in exhibitions (published article by Ulrike Spring), communication processes in literary museums and the author's role as ghost in author homes (articles in preparation by Ulrike Spring and Johan Schimanski). For further information about ”TRAUM: Transforming Author Museums, 2019”, please contact the principal investigator
Towards a Framework for Developing Mobile Agents for Managing Distributed Information Resources
No full textDistributed information management tools allow users to author, disseminate, discover and manage information within large-scale networked environments, such as the Internet. Agent technology provides the flexibility and scalability necessary to develop such distributed information management applications. We present a layered organisation that is shared by the specific applications that we build. Within this organisation we describe an architecture where mobile agents can move across distributed environments, integrate with local resources and other mobile agents, and communicate their results back to the user
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Poised to eat Our Lunch?: China's Rise & America's Perceptions Under the Obama Administration, 2009 - 2011
No full textSubmitted by Henry Roberson ([email protected]) on 2011-10-14T19:42:19Z
No. of bitstreams: 1
Freimark, Jonathan - Spring '11.pdf: 585205 bytes, checksum: 7938c8dc420c44da23778410a4c40b5d (MD5)Made available in DSpace on 2011-10-14T19:42:19Z (GMT). No. of bitstreams: 1
Freimark, Jonathan - Spring '11.pdf: 585205 bytes, checksum: 7938c8dc420c44da23778410a4c40b5d (MD5
'Giving honour to the Spirit' : a critical analysis and evaluation of the doctrine of pneumatological union in the Trinitarian theology of Jonathan Edwards in dialogue with Karl Barth
No full textThe extent to which the 'honour' of the Spirit influenced the theology of
Jonathan Edwards is a hitherto underdeveloped theme. Against a backdrop of
Patristic thought and in dialogue with the theology of Karl Barth, evaluation is
made of pneumatological union in Edwards' Trinitarian theology as this centres
on the nature and inter-relatedness of the 'three unions' that characterize his
theology: the union of the three Persons of the Trinity, the union of the saints
with God, and the union of the divine and human natures of Christ.
Edwards' seeks to honour the Spirit as the mutual love of the Father for the Son
within his Augustinian, Lockean model of the immanent Trinity, and as 'Person'
in the economy. The challenges of doing so within the limits of this
psychological model of the Trinity are evaluated in dialogue with the
Cappadocian Fathers and Barth.
In a manner patterned after union in the Trinity, Edwards gave prominence to the
concept of the pneumatological union of the saints with God in Christ, in
fulfilment of the self-glorifying purpose of God in creation and redemption.
Edwards' experiential theology of conversion, and his elevation of subjective
sanctification by the Spirit over objective justification in Christ, for assurance, is
contrasted with Barth's greater emphases on the Christological union of God
with humanity and objective justification in Christ. Barth's more contemplative
approach is contrasted with the overly introspective spirituality of Edwards.
Edwards' view of the role of the Spirit in the hypostatic union of God with
humanity in Christ, which is reflective of the other unions, is also evaluated in
light of Patristic, Reformed-Puritan and Barthian thought on the nature of the
humanity Christ assumed, and the doctrine of the vicarious humanity of Christ. A
more emphatic incarnational emphasis may have saved Edwards' Spirit-
honouring spirituality from an anthropocentricity which is ironical given that the
glory of God is his ontic doxological concern
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