1,720,958 research outputs found
Family Continuity and Territorial Power in Early Medieval West Francia. A Reconsideration of the 'House' of Vermandois (9th-10th Centuries)
© 2018 The Author(s). The political history of early medieval West Francia is often conceived of as the story of influential lineages. This article explores the territorial power and social status of the “house of Vermandois” in the ninth and tenth centuries, suggesting that (a) there is only rare proof of large-scale continuity between different generations of the lineage, (b) there is no evidence that the accumulation of wealth into the hands of the family was the chief purpose of the actions of individual “Herbertians,” and (c) the traditional picture of a “house” is indebted to modern historians confused by post–tenth-century sources.sponsorship: The author disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: The research for this article was conducted during the project The Authority of the Bishop in the post-Carolingian and pre-Gregorian Era (ca. 900-ca. 1050) at KU Leuven, funded by the Research Foundation Flanders (FWO). (Research Foundation Flanders (FWO))status: Publishe
Gesta episcoporum Cameracensium. Mémoire et identité en Lotharingie au début du XIe siècle
Vendredi 15 novembre 2013 Salle de Séminaire IRHiS Programme et plan d'accès 10h00 : Accueil des participants 10h15 : Charles Mériaux, Université Lille3, IRHiS Présentation de la journée 10h30 : Ortwin Huysmans, KU Leuven, Les réformes monastiques dans les Gesta de Gérard Ier de Cambrai : discussions historiographiques et paradigmatiques 11h00 : Sam Janssens, Universiteit Gent, La Paix de Dieu dans les Gesta de Gérard de Cambrai : questions historiographiques 11h30 : Jelle Lisson, KU..
Gesta episcoporum Cameracensium. Mémoire et identité en Lotharingie au début du XIe siècle
Vendredi 15 novembre 2013 Salle de Séminaire IRHiS Programme et plan d'accès 10h00 : Accueil des participants 10h15 : Charles Mériaux, Université Lille3, IRHiS Présentation de la journée 10h30 : Ortwin Huysmans, KU Leuven, Les réformes monastiques dans les Gesta de Gérard Ier de Cambrai : discussions historiographiques et paradigmatiques 11h00 : Sam Janssens, Universiteit Gent, La Paix de Dieu dans les Gesta de Gérard de Cambrai : questions historiographiques 11h30 : Jelle Lisson, KU..
The Dark Side of Remembrance: How Medieval Chroniclers Demonized Bishop Adalbero of Laon (977-1033)
Edges of Episcopal Power: Local Society and the Evolution of Diocesan Borders in Liège (<i>c.</i> 900-<i>c.</i> 1200)
<i>Per omnia ecclesiastica officia promotus.</i> A normative perspective on the career of Bishops in the Church Province of Reims (888-1049)
‘The king and the bishops have much to offer’: episcopal appointments and the legitimacy conflict over the archiepiscopal see of Reims (989‐99)
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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