1,721,083 research outputs found
Jonathan Holmes (Art Forum)
No full textJonathan Holmes discusses the work of landscape painter Adolphe Dallemagne who spent some years working in the new medium of photographic portraiture. His work was later acquired by rival photographer Felix Nadar
Julian Assange and the slow stupefaction of the state
No full textWikileaks has taken on the USA with the intention of slowing its communications lifeblood "until it falls, stupefied", writes Jonathan Holmes in The Drum.
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WikiLeaks: It\u27s the media story that just grows and grows. Quite apart from the leaked cables themselves, which have dominated the global headlines for days, there\u27s the irresistibly cryptic Julian Assange, his murky sex life in Sweden, and the decision of the British beak to bang him in the slammer.
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Making the news
No full textThe online age has heralded the rise of the celebrity journalist: ‘personalities’ with headshots, Twitter accounts and guest spots on Q&A. How does this impact on the quality of our journalism? What do star journalists have that bloggers don’t – and how can we resolve the often difficult relationships between old media, DIY journalists and technology? With Margaret Simons, Greg Jericho (aka Grog’s Gamut) and Media Watch host Jonathan Holmes. 
Harris Jonathan, Holmes Catherine & Russell Eugenia (eds), Byzantines, Latins, and Turks in the Eastern Mediterranean World after 1150. Oxford, Oxford University Press (Oxford Studies in Byzantium), 2012
No full textZouache Abbès. Harris Jonathan, Holmes Catherine & Russell Eugenia (eds), Byzantines, Latins, and Turks in the Eastern Mediterranean World after 1150. Oxford, Oxford University Press (Oxford Studies in Byzantium), 2012. In: Bulletin critique des annales islamologiques, n°29, 2014. pp. 105-107
10. The Role of Technology in Expenditure Growth in Healthcare - Amitabh Chandra and Jonathan Holmes
No full textThe Arresting Image: Roger Ballen, Amanda Davis, Fred Fisher, Alicia King, Tim Macmillan, Sanja Pahoki, Sally Rees
No full textThe catalogue accompanied the exhibition The Arresting Image which included works by Roger Ballen, Amanda Davis, Fred Fisher, Alicia King, Tim Macmillan, Sanja Pahoki, Sally Rees. The aim of the exhibition and catalogue was to explore the theme of the viewer's attention and included work which demanded a lengthier attention span than the average thirty seconds which research has shown is the usual time that viewers spend in front of an art work. The catalogue includes the essay 'Suspense' by Jonathan Holmes; a foreword by Patricia Brassington and Fiona Lee; a list of works; and 11 mainly colour illustrations
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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