1,721,066 research outputs found
Frederick Moore and Johnny Johnson, 1990
No full textFrederick Moore and Johnny Johnson are shown posing for a picture at a convention in Birmingham, Alabama.The Atlanta University Center Robert W. Woodruff Library acknowledges the generous support of the Joseph & Evelyn Lowery Institute for Justice and Human Rights, the Joseph Echols Lowery Irrevocable Trust, and other donors in supporting the processing and digitization of Morehouse College's Joseph Echols and Evelyn Gibson Lowery Collection
Parking lot and Johnny Johnson Tire Company building
No full textEntrance to a parking lot. The street sign in an arrow shape reads Parking, 15 cents 1/2 hr. There is a storefront on the street with a large sign (Johnny Johnson Tire Co.)https://mavmatrix.uta.edu/specialcollections_wdsmithphotography/2680/thumbnail.jp
Nooksack man named Johnny Johnson, Washington, ca. 1902
No full textPortrait of man dressed in suit and hat, ca. 1888-1897.
Note from unidentified source: Johnny Johnson, Indian of Nooksack; died a year or two ago, 17 June 1904
Kurt Weill: the 'composer as dramatist' in American musical theatre production
No full textPhDThe aim of this thesis is to critically examine Weill‘s negotiation of American cultural industries and his collaborative practice in making musicals there. It addresses the influence of the earlier, now discredited, concept of ‗Two Weills‘, which has engendered an emphasis on identity within the current literature. It proposes that Weill scholarship has been further constrained by problematic perceptions of Weill‘s position as both a European modernist composer and an exile in America. Each of these contexts suggests romanticised notions of appropriate behaviour, for a composer, and of autonomy and separation from popular culture. This thesis examines how Weill troubles those notions by engaging with the musical, a so-called ‗middlebrow‘ form, with a disputed cultural value. It traces the reconsideration of the musical as a location for sociocultural analysis, highlighting David Savran‘s requirement that approaches to the musical recognise the form‘s material conditions of production. The thesis establishes its methodology built on Ric Knowles‘s cultural materialist approach to contemporary performance. This enables Weill‘s activities to be seen in their proper context: Weill‘s negotiation of entry into American art worlds, and the subsequent exchange of economic assets and Weill‘s active management of his cultural capital through the media are followed for the first time, clearly revealing the composer‘s working practices. The thesis suggests that Weill is a practitioner who consciously engages with American cultural industries. It addresses questions of authorship, demonstrating how Weill‘s contribution can be understood within complex sets of agencies. It establishes how Weill can be seen through his own model of the ‗composer as dramatist‘ and through Adorno‘s depiction of the composer as a Musikregisseur
Paul Green\u27s "Johnny Johnson" performed at the Music Hall on the Campus, University of Minnesota, Minneapolis, 1938 [01]
No full textBlack and white photograph of a scene from Paul Green\u27s "Johnny Johnson," performed at the Music Hall on the Campus of the University of Minnesota, Minneapolis, 1938
Paul Green\u27s "Johnny Johnson" performed at the Music Hall on the Campus, University of Minnesota, Minneapolis, 1938 [02]
No full textBlack and white photograph of a scene from Paul Green\u27s "Johnny Johnson," performed at the Music Hall on the Campus of the University of Minnesota, Minneapolis, 1938
Drifting with you along Dream River, out where the moon beams [first line of chorus]
No full textPerformers: Johnny Johnson and his Statler PennsylvaniansPiano and Voice (with lyrics
My melancholy baby
No full textGift of Dr. Mary Jane Esplen.Piano and voice with Ukulele arrangment. [instrumentation]E flat major [key]Moderato [tempo]Popular song. [form/genre]Girl; Portrait of Johnny Johnson. [illustration]Mason and Risch, Guelph. [dealer stamp]Publisher's advertisement on inside front cover and back cover. [note
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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