1,721,679 research outputs found
I Remember piece on by John Knight Moulton on the Blizzard of \u2733, which he ex
No full textI Remember piece on by John Knight Moulton on the Blizzard of \u2733, which he experienced on a visit to Bath when he was a college student
1972-1973 SGA President, John Knight
No full textJohn Knight served as the SGA president in 1972-1973. He appears on page 79 in ASU Yearbook 1979
Underarm bowling and Australia-New Zealand trade
No full textProduct standards, legitimately used by countries to protect public health and safety have frequently been misused as technical barriers to trade while pretending to be consumer protection measures. That\u27s how New Zealanders see Australia\u27s ban on apple imports, writes John Knight, and the WTO agrees
Rep. John Knight
No full textRepresentative John Knight, retired Executive Vice President and Chief Operating Officer of Alabama State University, was elected in 1993 to the Alabama State House of Representatives. He was born on June 7, 1952 and is the father of two, Tamara and Tehrik. Representative Knight received his B.S., with Honors, in Business Administration from Alabama State University and holds an Honorary Doctor of Laws Degree from Alabama A&M University.
He serves on the Board of Directors for the Kershaw YMCA, the Montgomery Housing Authority, the Montgomery Improvement Association, the Southern Development Councill, Inc., and the Cleveland Avenue YMCA. Additionally, he is the Chairman of the Montgomery County Democratic Conference.
He is widely known as being the lead plaintiff in a lawsuit ( Knight v. State of Alabama) over state funding and racial fairness. This case involved how the state of Alabama funded its’ two state funded black universities Alabama State University and Alabama A&M University
art piece reviewing Land and Soul, an exhibition of paintings by John Knight
No full textart piece reviewing Land and Soul, an exhibition of paintings by John Knight. The show, which features painting of Maine weeds, is being presented at the Clown in Portland, through March 31
Joseph E. Lowery and Fred Shuttlesworth Listen to Montgomery County Commissioner John Knight, August 1985
No full textSouthern Christian Leadership Conference (SCLC) President Joseph E. Lowery and Fred Shuttlesworth are shown listening to Montgomery County Commissioner John Knight speak at the 25th Annual SCLC Convention. For more information, see page 38 of the October-November 1985 SCLC Magazine: http://hdl.handle.net/20.500.12322/auc.199:07027.The Atlanta University Center Robert W. Woodruff Library acknowledges the generous support of the Joseph & Evelyn Lowery Institute for Justice and Human Rights, the Joseph Echols Lowery Irrevocable Trust, and other donors in supporting the processing and digitization of Morehouse College's Joseph Echols and Evelyn Gibson Lowery Collection
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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