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    Jennifer Lopez in THE CELL, 2000

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    Jennifer Lopez in a scene from THE CELL, 2000. 35mm color slide

    Tarsem Singh and Jennifer Lopez during production of THE CELL, 2000

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    Tarsem Singh and Jennifer Lopez during production of THE CELL, 2000. 35mm color slide

    Meryl Streep and Jennifer Lopez at the 2014 (87th) Academy Awards ceremony

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    Meryl Streep, left, and Jennifer Lopez at the 2014 (87th) Academy Awards ceremony. Behind them, from left: Jennifer Aniston, Justin Theroux, Marco Perego, and Zoe Saldana. Color tiff

    Jennifer Lopez, Benny Medina, Julianne Moore, and others at the 2014 (87th) Academy Awards ceremony

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    Front row, from left: Don Gummer, second from left, Jennifer Lopez, fourth from left, Benny Medina, Julianne Moore, fourth from right, Bart Freundlich, Lupita Nyong'o, and Jared Leto at the 2014 (87th) Academy Awards ceremony. Others unidentified. Color tiff

    A Measure of Climate Policy Stringency Across Nations: Replication Data

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    Data supplement for journal article: Eisenstadt, Todd A. and Jennifer Lopez. 2023. “Specifying the Gap Between Nations’ Outward-Looking and Domestic Climate Policies: A Call for Measures of Domestic Climate Policy Stringency,” in Climate 2023</p

    NEGOTIATING MASCULINITY IN JENNIFER LOPEZ’ I LUH YA PAPI MUSIC VIDEO : A STUDY OF MALE OBJECTIFICATION

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    In recent years, human’s body has increasingly become such a spectacle in the mass media. Hence, it is not only women’s bodies that becomes the main topic of examination in the mass media nowadays, but it is also happened to the men’s bodies. Men’s bodies can also be objectified and sexualized on display. In this study, this phenomenon will be explored more in order to give deep understanding about how male objectification that happened toward the male models works in the Jennifer Lopez’ I Luh Ya Papi music video. Female gaze theory that is based on Laura Mulvey’s male gaze theory and Nussbaum’s theory of objectification: seven ways to treat a person as a thing will be applied in this study to discover how men as an object are represented on display. Therefore, this study will only take focus on analyzing the male models in the Jennifer Lopez’ I Luh Ya Papi music video by using John Fiske’s TV Culture. After using three levels of TV Culture (reality, representation, and ideology), the upcoming result of this study is that I Luh Ya Papi music video offers the possibility of female gaze and male objectification. The representation of masculine man is also being negotiated in which physically masculine but mentally feminine. Moreover, men’s muscular bodies become such an object to fulfill women’s visual and sexual desire. Unfortunately, the existence of female gaze and male objectification in the I Luh Ya Papi music video is actually still influenced by the patriarchal culture. Thus, this music video clip is not really success in challenging female objectification
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