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Oral history interview with Jean M. Baker
No full textTranscript, 29 pp.Jean Baker attended the University of Minnesota, majoring in electrical engineering with an emphasis on digital design. The summer of 1980 she worked for Honeywell (St. Louis Park, MN) on ring laser gyroscopes. Graduating in 1981 she took a job in the defense systems division of Sperry Rand, working in Eagan, Minnesota, to develop computers for the US Navy. Her technical work focused on gate arrays for input-output cards, including the UYK-43 computer. After working part-time while raising small children, she moved to a new job at LSI Logic (1995-2009) working on ASICs for IBM, HP, Lexmark, and Seagate then moving into management.
This material is based on work funded by the Alfred P. Sloan Foundation award B2014-07 “Tripling Women’s Participation in Computing (1965-1985).”Alfred P. Sloan Foundation award B2014-07 “Tripling Women’s Participation in Computing (1965-1985).”Baker, Jean M.. (2015). Oral history interview with Jean M. Baker. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/183252
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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