1,721,993 research outputs found
Conversation with GOP Gubernatorial Candidate Jeff Johnson
Join the Center for the Study of Politics and Governance for a sit-down with GOP gubernatorial candidate, Jeff Johnson. Johnson will discuss policies that he would propose if elected governor of Minnesota. The conversation will be moderated by Professor Larry Jacobs.Center for the Study of Politics and Governance, Humphrey School of Public Affairs, UMNJohnson, Jeff; Jacobs, Lawrance. (2014). Conversation with GOP Gubernatorial Candidate Jeff Johnson. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/194290
1977 Jeff Johnson doing conditioning exercises
Alt Text: UNI football athlete Jeff Johnson and others work on conditioning exercises in the UNI Dome. He wears a dark t-shirt and gray sweatpants. Black and white image.https://scholarworks.uni.edu/panther_athletics/1339/thumbnail.jp
Jeff Johnson in 2002 Winter Olympic volunteer uniform standing inside
Jeff Johnson, former Utah State Archives employee, pictured in 2002 Winter Olympic volunteer uniform
Jeff Johnson in 2002 Winter Olympic volunteer uniform standing outside
Jeff Johnson, former Utah State Archives employee, pictured in 2002 Winter Olympic volunteer uniform
UW School of Music presents a Faculty Recital Marc Seales, piano with Jeff Johnson, bass April 3, 2015
Concert ProgramUW School of Music presents a Faculty Recital Marc Seales, piano with Jeff Johnson, bass
April 3, 201
Dynamics of Multilevel Complex Systems
Rationale beyond DyM-CS:
Many artificial and natural systems are characterised by a high level of differentiation in structure and organisation; they exist in areas as diverse as the Internet, energy management, climate, financial markets, infrastructures (including ICT), biology, transport, epidemics, meteorology, urban planning, social simulation and policy impact assessment.
In order to describe and control these systems there is a need to observe and reconstruct their dynamics and make sense of large amounts of heterogeneous data gathered on various scales.
Objectives of DyM-CS:
New mathematical and computational formalism on dynamics of multi-level systems developed and validated on real-world applications involving large and heterogeneous data sets
Progress towards a general theory on complex systems
New ICT-based methods and principles for the management of large scale systems, including ICT systems themselve
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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