107 research outputs found
Nang Nak: ru cha pen tamnan khong phi tua sut thai
No full textThe author illustrates the well-known legend of female Thai ghost Mae Nak. The legend have been popular over the recent decades. Many films were made, based on the legend, including the most recent one in 1999. Mae Nak was a lay woman who was believed to live during the reign of King Mongkut. She died while she was pregnant
LASER INDUCED FLUORESCENCE OF NaK
No full textAuthor Institution: Department of Chemistry, Columbia University; Department of Physics, Fordham UniversityThe NaK molecule contained in a crossed heat pipe has been excited with six different lines of the argon ion laser. The fluorescence series from the transition are observed with a m spectrograph. Th\’{e} dissociation energy and the vibrational constants are estimated by following the fluorescence series to high v^{\prime}^{\prime}. The rotational constants and rotational numbering are determined with the help of additional collision-induced satellite lines
Mae Nak Phra Khanong roem mi phua chu Nak tangtae mua rai
No full textThe article focuses on Mae Nak Phra Khanong, a female ghost in Thai popular story. It is believed that this story is based on a true story. From written evidences, the author discovered that the real name of Nak's husband is Chum instead of Mak. He also found out that this name was used for the first time when the story was reproduced in a play. Phrachaoworrawongthoe Krom Phra Narathippraphanphong was a person who created the name ""Mak"" for Nak's husband when he composed the lyrics of the play
Analisis Tari Kreasi Nak Petang Di Sanggar Ncik Gemilau Pekanbaru Riau
No full textThis study aims to analyze the dance created by Nak Petang at Ncik Gemilau Studio, Pekanbaru, Riau. The Nak Petang dance reveals about the youth of the past when it was dusk, the children had to be at home. Dusk is not allowed to wander outside the house anymore. There are many things for children to do such as maghrib prayers and reciting the Koran. The Nak Petang dance was appointed with an Islamic presentation by the choreographer. In the Nak Petang dance the author tries to analyze in terms of dance moves, themes, floor designs, top designs, music, dynamics, make-up, fashion, props, lighting and stage. Data collection techniques used are observation, interviews, and documentation. The conclusion from the dance created by Nak Petang at the Ncik Gemilau studio, Pekanbaru, Riau, is that this dance uses basic movements that are lifted from the forms of Malay silat movements, Zapin movements and Lenggang movements. The floor patterns used are vertical, horizontal, diagonal, half circle and full circle. The dynamics in the creation of Nak Petang dance are in each part/each floor pattern, namely at the beginning, middle and end. The dynamics used are level, tempo and energy which have been developed based on the science of composition. The properties used are a long cloth and a short cloth or commonly called a black and white shawl. The dance created by Nak Petang uses daily Malay costumes, namely female dancers wear Kebaya Laboh and male dancers wear Cekak Musang clothes. In the Nak Petang dance, beautiful makeup is used for female dancers and dashing makeup for male dancers. The dance created by Nak Petang uses yellow and white lighting. While the stage used is the proscenium stage
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The Division System in Crisis: Essays on Contemporary Korea
No full textForeword by Bruce Cumings. Translated by Kim Myung-hwan, Sol June-Kyu,Song Seung-cheol, and Ryu Young-joo, with the collaboration of the author.Paik Nak-chung is one of Korea’s most incisive contemporary public intellectuals. By training a literary scholar, he is perhaps best known as an eloquent cultural and political critic. This volume represents the first book-length collection of his writings in English.Paik’s distinctive theme is the notion of a “division system” on the Korean peninsula, the peculiar geopolitical and cultural logic by which one nation continues to be divided into two states, South and North. Identifying a single structure encompassing both Koreas and placing it within the framework of the contemporary world-system, Paik shows how this reality has insinuated itself into virtually every corner of modern Korean life.“A remarkable combination of scholar, author, critic, and activist, Paik Nak-chung carries forward in our time the ancient Korean ideal of marrying abstract learning to the daily, practical problems of the here and now. In this book he confronts no less than the core problem facing the Korean people since the mid-twentieth century: the era of national division, of two Koreas, an anomaly for a people united across millennia and who formed the basic sinews of their nation long before European nation-states began to develop.” Bruce Cumings, from the forewordPaik Nak-chung is emeritus professor of English literature at Seoul National University. Kim Myung-hwan is professor of English at Seoul National University. Bruce Cumings is professor and chair of history at the University of Chicago.The Seoul-California Series in Korean Studies, vol.
ELECTRONIC TRANSITION DIPOLE MOMENT FUNCTIONS FOR NaK AND
No full text W.J. Stevens, D.D. Konowalow and L.B. Ratcliff, J. Chem. Phys. 80, 1215 (1984). D.D. Konowalow and J.L. Fish, Chem. Phys. 77, 435 (1983).Author Institution: Department of Chemistry, State University of New York at Binghamton; Molecular Spectroscopy Division, National Bureau of StandardsElectronic transition dipole moment functions based on full-valence configuration interaction computations (where effective core potentials are used to describe the core electrons, core-valence correlation energy, and provide for core-valence orthogonality constraints [1,2]) are calculated for alkali diatomic molecules such as NaK and . Comparison with available experimental spectra is made
(An) Essay of Nak Chon Deung Un
No full textNak Chon Deung Un, is the novel written in Korean, reserved in Nak Sean Che, the author and the creating time of which are unknown.
It has China for geographical back-ground, and also the three ages of Se-Jong, Mok-Jong, Shin-Jong in Myeong for time back-ground.
The historical facts and the politicians at that time were described in it.
So in chapter two, how the characters and events of Chinese authantic history are composed is investigated and the citation of ancient happenings in Korea and the state examination system between Myeong and Cho-Seon are described in the way of subject matter.
The creating time and transcribing time are assumed from examining the problems in creating process through the above investigation.
In chapter three the structure of this work is contemplated mainly through the story of this work and life of the hero. In chapter four and five the author's intention is studied through the social aspect reflected in this work and the world view of the author.;「落泉登雲」은 作者와 創作年代 未詳의 한글로 된 樂善齋本小說이다. 이 作品은 地理的 背景이 中國이며 時代的 背景이 明나라 世宗, 穆宗, 神宗 3代에 걸쳐있고 그 당시 실제 政治人들과 史實이 作品에 묘사되어 있다.
따라서 本 硏究는 第二章에서 中國 正史의 人物과 事件이 어떻게 作品化되었는가를 考察하였으며 古代 韓國의 古事引用 양상을 檢討하였고 中國 明나라의 科擧制度와 李朝의 科擧制度를 비교하여 素材論的 側面에서 다루었다. 이러한 考察을 통해 製作過程의 問題를 검토하여 創作年代와 筆寫年代를 추정하였다.
또한 第三章에서는 作品의 梗槪와 主人公의 一代記를 중심으로 作品의 構造를 考察하였고 第四章과 五章에서는 作品에 反影된 社會相과 社會를 바라보는 作家의 世界觀을 통해 作家意識을 살펴보았다.論文槪要 = ⅳ
Ⅰ. 序論 = 1
Ⅱ. 素材論 = 4
1. 人物 = 4
2. 事件 = 27
3. 素材를 통해 본 製作過程의 問題 = 36
4. 製作年代의 추정 = 44
Ⅲ. 作品의 構造 = 46
1. 作品梗槪 = 46
2. 構造 = 48
3. 人物 = 61
Ⅳ. 作品에 反影된 社會相 = 76
Ⅴ. 作家意識 = 87
Ⅵ. 結論 = 90
參考文獻 = 92
英文抄錄 = 9
Seeing a hard country : Lawrence’s Australian landscape
No full textIn 1944 Australian author Eleanor Dark wrote that Australia is a hard country for an outsider to see, citing, in evidence, the writing of the “strange, foreign-looking little man with the beard” -- the self-described by D. H. Lawrence. According to Dark, Lawrence was bewildered by Australia because what his eyes saw was not what they were accustomed to seeing. Kangaroo, she wrote, suggests one long, tormented effort to see. Lawrence appears, for Dark, to be half-blind, struggling, and irritated almost beyond belief with his visit to New South Wales. Eleanor Dark wrote this critique in 1944, long after Lawrence’s 1922 visit, but for her, as for other Australian writers, Kangaroo continued to register as an important book, even if the content rankled. Katharine Susannah Prichard and Christina Stead, both advocates in general of Lawrence, likewise rejected the tenor of Kangaroo, although Lawrence would not have been worried about the response. In 1929 he referred to his irritation with Australia in letters to P.R. “Inky” Stephensen, the Australian nationalist and publisher, and he does not seem to have changed his opinions since writing Kangaroo. Yet the novel continued to be significant for Australian writers, even if as a provocation. My discussion traces the responses of the women authors to Kangaroo, and refers to Lawrence’s letters to Stephensen, as a way of emphasizing this significance, seen especially in relation to ideas about ‘seeing’ and the Australian landscape
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