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John Pawson
Full text linkJOHN PAWSON
Baunetzwoche (Rights reserved) (-)
Ausgabe 261.2012 John Pawson (Rights reserved) (-
Pensamiento y arquitectura en John Pawson
Full text link[ES] El siguiente trabajo consiste en una disertación sobre los fundamentos y la obra del arquitecto John Pawson, en ella se obtendrán las ideas fundamentales a través de los escritos y entrevistas del autor para después comparar en su obra construida mediante el análisis de tres de sus obras mas significativas. Las tres obras analizadas corresponden a una representación de los campos de actuación en los que Pawson más ha trabajado, como son el de la arquitectura doméstica, la religiosa y el interiorismo para retail. La identificación del pensamiento se realiza analizando sus escritos y entrevistas los cuales serán citados para mejor comprensión de las ideas del arquitecto, haciendo una valoración y poniendo en contexto las palabras de Pawson.[EN] The following work is a dissertation on the basics and work of architect John Pawson, through writings and interviews of the author will be obtained the fundamental ideas and then will be compared to his built work by analyzing three of his more significant works. The three works analyzed correspond to a representation of the fields of action in which more Pawson has worked, such as the domestic architecture, religious and interior design for retail. The identification of thought is done analyzing his writings and interviews which will be cited for better understanding of the ideas of the architect, making an assessment and putting into context the words of Pawson.Orero Tarazaga, A. (2016). Pensamiento y arquitectura en John Pawson. https://riunet.upv.es/handle/10251/98324TFG
Anatomy of Minimum. John Pawson al Teatro dell’architettura di Mendrisio
No full textJohn Pawson, ospite giovedì 7 novembre
al Teatro dell’architettura in occasione
del ciclo di conferenze La Casa
da vivere, ha parlato di come pensa e progetta
e dei temi all’origine dei suoi lavori
John Pawson y el CísterEstudio sobre la influencia cisterciense en el pensamiento y obra de John Pawson.
No full text[ES] John Pawson es un arquitecto nacido en una pequeña ciudad al Norte de Inglaterra a mediados del siglo XX. Destaca por encabezar la búsqueda de la sencillez en sus obras, lo que le lleva a abordar los problemas referentes a la luz, los materiales y el espacio. Pawson adopta el minimalismo como una actitud que repercute en sus creaciones: la búsqueda de formas puras, la precisión en el uso de la materialidad o la sencillez con la omisión de lo no esencial. Este carácter del arquitecto se ha forjado y evolucionado a partir de la influencia de distintas personalidades que han pasado por su vida y de los acontecimientos vividos. Cabe subrayar la rígida disciplina familiar en la que crece, la inquietud por viajar y el encuentro con nuevas culturas, como la japonesa. Grandes referentes como Mies, Le Corbusier o el diseñador Shiro Kuramata se destacan entre las principales influencias. El presente trabajo pretende analizar el papel que la Orden del Císter juega en la forja del espíritu minimalista de Pawson. Sus creencias determinan la forma de pensar del autor y profundizaremos con ejemplos cómo se traducen en sus obras.[EN] John Pawson is an architect born in a small town in the North of England in the middle of the 20th century. He is noted for spearheading the search for simplicity in his work, which leads him to address problems of light, materials and space. Pawson adopts minimalism as an attitude that has repercussions in his creations: the search for pure forms, precision in the use of materiality or simplicity with the omission of the non-essential. This character of the architect has been forged and evolved through the influence of the different personalities who have passed through his life and the events he has experienced. It is worth highlighting the rigid family discipline in which he grew up, his restlessness for travelling and his encounter with new cultures, such as the Japanese. Great references such as Mies, Le Corbusier and the designer Shiro Kuramata stand out among the main influences. This paper aims to analyse the role played by the Cistercian Order in forging Pawson's minimalist spirit. Its beliefs determine the author's way of thinking, and we will examine in depth, with examples, how they are translated into his works.García Jiménez, M. (2021). John Pawson y el CísterEstudio sobre la influencia cisterciense en el pensamiento y obra de John Pawson. Universitat Politècnica de València. https://riunet.upv.es/handle/10251/180657TFG
Dois olhares sobre uma arquitectura de “ausência” : John Pawson e Aires Mateus
Full text linkDissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2020Exame público realizado em 18 de Dezembro de 2020Numa era marcada por constantes transformações perante os paradigmas que direcionam o Homem e o mundo, a arquitetura tem resistido à transformação dos seus valores essenciais, face a um contexto instável e temporário.
A temática da dissertação apresentada reflete sobre a importância da essência e a sua manifestação na redução dos elementos que configuram o espaço, enaltecendo as obras dos arquitetos John Pawson e Manuel e Francisco Aires Mateus, já que o processo de aprendizagem leva à procura de referências e coincidindo com um interesse particular neste tipo de arquitetura, a qual se expressa num sentido de Mínimo.
Inseridos neste contexto, denota-se que uma arquitetura de pendor minimalista desencadeada pelos espaços multifuncionais, articuláveis e reduzidos ao essencial, já foi alvo de estudo, pelos mais variados motivos e pelos mais influentes arquitetos como Walter Gropius, Mies Van der Rohe, Le Corbusier, entre outros.
Através da análise dos casos de estudo de John Pawson e, analogamente dos Aires Mateus, interessa particularmente entender a essência da depuração do objeto arquitetónico face às exigências dos seus utilizadores.In an era marked by constant changes regarding the paradigms that guide man and the world, architecture has, in the face of an unstable and temporary context, resisted the transformation of its essential values.
The theme of the presented dissertation reflects on the importance of essence and its manifestation in the reduction of elements that configure a space, by praising the works of architect John Pawson and Architects Manuel and Francisco Aires Mateus, since this learning process leads to a search for references and coinciding with a particular interest in this type of architecture, which is expressed in a sense of Minimum.
Inserted in this context, it is noted that a minimalist incline architecture triggered by multifunctional spaces, articulated and reduced to the essential, has already been the subject of studies, for the most variable reasons and by some of the most influential architects such as Walter Gropius, Mies Van der Rohe, Le Corbusier , among others.
Through the analysis of the case studies of John Pawson and, similarly to Aires Mateus, it is particularly interesting to understand the essence of the purification of the architectural object faced with the demands of its users
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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