1,721,012 research outputs found
Jan Rutkowski, Histoire économique de la Pologne avant les partages
Bloch Marc. Jan Rutkowski, Histoire économique de la Pologne avant les partages . In: Annales d'histoire économique et sociale. 1ᵉ année, N. 1, 1929. pp. 147-150
Jan Rutkowski, Histoire économique de la Pologne avant les partages
Bloch Marc. Jan Rutkowski, Histoire économique de la Pologne avant les partages . In: Annales d'histoire économique et sociale. 1ᵉ année, N. 1, 1929. pp. 147-150
Economic Origins of the Partitions
The paper is an English translation of Gospodarcze podłoże rozbiorów Polski by Jan Rutkowski, published originally in Polish in “Ruch Prawniczy, Ekonomiczny i Socjologiczny” in 1930. The text is published as a part of a jubilee edition of the “Adam Mickiewicz University Law Review. 100th Anniversary of the Faculty of Law and Administration” devoted to the achievements of the late Professors of the Faculty of Law and Administration of the Adam Mickiewicz University, Poznań
Professor Jan Rutkowski: between ars and sacrum
Straipsnyje pristatomos prof. Jano Rutkowskio konservuotos meno vertybės Vilniaus vaivadijoje XX a. pirmoje pusėje. Pateikiami duomenys apie atliktus to meto mokslinius tyrimus, publikuotuose ir rašytiniuose šaltiniuose bei mokslinėje literatūroje rasta informacija apie paveikslų konservavimo priežastis ir atliktų darbų rezultatus. Aptariama anuometinė meno kūrinio ir jo priežiūros (konservavimo) samprata nagrinėjant prof. Rutkowskio straipsnį apie bendrus tapybos konservavimo principus. Reikšminiai žodžiai: Tapybos konservavimo istorija; Janas Rutkowskis; Čenstakavos Dievo Motina; Aušros Vartų koplyčios Dievo Motina; Sapiegų Dievo Motina; History of painting conservation; Jan Rutkowski; Our Lady of Chęstochowa; Our Lady of the Gate of Dawn; Our Lady of the SapiehasAs a result of the intense activity of public organisations for the preservation of cultural monuments in the early 20th century, quite many works of art survived in the Vilnius region. Thanks to the collaboration between the high clergy of the Catholic Church and secular scientists, conservation of sacral easel paintings based on the methods of scientific research was carried out for the first time in the Vilnius region by professor Jan Rutkowski (1881–1940) who arrived from Warsaw specially for this purpose. Professor Rutkowski worked as the chief painting conservator of the Warsaw Royal Castle from 1922. His duties included the supervision of important artworks in various regions of Poland and conservation of artworks under the Law on the Protection of Valuable Objects of Culture and Art adopted by the Council of Ministers of the Republic of Poland on 8 November 1918. The first work of sacral painting famous for its miracles conserved with public funds was Our Lady of Chęstochowa, on which Rutkowski worked from November 1925 to March 1926. According to the professor of the Academy of Fine Arts in Warsaw Wojciech Kurpik, “it was the first time in Poland when science and faith met at a work of art, and it was then that ‘ars’ and ‘sacrum’ merged into a whole”. One of the most impressive and outstanding works conserved by prof. Rutkowski in the Vilnius Voivodeship in 1927 was the painting of Our Lady of the Gate of Dawn. It was the first conservation work of this nature and scientific importance in Vilnius, which was widely covered in the press of that time, and the comprehensive research conducted in relation with this work still remains urgent. Later, in 1927–1929, prof. Rutkowski conserved the painting of The Blessed Virgin Mary or so-called Our Lady of the Poet Adam Mickiewicz in the Dūkštai Piarist church. At the end of June – beginning of July 1935, prof. Rutkowski began the conservation of the painting of Our Lady of the Sapiehas. The conservation works lasted approximately three months. The conservation of this painting and the results of scientific research were unexpected both to professor Rutkowski himself and art historians, as only a small fragment of the original 16th century tempera painting was found. Professor Rutkowski’s article titled “Basic Notes on Paint ing Conservation” was published in The Magazine for the Conservation of Cultural Heritage in 1930/1931. Although the text is of great interest from the viewpoint of applying the conservation theory on concrete works, due to its length only some more significant excerpts are analysed in this article. It was the use of the method of conservation rather than restoration on the artworks that were considered miraculous in the first half of the 20th century that prevented the conservators from transgressing the boundaries of sacrality and did not destroy what many years later can still be considered an object of research
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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