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    Masculinity in two reddit men’s communities: Feminism is foul, privilege is precarious, and being beta is bad.

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    TL;DR Work, social lives, and leisure practices are increasingly digitally mediated, and as more and more of our interactions move online, we seek out platforms and communities where we can share ideas and interact with others. Social networking sites, forums, and other socially oriented digitally networked spaces have created opportunities for communities of shared interest to come together, permitting even the smallest of interest groups to feel as though they have a home and meeting place. One location where this kind of community formation happens readily is reddit.com, a website designed to aggregate content from users and other websites into interest-based collections. Users can join and follow communities about nearly any topic, and curate their experience to show only content that aligns with their beliefs, ideologies, or desires. Along with social groups like fan fiction writers or bird watchers, the ease of gathering and sharing ideas on social platforms like reddit has allowed other niche groups with anti-equity, far-right, and prejudicial views to find community as well. In the case of men’s advocacy and male supremacist groups, this has led to reddit communities in the online manosphere. The manosphere is a loose collection of anti-feminist groups that share a focus on aspects of men’s rights, Western gender traditionalist, or male supremacist ideology. As a set, manosphere group ideologies are less of a continuum from mundane to militant, but rather like a loose collection of affiliated groups. Each manosphere group carries its own understandings about men and masculinities, and these are reflected in the ways these groups welcome (or do not welcome) men representing different versions of masculinity, and accept them as group members and/or as men. With a complicated history, growing numbers, and in some cases feminist roots, the manosphere and its popular constituent groups require examination. The purpose of this research was to explore the discourses of masculinity in two different sub-groups of the manosphere, to compare them, and gain insight into how those discourses influence community ideology. Using digital ethnographic methods, this research examines the discourses of masculinity in the /r/MensRights and /r/TheRedPill sub-communities of the website reddit.com this research engages the following research questions: What discourses of masculinity are embedded in the reddit manosphere spaces of /r/MensRights and /r/TheRedPill, how do they compare, and how are these discourses disseminated and monitored to maintain collective group ideologies? And What role might reddit play, through /r/MensRights and /r/TheRedPill, in connecting manosphere communities, and pushing users toward more radical viewpoints about gender and power? The ongoing act of conducting this research in a digital setting also generated a third question: What indicators or guideposts would have been useful as a novice digital qualitative researcher to help me better plan, develop, conduct, and theorise my digital ethnographic research? The introductory chapters introduce the area of study, reddit, and the men’s rights movement, as well as share the theoretical perspectives and methodological approach that frame the project. These chapters are followed by three manuscripts that present empirical refractions based on my research, as well as the development of a digital ethnographic theory-method. The first manuscript chapter, “Entitled to everything responsible for nothing:” Gendered Discourses of Antifeminism, Biological Determinism, and Violence in Reddit’s Manosphere, explores how the three mainstays of antifeminism, biological determinism, and violence provide covert and overt support for men’s rights and supremacist rhetorics on reddit. In this chapter I examine how these discourses are gendered to contrast ‘natural’ male superiority with the perception of male subordination in a feminist society. The second manuscript, “A Positive Identity for Men”? Pathways to far-right participation through /r/MensRights and /r/TheRedPill, positions reddit’s affordances as important contributors to community proliferation. Using the shared ideological commitment to gendered traditionalism of these two reddit communities, and Francisco Bobbio’s (1996) explication of the left-right political spectrum, this manuscript positions /r/MensRights and /r/TheRedPill as far-right communities. Touching on the hard and soft misogyny of these communities as entry points into ideological pipelines, it locates reddit as a perpetuating force for far-right conversion and progression. The third manuscript is a refraction of my methodological struggles in collection of empirical materials, and the theoretical development of a way to think through the complexity of doing research in digitally mediated contexts. Application of a Digital Ethnographic Assemblage Theory-Method – the Research Technoassemblage explores the challenges of using ethnographic methods in online-only communities and the messy intersections of technological systems, people behind the users, the person behind the researcher, and our (presumed) willful ignorance of that complexity. It concludes with a call for research that recognizes and better addresses the need to see and understand these complexities in all research with digitally mediated components. I conclude with a reflection on where to go from here, stepping forward with this research into continued exploration of digital complexity and how it affects gender, masculinities, and men’s rights groups. The final chapter brings together the introductory chapters and manuscripts, and reviews their contributions to the study of men’s rights, far-right, and manosphere communities, as well as leisure and leisure research. It re-situates the importance of studying contentious groups like those studied here, and re-positions me as a researcher relative to the groups that I study. It concludes with reflections for leisure researchers to consider, as well as avenues for future inquiry that were illuminated by the findings from this study, including: the need for more Canadian-focused study of manosphere and far-right groups; the need to better study and map masculinities within the manosphere; the need to interrogate and work with empathy as a researcher of contentious worldviews; and a call to be more thorough and considered when conducting research in and on online communities

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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