1,721,183 research outputs found
Wallace Duncan family and guest
The family of Wallace Duncan and the son of John Collier, Jr. seated on the floor of the Duncan home, sharing a meal
Duncan family meal
Two women and four boys seated on the floor of the Wallace Duncan home, sharing a meal. One of the boys is the son of John Collier, Jr
Duncan family
The wife and children of Wallace Duncan along with the son of John Collier, Jr. and the daughter of Marc-Adelard Tremblay. All are seated on the floor of the Duncan home, eating
Recommended from our members
[Interview with Lawrence Kelly and John Collier, Jr., March 21, 1980]
Interview with Lawrence Kelly and John Collier Jr. on March 21, 1980. Interview includes discussion on Collier's family and anthropological research conducted with various Native American communities
[Interview with Lawrence Kelly and John Collier, Jr., March 21, 1980]
Interview with Lawrence Kelly and John Collier Jr. on March 21, 1980. Interview includes discussion on Collier's family and anthropological research conducted with various Native American communities
Duncan family
A woman and six children seated on the floor eating. One of the children is the son of John Collier, Jr. and the child in the foreground is the daughter of Marc-Adelard Tremblay. The other children and the woman are the family of Wallace Duncan
Recognizing the Portuguese Immigrants of the 1940s through Photographs by Visual Anthropologist John Collier Jr.
This project focused on the study of the photographs of Portuguese immigrants in Massachusetts taken in 1942 by John Collier Jr., an important pioneer in visual anthropology. My goal was to analyze Collier’s photographs in order to raise awareness of the contributions made by the Portuguese immigrant communities in Massachusetts as well as the work done by Collier in documenting their community
Photographing Navajos : John Collier Jr. on the reservation, 1948-1953
In the early 1950s the great anthropological photographer John Collier Jr. made nearly 1,000 photographs documenting Navajo life in Fruitland, New Mexico, near the Four Corners. Lost until recently in archives far from the Southwest, most of these photos have never before been published. The authors of this book have assembled a selection of Collier\u27s Navajo photographs showing the changes in post-World War II reservation life.
This was the period when cash-crop agriculture and wage work began to supplant the traditional pastoral life centered on raising sheep and using the wool for weaving. Ironically, the photographer was the son of the Indian commissioner who instigated stock reduction on the Navajo Reservation in 1934. Nearly three-quarters of a century later, the senior Collier is still hated by Navajos, and it is a tribute to the younger Collier\u27s personality as well as his skill that he was able to take some of the most intimate pictures ever made of the Navajo people. The Collier photos collected here show people working, cooking, weaving, eating, washing their hair, and engaging in other activities of daily life. The collection also includes handsome portraits, some formal, some casual.
The essays by Benally and Doty set Collier\u27s work in the contexts of Navajo tradition and history as well as provide background on the Fruitland project and Collier\u27s role in it. Dale Mudge\u27s account of Navajo farming practices combines with Collier\u27s photos to present an outstanding summary of traditional Dine agriculture.https://digitalcommons.library.umaine.edu/fac_monographs/1182/thumbnail.jp
What\u27s in a Picture? piece on a photo of nine members of the Coastal Air Patro
What\u27s in a Picture? piece on a photo of nine members of the Coastal Air Patrol synchronizing their watches on June 5, 1943, at the base in Trenton, near Bar Harbor. Photographer John Collier Jr. took the picture
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