1,721,113 research outputs found
Jennifer COATES, Women Talk. Conversations Between Women Friends, London, Blackwell Publishers, 1996, 324 p.
Get PDFEn dépit de sa date de parution un peu ancienne, il semble important de signaler cet ouvrage aux lecteurs de ce numéro de Clio. Les évaluations péjoratives de la conversation féminine sont, comme on sait, un des lieux communs les plus anciens et les plus ancrés ; « bavardage », « caquetage », « ragots »... sont quelques-uns des termes métaphoriques qui stigmatisent une façon d'échanger et un style de contenu situés au plus loin de la parole sûre et pondérée des hommes. Jennifer Coates ..
Language and gender : a reader, 2nd ed./ Edit.: Jennifer Coates
No full textxvii, 615 hal.: ill, tab.; 26 cm
Language and gender : a reader, 2nd ed./ Edit.: Jennifer Coates
No full textxvii, 615 hal.: ill, tab.; 26 cm
Supplemental Material, Supplemental_material - Global Dietary Surveillance: Data Gaps and Challenges
No full text
Supplemental Material, Supplemental_material for Global Dietary Surveillance: Data Gaps and Challenges by Renata Micha, Jennifer Coates, Catherine Leclercq, U. Ruth Charrondiere, and Dariush Mozaffarian in Food and Nutrition Bulletin
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Making Icons
No full textA distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterizations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-war social and political changes were often articulated by or through the female image. Moving across major character types, from mothers to daughters, and schoolteachers to streetwalkers, Making Icons studies the role of the media in shaping the attitudes of the general public. Japanese cinema after defeat in the Asia Pacific War and World War II is shown to be an important ground where social experiences were explored, reworked, and eventually accepted or rejected by audiences emotionally invested in these repetitive materials. An examination of 600 films produced and distributed between 1945 and 1964, as well as numerous Japanese-language sources, forms the basis of this rigorous study. Making Icons draws on an art-historical iconographic analysis to explain how viewers derive meanings from images during this peak period of film production and attendance in Japan.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dictionary of Veterinary Terms (Review)
Get PDFThis article is a book review of Dictionary of Veterinary Terms by Jennifer Coates
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