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Jenkinson, M I, VX37904
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/395180Surname: JENKINSON. Given Name(s) or Initials: M I. Military Service Number or Last Known Location: VX37904. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 39328.228978
Item: [2016.0049.27473] "Jenkinson, M I, VX37904
Selected writings of Sir Hilary Jenkinson
Sir Hilary Jenkinson bio je čovjek koji je u skoro pedeset godina pisanja i objavljivanja u području arhivske administracije i srodnih predmeta, ostavio dubok i značajan utjecaj na arhivsku profesiju kakva ona trenutno jest. Njegovi spisi jedni su od najutjecajnijih u engleskom govornome području. Sir Hilary bavio se širokim rasponom tema, kao što su tallies, diplomacijom, paleografijom, uređivanjem zapisa, pečatima, ratnim mjerama, i tako dalje. S druge strane, sir Hilary Jenkinson i Theodore R. Schellenberg, nisu dijelili mišljenja u vezi vrednovanja arhivskih zapisa. U radu se preispituju njihovi pogledi na samu prirodu arhivskih zapisa, razlozima njihova zadržavanja, te uloga arhivista u procesu vrednovanja. Zatim, prati napredak njihovih ideja kroz kasniji arhivski diskurs o vrednovanju kako bi se utvrdila njihova relevantnost i trajan doprinos.Sir Hilary Jenkinson, was the one man who, in almost fifty years of writing and publishing in the field of archive administration and allied subjects, left a deep and significant influence on the archive profession as it now is. His writings are one of the most influential in the English-speaking world. Sir Hilary dealing with a wide range of topics, such as tallies, diplomatic, palaeography, arranging records, seals, wartime measures and so on. At the other hand, Sir Hilary Jenkinson and Theodore R. Schellenberg, held different opinions on the subject of the appraisal of archival records. This paper examines their views on the nature of archival records, the reasons for their retention, and the role of the archivist in the appraisal process. It then traces the progrss of their ideas through the subsequent archival discourse on appraisal in order to identify their continued relevance and lasting contribution
‘Ainm bréige go dtiocfad fíor’ Filíocht Bhiddy Jenkinson agus Teoiric na Feiniméaneolaíochta
Cuirim romham sa tráchtas seo staidéar a dhéanamh ar fhilíocht agus ar fhealsúnacht fhileata an scríbhneora, Biddy Jenkinson. Is duine de mhórscríbhneoirí na Nua-Ghaeilge í. Is ainm cleite é an t-ainm Biddy Jenkinson, rud a fhágann go bhfuil mistéir ar leith ag baint leis an scríbhneoir ildánach seo. Sa tráchtas seo, déanfar an cur chuige feiniméaneolaíoch a chur i bhfeidhm ar fhilíocht Bhiddy Jenkinson. Is teoiric fhealsúnach í an fheiniméaneolaíocht a dhéanann anailís chórasach ar an gcomhfhios.
Déanann an fheiniméaneolaíocht, mar sin, scrúdú ar mhórcheisteanna fealsúnacha na tuisceana agus an eolais. Díreofar sa tráchtas seo ar an mbealach go ndéanann Jenkinson anailís ar phróiseas a cuid tuisceana féin ina saothar fileata trí chéile. Deir Jenkinson: ‘Níl rogha ag an intinn fhiafraitheach ach a bheith ar thóir feasa - agus is deacair intinn fhileata nach intinn fhiafraitheach í, a shamhlú. "Cad chuige, Cén chaoi”?’1
Déanann an fheiniméaneolaíocht staidéar ar an gcomhfhreagras idir comhfhios an duine agus an domhan. Sa teoiric fheiniméaneolaíoch, cuirtear an ‘lifeworld’ nó an saoldomhan ar an tuiscint atá againn trí mheán an chomhfheasa ar an saol agus ar an domhan. Déanfar staidéar ar an gcaoi go n-eascraíonn léargaisí spéisiúla d’fhealsúnacht fhileata Jenkinson as an gcomhfhreagras atá le rianú idir comhfhios shuibiacht scríbhneoireachta na ndánta seo agus an domhan.
Coincheap lárnach sa tráchtas seo is ea an tsuibiacht i bhfilíocht Bhiddy Jenkinson. Pléifear an chaoi go dtagann suibiacht scríbhneoireachta na ndánta seo i láthair i mbealaí éagsúla agus suntasacha mar gheall ar úsáid an ainm chleite. Déanfar plé, chomh maith céanna, ar an idirghabháil idir suibiachtaí – an idirshuibiachtúlacht - ar téarma feiniméaneolaíoch é. Díreofar ar an gcaoi gur claonadh lárnach i bhfilíocht Bhiddy Jenkinson é a léargas ar an idirshuibiachtúlacht.
Cuid lárnach den tráchtas seo ná an cúram a dhéanann Jenkinson den teanga agus den traidisiún Gaeilge.
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‘Ainm bréige go dtiocfad fíor’ Filíocht Bhiddy Jenkinson agus Teoiric na Feiniméaneolaíochta
Cuirim romham sa tráchtas seo staidéar a dhéanamh ar fhilíocht agus ar fhealsúnacht fhileata an scríbhneora, Biddy Jenkinson. Is duine de mhórscríbhneoirí na Nua-Ghaeilge í. Is ainm cleite é an t-ainm Biddy Jenkinson, rud a fhágann go bhfuil mistéir ar leith ag baint leis an scríbhneoir ildánach seo. Sa tráchtas seo, déanfar an cur chuige feiniméaneolaíoch a chur i bhfeidhm ar fhilíocht Bhiddy Jenkinson. Is teoiric fhealsúnach í an fheiniméaneolaíocht a dhéanann anailís chórasach ar an gcomhfhios. Déanann an fheiniméaneolaíocht, mar sin, scrúdú ar mhórcheisteanna fealsúnacha na tuisceana agus an eolais. Díreofar sa tráchtas seo ar an mbealach go ndéanann Jenkinson anailís ar phróiseas a cuid tuisceana féin ina saothar fileata trí chéile. Deir Jenkinson: ‘Níl rogha ag an intinn fhiafraitheach ach a bheith ar thóir feasa - agus is deacair intinn fhileata nach intinn fhiafraitheach í, a shamhlú. "Cad chuige, Cén chaoi”?’1 Déanann an fheiniméaneolaíocht staidéar ar an gcomhfhreagras idir comhfhios an duine agus an domhan. Sa teoiric fheiniméaneolaíoch, cuirtear an ‘lifeworld’ nó an saoldomhan ar an tuiscint atá againn trí mheán an chomhfheasa ar an saol agus ar an domhan. Déanfar staidéar ar an gcaoi go n-eascraíonn léargaisí spéisiúla d’fhealsúnacht fhileata Jenkinson as an gcomhfhreagras atá le rianú idir comhfhios shuibiacht scríbhneoireachta na ndánta seo agus an domhan. Coincheap lárnach sa tráchtas seo is ea an tsuibiacht i bhfilíocht Bhiddy Jenkinson. Pléifear an chaoi go dtagann suibiacht scríbhneoireachta na ndánta seo i láthair i mbealaí éagsúla agus suntasacha mar gheall ar úsáid an ainm chleite. Déanfar plé, chomh maith céanna, ar an idirghabháil idir suibiachtaí – an idirshuibiachtúlacht - ar téarma feiniméaneolaíoch é. Díreofar ar an gcaoi gur claonadh lárnach i bhfilíocht Bhiddy Jenkinson é a léargas ar an idirshuibiachtúlacht. Cuid lárnach den tráchtas seo ná an cúram a dhéanann Jenkinson den teanga agus den traidisiún Gaeilge. 1Bidd
Sir Charles Hilary Jenkinson. Sylwetka naukowa nestora archiwistyki brytyjskiej
This article presents the academic profile of Sir Charles Hilary Jenkinson, who in the first half of the 20th century had major influence on the development of Anglo-Saxon archival thought. The theoretical models and conceptual solutions he suggested have been a subject of academic reflection conducted in different parts of the archival world. The article contains the profile of H. Jenkinson in the context of professional experience, which found its reflection in the archival theory he presented. The text discusses the essential components of concepts and assumptions presented in the Manual of Archive Administration which remains the most famous and recognised book he authored. This article was created based on an analysis of materials which constitute the archival legacy remaining after H. Jenkinson and a review of Anglo-Saxon literature of the subject.Artykuł przedstawia sylwetkę naukową sir Charlesa Hilarego Jenkinsona, który w pierwszej połowie XX w. wywarł istotny wpływ na rozwój anglosaskiej myśli archiwalnej. Zaproponowane przez niego modele teoretyczne i rozwiązania koncepcyjne były i nadal są przedmiotem refleksji naukowej prowadzonej w różnych częściach archiwalnego świata. Artykuł zawiera biogram H. Jenkinsona ukazujący kontekst doświadczeń zawodowych, które znalazły swoje odzwierciedlenie w przedstawionej przez niego teorii archiwalnej. W tekście omówiono kluczowe elementy pojęć i założeń zaprezentowanych w książce Manual of Archive Administration, która pozostaje najbardziej znanym i cenionym dziełem jego autorstwa. Artykuł powstał w oparciu o analizę materiałów składających się na spuściznę archiwalną pozostałą po H. Jenkinsonie oraz przegląd anglojęzycznej literatury przedmiotu
Eric Sevareid and the Philosophy of Journalism
What constitutes serious journalism? Can a reporter be a philosopher? How did broadcast journalism change the philosophy behind news reporting? These are just some of the questions that come to mind when one thinks about the life and work of Eric Sevareid. Born in Velva, North Dakota, Sevareid was one of America’s most influential broadcast journalists. One of “Murrow’s Boys” – named as such because of his extensive work with the legendary Edward R. Murrow – his reports on World War II captivated America. On this episode of Why?, Clay Jenkinson returns to examine Sevareid’s legacy and the ways in which journalism has changed since then. Discussing his current documentary project on the legendary reporter and Sevareid’s autobiography Not So Wild A Dream, Jenkinson will explore the impact journalism has on the world around us and ways in which autobiography reveals how one person, at least, crafted and pursued his personal mission.
The episode also celebrates the new “philosophy issue” of North Dakota Humanities Council’s magazine On Second Thought. Click here download a copy. Or, click here to read it online.
A cultural commentator who has devoted most of his professional career to public humanities programs, Clay Jenkinson is the host of public radio’s The Thomas Jefferson Hour. He has been honored by two United States presidents for his work. On November 6, 1989, he received one of the first five Charles Frankel Prizes, the National Endowment for the Humanities’ highest award (now called the National Humanities Medal), at the nomination of the NEH Chair, Lynne Cheney. Since his first work with the North Dakota Humanities Council in the late 1970s, including a pioneering first-person interpretation of Meriwether Lewis, Clay Jenkinson has made thousands of presentations throughout the United States and its territories, including Guam and the Northern Marianas. He is also the author of numerous books.
Why?’s host Jack Russell Weinstein says, “Sevareid is a romantic figure who builds his sense of self on an idealized North Dakota childhood. These days, Clay Jenkinson is probably America’s most recognized North Dakota romantic. I can therefore think of no better person to channel Sevareid and no more appropriate mind to explore these issues with. I’m thrilled for Clay’s return to the show and for the opportunity to once again examine how the lives of North Dakotans reveal the larger human experience.”https://commons.und.edu/why-radio-archive/1121/thumbnail.jp
‘Cé hí siúd Biddy Jenkinson?’: freagra an fhile ina saothar neamhfhicsin
In ainneoin a bisiúlachta agus a stádais mar dhuine de mhórscríbhneoirí Gaeilge na linne, is beag atá scríofa ar mhodh oibre Bhiddy Jenkinson. Na scoláirí a chuaigh i ngleic le filíocht Jenkinson go dtí seo, ghlac siad go misniúil le dúshlán an fhile (1988: 51) gan foinsí seachtracha a tharraingt isteach agus dán dá cuid faoi chaibidil. Mionanailís laistigh de phriosma an dáin nó na ndánta is mó a chleacht siad dá bhrí sin. Sa pháipéar seo brisim an nós sin agus seachnaím, den chuid is mó, aon phlé ar scríbhneoireacht chruthaitheach Jenkinson. Ina ionad sin, is é aidhm an pháipéir ná scéal suimiúil a teacht chun solais a insint agus iniúchadh a dhéanamh ar a causa scribendi mar a léirítear é ina saothar neamhfhicsin. Féachaim leis an mhéid sin a dhéanamh gan teacht salach ar mhian an fhile gan ‘míniú’ beathaisnéise a lorg dá saothar. Tá an t-alt seo roinnte ina thrí chuid. Tugann cuid a haon cuntas gasta stairiúil ar an mhistéir a bhain le persona fileata Jenkinson sna luathbhlianta. Déanann cuid a dó anailís ar na tuairimí a thagann chun tosaigh arís agus arís eile ina cuid aistí agus in agallaimh léi. Ar deireadh, luaitear duáilcí na filíochta a gcuireann Jenkinson go láidir ina gcoinne ina saothar neamhfhicsin
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Action in self-awareness: evidence from anosognosia for hemiplegia and from somatoparaphrenia
Conscious awareness is a fascinating psychological function of the human mind. It describes a subjective first-person phenomenon (Damasio, 1998), that consists in both the cognitive processes of the self and its interactions with the external world.
Therefore the construction of the self-awareness includes all the experiences re-lated to the body (James, 1980), in order to process and to represent the perceptual, motor, emotional and cognitive states as own bodily states.
This function results to be impaired in several neuropsychological and neurologi-cal disorders (Flashman, 2002), causing interferences with the personal identity or the awareness about ourselves (Orfei, et al., 2007). These pathological conditions reveal insight to scientifically investigate the cognitive processes and the neuroanatomical networks involved in awareness of the bodily self (Fotopoulou, 2012).
The self-awareness include both the 'sense of agency' as the feelings of the authorship and control of our actions and of the following changes on the external world and the 'sense of ownership' as the appreciation of the body as belonging to me (Gallagher, 2000) and they can be selectively or simultaneously impaired.
The specific disorder of body agency is the Anosognosia for hemiplegia (Babinski, 1914), as the apparent unawareness of own sensorimotor deficits or the inability to acknowledge and appreciate the severity of the paralysis and other sensorimotor deficits following stroke (Cocchini, Beschin, Cameron, Fotopoulou, & Della Sala, 2009)
Indeed the disturbances affecting the body ownership are the inability to recognize one's own body ('asomatognosia', Cutting, 1978) and the misattribution of ownership of own arm to another person ('somatoparaphrenia', Gerstmann, 1942).
This thesis aims to investigate the possible influences of bodily aspects in self-awareness, by focusing on the specific role of actions.
In Chapter 1 and 2, I introduced the disturbances of self-awareness of the Anosognosia for Hemipleia, and Somatoparaphrenia with neuropsychological and neuroanatomical accounts. Subsequently I wanted to highlight the importance of planning an action in these deficits in order to enhance the degree of motor awareness through both bottom-up and top-down mechanisms.
My main projects focused on the investigation of the role of the Action in Anosognosia for Hemiplegia. In details in Chapter 3, 4 and 5 my experiments based on evaluating the fluctuations of motor awareness in patients with Anosognosia for Hemiplegia during the request to execute an action. I investigated this issue in some different tasks: in the attempts to act, in third-perspective view and in automatic bodily activation by measuring skin conductance responses. In addition I modulated the affective resonance of these tasks by using dangerous stimuli, so that I could evaluate the influences of both bottom-up sensorimotor and top-down emotional and cognitive components in awareness' fluctuations. I also integrated brain lesion-analyses to understand the neural networks underneath.
In Chapter 6, I integrated the thesis with a single-case study of a patient with Crossed Somatoparaphrenia. This rare disorder gave me the possibility to investi-gate some aspects related to the body image and the body schema. I studied this patient in different situations assessing: multisensory integration and spatial components of proprioception and third-perspective view, in order to evaluate both sensorial and higher-order possible effects relating to the body representation.
In addition, I also enclosed two single-case studies. The first was a young patient with Balint's syndrome, which was evaluated in a cross-modal task, the second a man affected by Tactile Agnosia, whit whom I applied a rehabilitation program with transcranical direct-current stimulation. These studies are included as extra experiemental studies not belonging to the main PhD topic
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