1,721,023 research outputs found
Sanford Bates Office Memorandum Joe Murphy
No full textAn office memorandum from Joe Murphy to Sanford Bates concerning future meetings
All-state football selection, George Lawrence, Joe Murphy, and Ralph Albarano, 1939
No full textAll-state football selection, George Lawrence, Joe Murphy, and Ralph Albarano, photographed in 1939
Eric Theriault, John Carey, Ken Shultz, Joe Murphy and Friend in Cafeteria, 1955
No full textb&w photographVery good condition: all corners bent, some white flecks throughout and tape on top two corners of reversePhoto of five students dining in the cafeteria, from l to r: Eric Theriault, ?, John Carey, ?, and Joe Murphy. This photo is found on pg. 27 of the 1955 yearbook. One of the remaining two lads is Ken Schultz, but which one is not specified. Identities confirmed by J. Mills in 2014, but she was unable to find any other photo or mention of K. Shultz in any yearbook from the 1950's.Written in red ink along right and left edge: 'crop 1.' Written in pencil on reverse: '603' and '209.0.' Came in white mat with '209.0' written in pencil on reverse. Note from Art Gallery identifies four men as 'Eric Thersault [Theriault], Jack Carey, Ken Shultz, Joe Murphy'. From Art Gallery. Jack Carey and Joe Murphy can be found in 98.04.0301, which was photographed by Arthur Davies in 1953
Depicting the Black African Refugee in The Jungle by Joe Murphy and Joe Robertson
Get PDFDepicting the Black African Refugee in The Jungle by Joe Murphy and Joe RobertsonThis paper explores the depiction of black African refugees in The Jungle, a 2017 play by two young British playwrights, Joe Murphy and Joe Robertson.
The Jungle is a theatrical recreation of the lives of refugees from the migrant camp in Calais, from which hundreds of refugees made – and still make –
often fatal attempts to enter the UK through the Channel Tunnel. The graphic images of the squalid living conditions of its residents – many of them from
Africa – dominated the news, as did the dramatic manner in which the camp was dismantled in 2016. This paper is interested in the textual gestures and
representational decisions of the playwrights in the written play that provide clues to the possible ways in which black Africans are thought of and
constructed in the minds of Europeans. In this way, this inquiry contributes to analysing literary engagements with contemporary African migration to Europe provided from European points of view
Ron LeBlanc, John Carey, Byrne Melanson, Joe Murphy, Joe Dysart and Two Friends, 1953
No full textb&w photographFair condition: top left corner creased and torn, all other corners creased, and sides yellowing, tape on top two corners on reverse, and white speck on the forehead of boy seated first from the right.Photo of seven boys taken in front of St. Mary's crest and logo. Front row l to r: Ron LeBlanc, ?, and John Carey. Back row l to r: Byrne Melanson, ?, Joe Murphy, and ?. One of the remaining three lads is Joe Dysart, but which one it is is not specified. Identities confirmed by J. Mills in 2014, but she was unable to find any other photo or mention of J. Dysart in any yearbook from the 1950's. No copy of the 1953 yearbook survives in either print or electronic format.Written in pencil on reverse: '230.0.' Written in black ink on reverse: 'Ron 'Moose' LeBlanc.' Written in ink on reverse: 'John Carey, Byrne Melanson, Joe Murphy, Joe Dysart' and '1953.' Stamped in pink on reverse: 'Arthur Davies Photographs.' Came in white mat with '230.0' written in pencil on reverse. From Art Gallery
Depicting the Black African Refugee in The Jungle by Joe Murphy and Joe Robertson
No full textThis paper explores the depiction of black African refugees in The Jungle, a 2017 play by two young British playwrights, Joe Murphy and Joe Robertson. The Jungle is a theatrical recreation of the lives of refugees from the migrant camp in Calais, from which hundreds of refugees made – and still make – often fatal attempts to enter the UK through the Channel Tunnel. The graphic images of the squalid living conditions of its residents – many of them from Africa – dominated the news, as did the dramatic manner in which the camp was dismantled in 2016. This paper is interested in the textual gestures and representational decisions of the playwrights in the written play that provide clues to the possible ways in which black Africans are thought of and constructed in the minds of Europeans. In this way, this inquiry contributes to analysing literary engagements with contemporary African migration to Europe provided from European points of view
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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