1,721,108 research outputs found
Jan Filip (24.12.1900-30.4.1981)
No full textKruta Venceslas. Jan Filip (24.12.1900-30.4.1981). In: Etudes Celtiques, vol. 19, 1982. p. 325
Jan Filip - Zwiefelhofer. Portrait of the actor Jan Filip in the context of Ostrava theatre
No full textThe aim of the work Portrait af Jan Filip-Zweifelhafer in cantext af Ostravian theatre is to outline the actors work on historical background of Czech theatrical society in at the end of the 20th century. Jan Filip was born on 7th april 1936 in Prague but spent his childhood and youth in Sušice, the town which he never stops visiting in his entire life. He graduates from the grammar school there and starts working as geodesist in Mariánské Lázně near by. He joins amateur theatricals and then strikes the attention of a gifted theatrician Jiří Dalík who offers Filip the first professional contract in Karlovy Vary theatre. He accepts and in 1960 starts his "border line theatres" era. Saša Lichý, art director of Petr Bezruč Theatre, offers Jan Filip in 1966 to come to Ostrava. He accepts, moves there with his family and stays until the end of his life. During his engagement in Petr Bezruč Theatre, he turns from the position of romantic herD into characterful actor. It is right in PBT where Jan Filip fully develops his crafts and artistic abilities. He also tryes the taste of fame and admiration there. ln 1976 Filip changes the scene and acquires engagement in Ostrava State Theatre. Working enviroment changes. The bigger ensemble, different audience, different resource of professional and personal growth. During..
Jan Filip - Zwiefelhofer. Portrait of the actor Jan Filip in the context of Ostrava theatre
No full textThe aim of the work Portrait af Jan Filip-Zweifelhafer in cantext af Ostravian theatre is to outline the actors work on historical background of Czech theatrical society in at the end of the 20th century. Jan Filip was born on 7th april 1936 in Prague but spent his childhood and youth in Sušice, the town which he never stops visiting in his entire life. He graduates from the grammar school there and starts working as geodesist in Mariánské Lázně near by. He joins amateur theatricals and then strikes the attention of a gifted theatrician Jiří Dalík who offers Filip the first professional contract in Karlovy Vary theatre. He accepts and in 1960 starts his "border line theatres" era. Saša Lichý, art director of Petr Bezruč Theatre, offers Jan Filip in 1966 to come to Ostrava. He accepts, moves there with his family and stays until the end of his life. During his engagement in Petr Bezruč Theatre, he turns from the position of romantic herD into characterful actor. It is right in PBT where Jan Filip fully develops his crafts and artistic abilities. He also tryes the taste of fame and admiration there. ln 1976 Filip changes the scene and acquires engagement in Ostrava State Theatre. Working enviroment changes. The bigger ensemble, different audience, different resource of professional and personal growth. During..
The Archeologist Jan Filip up to 1948
No full textCílem diplomové práce je sepsání biografie archeologa Jana Filipa do roku 1948. Výsledná práce nejprve analyzuje poměry, ze kterých archeolog pocházel se zřetelem k rodinnému zázemí. Rozebírá studia Jana Filipa včetně vojenské služby a věnuje pozornost jeho činnosti inventarizační, pedagogické a publikační. Pro lepší orientaci je přidán jmenný a místní rejstřík včetně příloh. Badatel má možnost nahlédnout do první poloviny života významného českého archeologa.The aim of the thesis is writing a biography of archaeologist Jan Filip up to 1948. Outcome analyzes the proportions of which came archaeologist with regard to family background first. Analyzes Jan Filip's studies including military service and pays attention to his actions in inventory, teaching and publication. For better orientation is added a local and names register including attachments. The researcher has an insight into the first half of the life of important Czech archaeologist
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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