619 research outputs found
After London.
No full textSite specific exhibition 3 March - 2 April 2011, of art works made by John Timberlake arising from a collaborative enquiry with Dr Joy Sleeman (Slade School of Fine Art, UCL). The exhibition took place at Stephen Lawrence Gallery, The Old Royal Naval College, University of Greenwich, London SE10. The exhibition featured five photograph/painting collage works by John Timberlake, a limited edition booklet with text by Joy Sleeman, and a collaborative piece, made by both. The exhibition considered the legacy and cultural ramifications of the work of Richard Jefferies, a C19th author and resident of Greenwich, who wrote an apocalyptic early science fiction novel entitled After London (1885). A panel discussion, involving John Timberlake, Joy Sleeman, Dr Matthew Beaumont (UCL) and the novelist Will Self took place on Sunday 13th March.
The exhibition curator was David Waterworth of University of Greenwich
Ron Haselden / John Timberlake
No full textThe respective work of Ron Haselden and John Timberlake reflects aspects of each artist’s engagement with landscape. Both see landscape and topography as a construction of time as well as space. They think of landscape involving an awareness of human time (the time of the artist, of the viewer), as well as geological and astronomical ‘deep’ time (the time of the Earth as a planet). Seen like this, a landscape is a palimpsest of small and large lifecycles, of geological forms and processes, and of shifting human perceptions
John Timberlake Gibson papers
No full textJohn T. Gibson was a writer, founder of Modern Design Incorporated, and owner and breeder of race horses. His papers consist primarily of financial, licensing, and registration records relating to Gibson's career as horse breeder and owner. The collection also include some magazine articles and manuscripts from Gibson's days as a freelance writer
Marriage record of Thomas, John F. and Timberlake, Linnie
No full textMarriage license for John F. Thomas and Linnie Timberlake. Thomas C. Calmes was the Notary Public
Timberlake placers, Moffat County, Colorado
No full textMine report no. 1255.Typescript (carbon copy).Includes assay report, handwritten report, map and newspaper clipping.Report for Burton Cohn on the Timberlake placers, Moffat county, Colorado, 1936 -- Preliminary report: The Timberlake or Fourmile placer district, Moffat County, Colorado, 1915 -- Report to Bureau of Mines State of Colorado, for the year 1937, on Eldorado gold placer mines -- The James Gooldy placer property, Timberlake gulch, Moffatt [sic] county, Colorado -- newspaper clipping -- Township no. 10N, range no. 92W 6 P.M. Colorado [map] -- The James Gooldy placer property, Timberlake Gulch, Moffat county, Colorado -- The James Gooldy placers, Timberlake gulch, Moffat county, Colorado, 1922 -- The Timberlake or Fourmile placer district
Perdita (Hexaperdita) Timberlake
No full text<p> <b> Subgenus <i>Hexaperdita</i> Timberlake</b> </p> <p>Taxonomy: Timberlake (1956).</p>Published as part of <i>Portman, Zachary M., Gardner, Joel, Lane, Ian G., Gerjets, Nicole, Petersen, Jessica D., Ascher, John S., Arduser, Mike, Evans, Elaine C., Boyd, Crystal, Thomson, Robin & Cariveau, Daniel P., 2023, A checklist of the bees (Hymenoptera: Apoidea) of Minnesota, pp. 1-95 in Zootaxa 5304 (1)</i> on page 25, DOI: 10.11646/zootaxa.5304.1.1, <a href="http://zenodo.org/record/8048569">http://zenodo.org/record/8048569</a>
Nuclear war as false memory
No full textIn this paper Timberlake outlines aspects of his creative practice as an artist, explaining his fascination for the ‘fictions of nuclear war’ – a war that never happened and so became the subject of ‘false memory’. Highlighting discontinued historical trajectories, the author shows how the cultural legacy of Britain’s nuclear test programme of the 1950s and ’60s may be explored meaningfully in paintings and photography resulting from his archival research at the Imperial War Museum in London
'[...] both a beyond and the conditions of mapping that beyond'
No full textRon Haselden / John Timberlake
'[…] both a beyond and the conditions of mapping that beyond'
3rd Sept – 27th Sept 2019
The exhibition comprised a sequence of five constructed pieces made of plywood, canvas and mixed media, two photographs, and a wire grid, which extended over the walls of most of the gallery. The Constructions and photographs were made by John Timberlake, the wire grid was made by Ron Haselden.
1. The title of this installation comes from a 1988 essay by the American critic Rosalind Krauss entitled ‘Photography and Abstraction’. The installation combines the work of John Timberlake (b.1967) and Ron Haselden (b.1944). John Timberlake lives in E14 and has been a participant in HUSK’s Continuum Programme since March of this year. Ron Haselden, who was invited by John Timberlake to collaborate on this show, lives in SE London and the West of France. The two artists have exhibited together before, but this is the first time they have done so in the UK.
2. The annealed single strand copper wire benefits from a thin tin plating making the copper wire robust and resilient to moisture. Tinned copper wire is particularly useful where excellent electrical conductivity and thermal resistance is required, suitable for use as rewireable fuse links and shorting links.
3. Combined, the works might be seen to play with themes of the grisaille (lit. French: ‘grey’) because they refer to monochrome works where colour is largely absent, but also insofar that grisaille, as a genre of painting, is historically closely linked to sculpture, placing the emphasis upon form rather than colour.
4. Features and benefits: excellent corrosion resistance; easy to solder; longer life than non-tinned copper wire; resistant to humidity and damp conditions; range of AWG sizes
5. Traditionally, grisailles were used decoratively, to stand in the place of sculptures or bas-reliefs, giving the optical effect of such from a distance. As wall pieces, both artists’ work might be said to be situated in a blurred zone between two-dimensional line drawing and three-dimensional sculpture. The works arise from individual reflections on that zone as an abstraction, and the qualities of the respective materials through which both artists respectively navigate it.
6. Tinned copper has many uses in the electrical wiring industry. Due to its efficient performance in humid or rainy climates copper wire is extremely useful in applications where this is a discerning factor. Some of the most common environments are: […
Another country XV
No full textAnother Country XV (2001) by John Timberlake, purchased by the Imperial War Museum in 2004, included in group exhibition of contemporary art in the collection of the IWM, curated by Sara Beva
Letter from John W. Timberlake to Robert Jemison, Jr., February 20, 1860
No full textThis item is from the Robert Jemison, Jr. Papers. The collection spans the period from 1797 to 1960 and includes both the personal and business papers of Robert Jemison, Jr., along with papers of Robert Jemison (grandfather), William Jemison (father), Priscilla Jemison (wife), Cherokee Jemison Hargrove (daughter), and Andrew Coleman Hargrove (son-in-law), and Robert Jemison, Jr. (IV) of Birmingham (1878-1973). Included are the records of his grist and lumber mills, plantations, stage line, the Tuskaloosa Plank Road, toll bridges, ferries, postal contracts, and the North East and South West Railroad
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