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    Jan Mast?

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    Op zoek in Breukelen en omgeving naar sporen van het werk van de Utrechtse Beeldhouwer Jan Mast. Jan Mast (ca. 1680-1736) was van 1718 tot zijn overlijden in 1736 woonachtig in Breukele

    Jan Mast, 18de eeuws beeldhouwer te Breukelen

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    Beknopte biografie van de beeldhouwer Jan Mast (ca. 1680-1736) en een overzicht van zijn werk in de Vechtstreek

    Nog eens Jan Mast, beeldhouwer te Breukelen

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    Beschrijving van vier marmeren reliëfs rond de hardstenen tombe van Joan Ortt en Anna Pergens in de N.H. kerk te Breukelen. Sculpturen zijn gemaakt door beeldhouwer Jan Mast uit Breukele

    Jan Mast, een Utrechtse beeldhouwer van grafmonumenten in de achttiende eeuw

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    Until now, not much was known about Jan Mast, an eighteenth century sculptor from Utrecht. He left four signed funerary monuments in marble, two in the church of Wijhe (province of Overijssel), one in Tiel and one in Houten. Apart from these, a wooden Justice statue by him exists, which is now in the Centraal Museum in Utrecht. Jan Mast is to be regarded as a successor of seventeenth-century sculptors, such as Artus Quellinus, Rombout Verhulst and Bartholomeus Eggers. He often used the same imagery in the mourning symbolism on the funerary monuments. However, in the eighteenth century commissions for such monuments were more frequently given by private individuals than by the authorities as was the case in the seventeenth century. Mast used fashionable elements, such as portrait medallions and a portrait bust, putti and obelisks. From written sources it is known that he also made garden ornaments; unfortunately none of these have been preserved as far as we know. Although the work of Mast lacks the originality of his predecessors, he is still to be regarded as a competent craftsman of his time, when sculptors from the northern Netherlands, particularly in Utrecht did not prevail

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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