1,721,507 research outputs found
Citizen participation in news
Full text linkThe process of producing news has changed significantly due to the advent of the Web, which has enabled the increasing involvement of citizens in news production. This trend has been given many names, including participatory journalism, produsage, and crowd-sourced journalism, but these terms are ambiguous and have been applied inconsistently, making comparison of news systems difficult. In particular, it is problematic to distinguish the levels of citizen involvement, and therefore the extent to which news production has genuinely been opened up. In this paper we perform an analysis of 32 online news systems, comparing them in terms of how much power they give to citizens at each stage of the news production process. Our analysis reveals a diverse landscape of news systems and shows that they defy simplistic categorisation, but it also provides the means to compare different approaches in a systematic and meaningful way. We combine this with four case studies of individual stories to explore the ways that news stories can move and evolve across this landscape. Our conclusions are that online news systems are complex and interdependent, and that most do not involve citizens to the extent that the terms used to describe them imply
Margret Dissen, Römische Kollegien und Deutsche Geschichtswissenschaft im 19. und 20. Jahrhundert, (Historia Einzelschriften, 209) 2009
No full textPerry Jonathan Scott. Margret Dissen, Römische Kollegien und Deutsche Geschichtswissenschaft im 19. und 20. Jahrhundert, (Historia Einzelschriften, 209) 2009. In: L'antiquité classique, Tome 80, 2011. pp. 534-537
Spatial contexts : an interactive environment for personal design
Full text linkThesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCHBibliography: leaves 133-140.by Jonathan Scott Linowes.M.S.V.S
Maria Wyke, Caesar in the USA. Berkeley, University of California Press, 2012 (The Joan Palevsky imprint in classical Literature)
No full textPerry Jonathan Scott. Maria Wyke, Caesar in the USA. Berkeley, University of California Press, 2012 (The Joan Palevsky imprint in classical Literature). In: L'antiquité classique, Tome 83, 2014. pp. 615-618
Monique Dondin-Payre et Nicolas Tran (Éd.), Collegia. Le phénomène associatif dans l’Occident romain. Bordeaux, Ausonius, 2012 (Scripta Antiqua, 41)
No full textPerry Jonathan Scott. Monique Dondin-Payre et Nicolas Tran (Éd.), Collegia. Le phénomène associatif dans l’Occident romain. Bordeaux, Ausonius, 2012 (Scripta Antiqua, 41). In: L'antiquité classique, Tome 83, 2014. pp. 470-473
Characterization of the dynamic behavior of lung surfactant and its components
Full text linkThesis (S.M.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 1998.Includes bibliographical references (leaves 135-138).Lung surfactant is essential to respiratory function. Surfactant dysfunction in adult respiratory distress syndrome (ARDS) is associated with an increase in the minimum surface tension achieved on compression which can result in alveolar collapse and decreased lung compliance. Knowledge of the interfacial characteristics of lung surfactant and its constituents is essential to an understanding of the biophysics of surfactant dysfunction ...by Jonathan Scott Morris.S.M
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Urban Design Workshop
No full textWorkshop di progettazione interuniversitario promosso dal University of Arkansas Rome Center e dalla Facoltà di Architettura dell’Università Sapienza di Roma
Obiettivo primario dell’iniziativa è di creare una opportunità di scambio culturale tra gli studenti di architettura americani e gli studenti italiani della facoltà di architettura di Roma.
Per una settimana studenti italiani e studenti americani hanno sviluppato progetti di recupero e riqualificazione urbana del quartiere romano di Casalbertone sotto la guida dei docenti di tutte le università coinvolte. I progetti sono stati quindi presentati e discussi con autorità locali e associazioni di quartiere
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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