3,014 research outputs found
Six years of School of Media:Exploring specialist pathways for film education throughout students’ experiences of Scottish secondary school
No full textCo-authored by Scottish secondary school teacher Kerry Abercrombie and film education practitioner Jamie Chambers, this article explores School of Media, a specialist pathway within a Scottish secondary school in which young people are able to engage with film education potentially throughout their entire experience of high school. First exploring how School of Media seeks to reconcile aspects of film education with Scotland’s national ‘Curriculum for Excellence’, this essay subsequently adopts a chronological perspective, detailing specific aspects of School of Media’s approach within each of the six years of secondary school. The essay concludes by emphasising the importance of enabling and empowering teacher-led approaches to film education within Scottish classrooms
"Supernatural role playing game," by J. Chambers
No full textJamie Chambers. Supernatural role playing game. Williams Bay, WI: Margaret Weis Productions, 2009, hardcover, $39.99 (224p) ISBN 978-1931567497
Qaisra Shahraz in Interview with Claire Chambers
No full textQaisra Shahraz is a popular and acclaimed Pakistan-born and Manchester-resident screenwriter, educationalist, novelist and short story author. She was recently recognised as number 1 out of the 50 most influential women in Manchester. Last year she won the National Diversity “Lifetime Achiever” Award for services to literature, education, women’s rights and interfaith relationships. She is a Fellow of the Royal Society of Arts, and advisor to Asia Pacific Writers & Translators partnerships. Her novels have been translated into many languages including Mandarin. In this interview, Claire Chambers discusses her new short story collection The Concubine and the Slave-Catcher in detail with Shahraz, as well as asking her to give readers a preview of her current work
Holding chambers (spacers) versus nebulisers for beta-agonist treatment of acute asthma
No full textBackground
In acute asthma inhaled beta₂-agonists are often administered by nebuliser to relieve bronchospasm, but some have argued that metered-dose inhalers with a holding chamber (spacer) can be equally effective. Nebulisers require a power source and need regular maintenance, and are more expensive in the community setting.
Objectives
To assess the effects of holding chambers (spacers) compared to nebulisers for the delivery of beta₂-agonists for acute asthma.
Search methods
We searched the Cochrane Airways Group Trial Register and reference lists of articles. We contacted the authors of studies to identify additional trials. Date of last search: February 2013.
Selection criteria
Randomised trials in adults and children (from two years of age) with asthma, where spacer beta₂-agonist delivery was compared with wet nebulisation.
Data collection and analysis
Two review authors independently applied study inclusion criteria (one review author for the first version of the review), extracted the data and assessed risks of bias. Missing data were obtained from the authors or estimated. Results are reported with 95% confidence intervals (CIs).
Main results
This review includes a total of 1897 children and 729 adults in 39 trials. Thirty-three trials were conducted in the emergency room and equivalent community settings, and six trials were on inpatients with acute asthma (207 children and 28 adults). The method of delivery of beta₂-agonist did not show a significant difference in hospital admission rates. In adults, the risk ratio (RR) of admission for spacer versus nebuliser was 0.94 (95% CI 0.61 to 1.43). The risk ratio for children was 0.71 (95% CI 0.47 to 1.08, moderate quality evidence). In children, length of stay in the emergency department was significantly shorter when the spacer was used. The mean duration in the emergency department for children given nebulised treatment was 103 minutes, and for children given treatment via spacers 33 minutes less (95% CI -43 to -24 minutes, moderate quality evidence). Length of stay in the emergency department for adults was similar for the two delivery methods. Peak flow and forced expiratory volume were also similar for the two delivery methods. Pulse rate was lower for spacer in children, mean difference -5% baseline (95% CI -8% to -2%, moderate quality evidence), as was the risk of developing tremor (RR 0.64; 95% CI 0.44 to 0.95, moderate quality evidence).
Authors' conclusions
Nebuliser delivery produced outcomes that were not significantly better than metered-dose inhalers delivered by spacer in adults or children, in trials where treatments were repeated and titrated to the response of the participant. Spacers may have some advantages compared to nebulisers for children with acute asthma
Letter From William Bell Scott to Mr Chambers
No full textabstract: Concerning Scott's thanks, his writings about his own works, and a manuscript of "The Nightingale Unheard."Seller's Description: Reads "A.L.S. from Author to Mr. Chambers explaining how busy he is... The sonnet is printed in the book. Fredeman: 56.7 £87.50"Handwritten Note: Unknown handwriting at top right reads "June 1st 1877."Publication Details: "The Nightingale Unheard" published in "Poems" by William Bell Scott.Creation Date Details: Undated range is the author's lifespan.Provenance: Removed from:
Poems / by William Bell Scott. Ballads, studies from nature, sonnets, etc. / illustrated by seventeen etchings by the author and L. Alma Tadema. Publisher London : Longmans, Green, 1875. CALL #
HAYDEN SPECIAL COLL SPEC PRB-13
Letter from M.L.A. Tom Chambers
No full textLetter from Tom Chambers (M.L.A. for Edmonton Calder Constituency) to Mr. John Birzgalis describing a monitary award of $1,000.00 from Horst A. Schmidt, Miniter of Culture toward's the Edmonton Latvian Society's Imanta.1.0 Imanta, 1.1.1 Histor of Imanta in Albert
A treatise on civil architecture : in which the principles of that art are laid down, and illustrated by a great number of plates, accurately designed, and elegantly engraved by the best hands
No full textby William Chambers ..
Inaugurating discussions of an oral cinema:Placing the translation of Scottish community oral storytelling traditions to screen within a wider frame of global filmmaking practice
No full textThis article seeks to inaugurate the global frame of an oral cinema: a cinema that, to a significant extent, is defined by its relationship to community oral cultures. Whilst the case studies featured are largely those arising from Scotland – in particular Simon Miller’s Seachd: The Inaccessible Pinnacle (2007), Timothy Neat’s Play Me Something (1989) and the author’s own film Mysterious Object (currently in post-production) – discussion deliberately reaches outwards to a global, comparative frame drawing upon the more sophisticated treatments of orality in the West African cinemas of Gaston Kaboré and Ousmane Sembene and the Inuit cinema of Zacharius Kunuk. Whilst alive to the dangers of homogenization and destructive, western-led universalisms, this article ultimately attempts to establish a space for utopian montage (Chambers and Higbee 2021a), wherein divergent yet mutually resonant traditions within world cinema may be co-positioned in order to explore aspects of shared practice and solidarity
Another Map, another History, another Modernity
No full textIn this article, the author criticizes the consensual cultural configuration of present-day Italy by displacing concerns of historical and intellectual identity onto a wider Mediterranean map. Elaborating an interdisciplinary and intercultural position that looks to languages and histories that Italian academic life and institutional culture tends to ignore, or repress, the disparaged sides of modernity – the South, the Mediterranean, the Muslim world – become the sites of a diverse critical understanding. Drawing upon the metaphorical powers of the sea itself, this “Mediterranean” view of modern Italy, of the formation of its cultural and critical languages, proposes a more unsettled and fluid cartography that renders inherited questions and “solutions” vulnerable to an inquiry that a national culture is unable to authorize. In particular, the desire for cultural and critical continuity, sustained in a diffuse historicist syntax and policed by moribund disciplinary protocols, is challenged via a “postcolonial” elaboration of Italy as both a Mediterranean and modern formation. This leads to a proposed rupture with the mold of a fundamentally patrician and provincial understanding of native culture. In particular, the contemporary figure of the so-called illegal migrant announces the hidden colonial histories that planetary process return to disturb the surfaces of everyday life. It is the unwelcome turbulence of migration, as one of the central chapters of modernity itself, which now cuts into the historical, political, and cultural body of Italy, exposing it in a global frame that can only be registered in “worldly thinking” (Antonio Gramsci). Precisely at this point, it becomes imperative to draw up another map, narrate another history, and seek another modernity
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