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United States vs Jason L. Pendleton, 1840, 1844-1846
No full textLetters relating to the case of United States vs. Jason L. Pendleton, Captain of the Brig Montevideo, for involvement in the slave trade. Records include: letter from James Birckhead in Rio de Janeiro, Brazil, to John Glenn in Baltimore, Maryland, dated July 21, 1840; three letters from Alexander Riddell in Rio de Janeiro to Jason L. Pendleton aboard the Montevideo, dated June 25, 1844, July 5, 1844, and August 1, 1844; certificate in Portuguese signed by US Vice-Consul Domingos Rodrigues Souto, Jason L. Pendleton, Robert Baker, and James Robertson, dated June 1844; two letters from Robert Baker in Baltimore Jail to the President of the United States, dated December 18 and 21, 1845; copy of docket entries from trial in District Court of Maryland, dated June 1845 and signed by Thomas Spiers; Letter to William P. Preston from Jason L. Pendleton from Baltimore Prison, dated June 28, 1846
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Oral History Interview with Jason L. Cooley, March 24, 2023
No full textInterview with Jason L. Cooley, an employee of the city of Frisco. The interview discusses the development of North Texas Cities; childhood in New Orleans, LA.; education in the University of Southern Mississippi and University of Texas at Dallas; mixed-race marriage; male involvement with the Parent-Teacher Association; political consulting; current trends in city management; employment at Arlington Texas Police Department; cities of Addison, Frisco and McKinney, Texas; fast growing cities in North Texas; minority-majority cities; growth of immigrant population; Frisco Inclusion Committee; attracting large corporations to North Texas cities: Toyota, Universal Studios, Nebraska Furniture Mart, The Dallas Cowboys, the Professional Golf Association, IKEA, TIA Craft, and Dr. Pepper Snapple; Chief Innovation Officer, Frisco, Texas. Smart cities; autonomous cars, Starship robots, and Google Wing autonomous drone delivery; Frisco Independent School District partnerships; University of North Texas Frisco campus; and Covid vaccine clinics
Letter From Jason L. Merrill to John H. Camp
No full textLetter from Jason L. Merrill, paper plant chemist for the United States Department of Agriculture, to John H. Camp
The marriage record of Taylor, Jason L. and Kelso, Mattie M
No full textMarriage license for Mattie M. Kelso and Jason L. Taylor. A. Johnson was the officiant
03-05-2019 Dr. Jason L. Johnson Named Dean of the SWOSU College of Arts & Sciences
Get PDFDr. Jason L Johnson has been named Dean of the College of Arts & Sciences at Southwestern Oklahoma State University in Weatherford
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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