7,392 research outputs found

    Samuel Moore Barclay papers

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    Samuel Moore Barclay was a Bedford, Pennsylvania, attorney who corresponded with a number of prominent Maryland individuals and business firms on legal, political, and business matters. Among Barclay's correspondents were William Tiffany and Co., H. P. Hepburn, Jonathan M. Edgar, and C. D. Slingluff. Topics discussed include legal cases, monetary claims, and business arrangements

    Fast methods for training Gaussian processes

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    This submission includes a simplified version of some code we have been developing for fast training of Gaussian processes. We also include a sample data set, which is NOAA tidal data from Woods Hole in the US, downloaded from http://tidesandcurrents.noaa.gov/ . The code and data included here were used to produce the numerical results in the following paper: [1] Fast methods for training Gaussian processes, C. J. Moore, A. J. K. Chua, C. P. L. Berry, and J. R. Gair (2016), submitted to RSOS

    Alan Moore Comics as Performance, Fiction as Scalpel

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    Eclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Intro -- Contents -- Preface and Acknowledgments -- Introduction -- CHAPTER 1. Formal Considerations on Alan Moore's Writing -- CHAPTER 2. Chronotopes: Outer Space, the Cityscape, and the Space of Comics -- CHAPTER 3. Moore and the Crisis of English Identity -- CHAPTER 4. Finding a Way into Lost Girls -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- ZEclectic British author Alan Moore (b. 1953) is one of the most acclaimed and controversial comics writers to emerge since the late 1970s. He has produced a large number of well-regarded comic books and graphic novels while also making occasional forays into music, poetry, performance, and prose. In Alan Moore: Comics as Performance, Fiction as Scalpel , Annalisa Di Liddo argues that Moore employs the comics form to dissect the literary canon, the tradition of comics, contemporary society, and our understanding of history. The book considers Moore's narrative strategies and pinpoints the main thematic threads in his works: the subversion of genre and pulp fiction, the interrogation of superhero tropes, the manipulation of space and time, the uses of magic and mythology, the instability of gender and ethnic identity, and the accumulation of imagery to create satire that comments on politics and art history. Examining Moore's use of comics to scrutinize contemporary culture, Di Liddo analyzes his best-known works-- Swamp Thing, V for Vendetta, Watchmen, From Hell, Promethea , and Lost Girls . The study also highlights Moore?s lesser-known output, such as Halo Jones, Skizz , and Big Numbers , and his prose novel Voice of the Fire. Alan Moore: Comics as Performance, Fiction as Scalpel reveals Moore to be one of the most significant and distinctly postmodern comics creators of the last quarter-century.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries

    The question of gendered voice in some contemporary Irish novels by Brian Moore and John McGahern

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    This thesis questions the use of the 'voice' metaphor in contemporary Irish cultural studies in order to examine the ways in which gendered identities are constructed in some Irish Catholic communities in twentieth-century Ireland. With reference to novels by Brian Moore and John McGahern as well as to Judith Butler's theories of performativity and citational practices, it argues that gendered identities are constructed through the repetitive citation of hegemonic cultural discourses. This thesis focuses on the ways in which gendered identities are produced and maintained through the citation of the official discourses of the Catholic Church and the State as well as the more mundane discourses related to popular nationalism and the family. The first two chapters concentrate on novels whose protagonists are trying to construct powerful identities in urban Irish society through the manipulation of gendered discourses. The discussion of Moore's The Lonely Passion of Judith Hearne identifies some of the strategies through which conventional Irish women's voices are constructed and questions the validity of the category of 'authentic' women's voices. In the chapter relating to McGahem's The Pornographer, the powerful, abstract male voice is exposed as a performative construct which is sustained only through the abjection of those elements which disrupt the narrator's performance of masculinity. The remaining chapters concentrate on the use of idealised images such as those of the 'woman-as-nation' and the iconised mother in novels by Moore and McGahem. Moore's The Mangan Inheritance provides the basis for a discussion of whether or not voices attributed to women in texts by Irish men can be read in ways that disrupt the apparent authority of Irish men's voices. This thesis discusses the issues raised when men participate in the deconstruction of idealised images of Irish women. The final chapter examines the processes through which conventional identities are discursively constructed and maintained in two novels by John McGahem: The Dark and Amongst Women. This thesis contends that through the strategic redeployment of those voices attributed to idealised images of Irish women, voices which are conventionally regarded as silent, patriarchal gendered identities can be destabilised or displaced

    Douglas Panel

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    Panel discussion on Justice Douglas moderated by Professor Lawry Panel: Karen Nelson Moore, Jonathan L Entin, Michael Richard Heise, Melvyn R. Durchsla

    sj-docx-1-nmi-10.1177_11786388231159192 – Supplemental material for A Teaching Kitchen Program Improves Employee Micronutrient and Healthy Dietary Consumption

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    Supplemental material, sj-docx-1-nmi-10.1177_11786388231159192 for A Teaching Kitchen Program Improves Employee Micronutrient and Healthy Dietary Consumption by Miranda A Moore, Benjamin A Cousineau, Krystyna Rastorguieva, Jonathan P Bonnet and Sharon H Bergquist in Nutrition and Metabolic Insights</p
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