183 research outputs found
À propos de Echo de Jean-Pascal Chaigne, oeuvre créée dans le cadre du projet de recherche « Perspectives actuelles de la musique polychorale »
No full textLe 22 janvier 2020 s’est tenu à Genève le premier laboratoire du projet de recherche en création « Perspectives actuelles de la musique polychorale », réunissant notamment des étudiants de la Haute école de musique (hem) de Genève et l’ensemble Contrechamps. Jean-Pascal Chaigne, compositeur, professeur à la hem et responsable du projet, présente les résultats de sa recherche tels qu’ils se concrétisent dans sa pièce Echo, composée à cette occasion. Après avoir expliqué en quoi l’écriture polyphonique de Giovanni Gabrieli et son rapport spécifique au timbre ont inspiré un tel projet, il détaille les procédés de sa partition qui trouvent leur origine dans la musique polychorale vénitienne du xvie siècle : en l’occurrence, les propositions de diminutions ainsi que les différentes formes de polychoralité que l’on rencontre dans Echo.On January 22, 2020, the first workshop of the research-creation project “Perspectives actuelles de la musique polychorale” (“Current Outlooks of Polychoral Music”) was held in Geneva, bringing together students from the Haute école de musique (hem) de Genève and the Ensemble Contrechamps. Project leader Jean-Pascal Chaigne, composer and hem professor, presents the results of his research as they are applied in his piece Echo, composed for the occasion. After explaining how Giovanni Gabrieli’s polyphonic writing and its specific relationship to timbre inspired such a project, he details his musical means, which originate in 16th century Venetian polychoral music: namely, the rhythmic diminutions as well as the different forms of polychorality that we encounter in Echo
First person – Agathe Chaigne
No full textFirst Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Agathe Chaigne is first author on ‘ Three-dimensional geometry controls division symmetry in stem cell colonies’, published in JCS. Agathe is a postdoc in the lab of Ewa Paluch at the MRC Laboratory for Molecular Cell Biology (LMCB), University College London, London, UK, investigating the crosstalk between cell division and cell fate transitions during development
Christine Chaigne, Catherine Paix et Chantai Zheng éds., Taiwan : enquête sur une identité
No full textMargolin Jean-Louis. Christine Chaigne, Catherine Paix et Chantai Zheng éds., Taiwan : enquête sur une identité. In: Perspectives chinoises, n°66, 2001. pp. 83-85
Organisation temporelle, écriture rythmique et polychoralité dans "Écho" (2019-2020), œuvre pour trois ensembles de Jean-Pascal Chaigne
No full text"Écho" è un'opera di Jean-Pascal Chaigne per tre ensemble SATB, che possono essere distribuiti nello spazio performativo in base alle possibilità offerte dal luogo. L'organico è aperto, e ogni parte ha quattro versioni completamente scritte: una ‘originale’ e tre varianti o ‘diminuzioni’. Ogni esecutore stabilisce il proprio testo musicale performativo, suonando una singola versione della sua parte o passando da una versione all'altra. Basandosi sull'interpretazione degli schizzi e delle bozze del compositore, questo articolo si concentra particolarmente su quegli aspetti di "Écho" e del suo processo compositivo che sono responsabili dei diversi tipi di policoralità realizzati: in primo luogo, il disegno formale e temporale del brano; poi, l'organizzazione e l'elaborazione ritmica. Lo studio porta all'analisi di un passaggio rappresentativo, che prende in considerazione anche le altre dimensioni musicali (ad es. armonia, dinamica, spazio), così come la revisione che "Écho" ha subito dopo le sue prime due esecuzioni. Vengono forniti gli elementi fondamentali per collocare l'opera all'interno della musica d'arte occidentale contemporanea, in particolare in relazione ai derivati del serialismo e del post-serialismo, oltre a contribuire allo sviluppo di altri due argomenti strettamente legati alla concezione di "Écho": la ricezione creativa della ‘musica antica’ e la pratica strumentale e l'accessibilità performativa, per gli ensemble musicali, del repertorio musicale contemporaneo."Écho" is a work by Jean-Pascal Chaigne for three SATB ensembles, which can be distributed in the performative space according to the possibilities offered by the venue. The instrumentation is open, and each part has four entirely written versions: one ‘original’ and three variants or ‘diminutions’. Each performer establishes his or her own performative musical text, either playing a single version of his/her part or moving from one version to another.
Based on the interpretation of the composer’s sketches and drafts, this article particularly focuses on those aspects of "Écho" and its compositional process responsible for the different types of polychorality realized: first, the formal and temporal design of the piece; then, the organization and rhythmic working out. The study leads to the analysis of a representative passage, which also considers the other musical dimensions (i.e. harmony, dynamics, space) as well as the revision that "Écho" underwent after its first two performances.
The core elements are provided to situate the work within contemporary Western art music, particularly in relation with the offshoots of serialism and post-serialism, as well as to contribute in developing two other topics, strictly related to the conception of "Écho", namely the creative reception of ‘early music’, and the instrumental practice and the performative accessibility, for music ensembles, of contemporary music repertoire
Les auteurs
No full textJean-Luc Bonnaud Professeur d’histoire du Moyen Âge, université de Moncton (Canada) Laurent Bourquin Professeur d’histoire moderne, université du Maine Jean-Paul Boyer Professeur d’histoire du Moyen Âge, université de Provence Jean-Christophe Cassard Professeur d’histoire du Moyen Âge, université de Bretagne occidentale Marion Chaigne-Legouy Doctorante en histoire du Moyen Âge, université de Paris IV-Sorbonne François Comte Conservateur du patrimoine, Service archéologique de la ville d’Anger..
Le doute (janvier-mars 2011)
No full textLe doute Compte rendu de la séance du 14 janvier 2011 Compte rendu de la séance du 18 février 2011 Compte rendu de la séance du 18 mars 2011 Compte rendu de la séance du vendredi 14 janvier 2011 Le doute (I) Étaient présents : Simon Abay, Beatrice Barbieri, Cécile Becchia, Jean-Baptiste Camps, Marion Chaigne, Magali Cheynet, Jean-Dominique Delle Luche, Émilie Deschellette, Barbara Falleiros, Klementyne Glinska, Mohan Halgrain, Aurélie Houdebert, Midoriko Kageyama, Blandine Longhi, Fanny Mail..
Le doute (janvier-mars 2011)
No full textLe doute Compte rendu de la séance du 14 janvier 2011 Compte rendu de la séance du 18 février 2011 Compte rendu de la séance du 18 mars 2011 Compte rendu de la séance du vendredi 14 janvier 2011 Le doute (I) Étaient présents : Simon Abay, Beatrice Barbieri, Cécile Becchia, Jean-Baptiste Camps, Marion Chaigne, Magali Cheynet, Jean-Dominique Delle Luche, Émilie Deschellette, Barbara Falleiros, Klementyne Glinska, Mohan Halgrain, Aurélie Houdebert, Midoriko Kageyama, Blandine Longhi, Fanny Mail..
Naissances, renaissances (avril-juin 2012)
No full textNaissances, renaissances Compte rendu de la séance du 13 avril 2012 Compte rendu de la séance du 11 mai 2012 Compte rendu de la séance du 15 juin 2012 Compte rendu de la séance du vendredi 13 avril 2012 Naissances, renaissances (I) Sont présents Émilie Deschellette, Céline Ménager, Fanny Oudin, Jean-Baptiste Camps, Julie Pilorget, Servane Michel, Mélanie Jecker, Marie Bedel, Marion Chaigne-Legouy, Mathilde Grodet, Hélène Rochas, Chloé Chalumeau, Elise Banjenec, Barbara Falleiros, Midoriko ..
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