1,721,758 research outputs found

    Estartegias inclusivas en la enseñanza de la lengua inglesa a niños con necesidades educativas especiales en Educación Secundaria

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    Perez Jimenez, Maria Jose; director de proyecto: Hernández Castilla, María de los Reyes2023-2024Máster Universitario en Profesorado de Educación Secundaria Obligatoria y Bachillerato, Formación Profesional y Enseñanza de IdiomasFacultad de Ciencias de la Educació

    A new species of Modisimus Simon (Araneae: Pholcidae) in Baja California Sur, Mexico

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    Jimenez, Maria-Luisa, Palacios-Cardiel, Carlos (2015): A new species of Modisimus Simon (Araneae: Pholcidae) in Baja California Sur, Mexico. Zootaxa 4028 (4): 595-599, DOI: 10.11646/zootaxa.4028.4.1

    FIGURES 8–13. Modisimus sanpedro n in A new species of Modisimus Simon (Araneae: Pholcidae) in Baja California Sur, Mexico

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    FIGURES 8–13. Modisimus sanpedro n. sp. (Female paratype, CARCIB 015). 8–9. Habitus (8 dorsal, 9 ventral). 10–12. Epigynum,ventral, 11–13. Vulva, dorsal. Abbreviation: PP (pore plates).Published as part of Jimenez, Maria-Luisa & Palacios-Cardiel, Carlos, 2015, A new species of Modisimus Simon (Araneae: Pholcidae) in Baja California Sur, Mexico, pp. 595-599 in Zootaxa 4028 (4) on page 597, DOI: 10.11646/zootaxa.4028.4.11, http://zenodo.org/record/23672

    The spider genus Diguetia Simon, 1895 (Araneae: Diguetidae) in North America a new species, redescriptions, and comments on the distribution of the genus

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    Jimenez, Maria-Luisa, Cardiel, Carlos Palacios, Chamé-Vázquez, David (2022): The spider genus Diguetia Simon, 1895 (Araneae: Diguetidae) in North America a new species, redescriptions, and comments on the distribution of the genus. Zootaxa 5205 (2): 125-146, DOI: https://doi.org/10.11646/zootaxa.5205.2.

    Modisimus Simon 1893

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    Modisimus Simon, 1893 Type species. Modisimus glaucus Simon, 1893 Diagnosis. Small to medium-sized spiders (1.5– 4 mm body length) traditionally distinguished by a high elevation of the ocular area, the “eye turret” and by high density of short vertical hairs on male leg femora (Huber, 1998, Huber et al., 2010).Published as part of Jimenez, Maria-Luisa & Palacios-Cardiel, Carlos, 2015, A new species of Modisimus Simon (Araneae: Pholcidae) in Baja California Sur, Mexico, pp. 595-599 in Zootaxa 4028 (4) on page 595, DOI: 10.11646/zootaxa.4028.4.11, http://zenodo.org/record/23672

    Philonotis minuta (Bartramiaceae, Bryophyta) is Proposed as the Correct Name for P. brevifolia , and Recorded for the First Time in North America from California (U.S.A.)

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    The study of the type specimen of Bartramia minuta Taylor, a species described based on Ecuadorian samples that predates the recently resurrected Chilean Philonotis brevifolia Herzog shows that both names displayed the same set of diagnostic characters. In this contribution, P. minuta is proposed as the correct name of this taxon, a lectotype is selected, and its distribution is extended to North America, based on samples collected in California.Fil: Jimenez, Maria Soledad. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Nordeste. Instituto de Botánica del Nordeste. Universidad Nacional del Nordeste. Facultad de Ciencias Agrarias. Instituto de Botánica del Nordeste; ArgentinaFil: Toren, David R.. University of California; Estados Unido

    Contribution to the bryological flora of Argentina. Sphagnum perichaetiale Hampe. and S. recurvum P. Beauv. (Sphagnaceae)

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    Sphagnum perichaetiale Hampe and S. recurvum P. Beauv. are reported as new to Argentina based on collections from the Corrientes province. The presence of S. recurvum in this province is the southernmost locality in America. Sphagnum magellanicum Brid. and S. cuspidatum Ehrh. ex Hoffm. should be excluded from the bryological flora of the province of Corrientes. Descriptions, illustrations, SEM photographs, habitat, ecology and distribution are given.Fil: Fuertes, Esther. Universidad Complutense de Madrid. Facultad de Biologia; EspañaFil: Jimenez, Maria Soledad. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Nordeste. Instituto de Botánica del Nordeste (i); ArgentinaFil: Oliván, Gisela. Universidad Complutense de Madrid. Facultad de Biologia; Españ

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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